Rescore only! I just find that the original version is too quiet and full of silent parts.
I want to fill these parts but also add a different vibe and rescore the whole film.

I wanted to make a different version of this quite boring remake that Gus Van Sant gave us.
Cut out a lot of scenes to speed things up and rescore it with a 80's vibe.

A synthwave rescorded version of the film to make it more in tone with Escape from New York.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

I wanted to make a faster paced Noir version in black/white.
And to rescore it with German krautrock legends Tangerine Dream.

I almost fell asleep watching the original version. The pace is very uneven and the film is too long to keep your attention. This edit makes it more to the point.

It's a great western film hidden here but the running time is way too long. This edit removes the backstory and focus on the events in Dodge city and Tombstone.

Carlito's girlfriend Gail takes up a lot of screentime so I wanted to just keep the scenes that really needs to be there and cut the movie down for a better pace. To tell faster more streamlined story.

To make this made for Television film to look like a lost classic in Black/White.

A fasted paced grindhouse inspired combo of the two classic Tarantino films.

To make a faster paced and reconstructed version of the film with grindhouse elements.
I find the original version too messy and unfocused with Carolinas (Salma Hayek) scenes split out across the whole film.
In this version all her scenes have been placed at the beginning and then a more streamlined version of the film can take place.

A grindhouse version with a higher pacing.

This Edit combines seven Nicolas Cage films into one strange nightmarish journey!

A rescored version of Mel Brooks Spaceballs with some classic John William's tunes to crank up the Star Wars vibe.

New credits
Trimmed a few scenes.
Replaced the original William Olvis score with Angelo Badalamenti where possible.
A new altered open ending

This edit has focus on Neil McCauley (Robert De Niro) and removes a lot of scenes from the other characters.
This way the movie gets a higher pacing and reduces the running time by 53 minutes.
And I wanted to change the ending as well
This version all belongs to Neil McCauley.