A light edit aimed at making the score more "Bondian". Eric Serra's score was a departure from the traditional Bond scores and is quite divisive among Bond fans.

So... X-Men Apocalypse, this is not a very good movie, not the worst X-Men movie, but close. As bad as it is, there really aren't any edits of it out there. The only one that I have found is Bobson's extended cut. So I decided to try to tackle this one myself.

Season 3 of Camp Camp but with various trims, including Max's condescending attitude towards David reduced and the beginning of Cameron Campbell's redemption arc removed.

Takes the theatrical cut Blu-ray as the main source and adds most of the deleted and extended scenes exclusive to the Extended Edition DVD, adjusted to match the native HD footage as best as possible. Only a few seconds have been removed, this is still largely the same film that introduced many to the magical land of Narnia.

The first Volume in a series of edits aiming to recut GAME OF THRONES to bring it more inline with the A SONG OF ICE AND FIRE book series that it was adapted from. This Volume covers A GAME OF THRONES Chapters 0-22, which mostly corresponds to GAME OF THRONES 1.01 - 1.03.

Boba Fett escapes the Sarlac, gives up bounty hunting, and becomes a friendly tusken tribalist. Years later, as he attempts to gain the respect of a small town on Tatooine by preventing a greedy syndicate from taking control, he befriends a loving rancor. This edit removes scenes that are irrelevant to the plot and also puts everything in chronological order.

“Year of the Dragon” is a great ride. The worldbuilding, the cinematography, Michael Cimino’s direction, Mickey Rourke’s gritty performance as NYC police Captain Stanley White, his balanced contrast with smooth-talking Chinese gangster Joey Tai (John Lone); it all equates to one seriously entertaining film. The flack that Rourke (and Cimino) got for this movie is unfortunate, but understandable. There’s a key issue that makes our flawed protagonist too unlikable, jarringly disrupts the core crime-thriller narrative, involves bad acting, and pushes dopey sexploitation: White’s adulterous pursuit of local Chinatown reporter, Tracy Tzu (Ariane Koizumi; AKA “Ariane”).

By removing the White/Tracy adulterous relationship subplot entirely, I’ve attempted to redeem Mickey Rourke’s character in “Year of the Dragon” as much as possible. I’ve also streamlined the plot to keep focus on what matters: ‘renegade cop who doesn’t follow the rules is on a fanatic moral crusade to clean up crime in Chinatown, colored by his past as a Vietnam vet, and ultimately accelerated by personal vengeance.’

The Mandalorian, Season 3 edited as a 2-hour and 30-minute epic war film complete with the Star Wars opening crawl and end credits.

A High Definition rebuild of the 2005 version of The Producers, given that the Std Def version is now 18 years old

I've always loved the The 13th Warrior. I can remember seeing the trailer for this when I was in high school and thinking just the visuals alone, seeing Arabs and Vikings together, was so cool. Though the film is by no means perfect and suffered from a troubled production, it has some wonderful things going for it including John McTiernan's direction, Jerry Goldsmith's amazing score, and Wolf Kroeger's set design. With all that said, I felt like the final film that was released really suffered from reshoots, especially those done by Michael Crichton, which in my opinion stick out like a sore thumb. So with this edit, I really wanted to focus on removing most of those scenes.

I have been working on a wild Stars Wars edit of Rogue One (2016). This is a Short for IFDb. It took a great deal of time to make even though it is 5 minutes long. I color graded. I added some softening and sharpening effects. I reframed some shots. Added heavy grain and subtle film damage effects. I wrote the script using official references from games and films.. I timed the music to the scene perfectly, I think.

Stephen King’s 11/22/63 is a feature film edit of the Hulu miniseries with a new opening credits and a heavily streamlined story centering on Jake Epping’s traumatic events leading up to the assassination of President John F. Kennedy.

This edit includes footage and voiceovers left out of the final release of this film, as well as a superior grade based on the first two cuts of the film.

Presenting the heavily-truncated home viewing cut with the best possible quality video and audio.

In 2009, Conan O'Brien took over The Tonight Show, but, after only seven months on the job, he suddenly found himself unemployed. Embroiled in a legal battle with the network, Conan took his talents on the road for a 32-city comedy show aptly titled "The Legally Prohibited from Being Funny on Television Tour".

Half an hour of cut scenes, moments, jokes, gags, riffs, and live performances have been reintegrated back into the documentary, for so much more of Conan and his infallable shenanigans. At almost 2 hours long, it really feels like...CONAN O'BRIEN CAN'T STOP!

Chaos ensues as The Simpsons must race against time to save Springfield from destruction, after Homer dooms the town with a silo of pig crap.

Five deleted and alternate scenes have been reintegrated into the film, somehow with only 2 minutes of new footage.

Billy Batson returns as he harnesses his superhero alter ego, Shazam, joining forces with his equally powered foster family to confront ancient adversaries and protect the world from a cataclysmic threat.

The Indignation Edition reintegrates 14 new extended, and deleted scenes into the electrifying sequel, with 10 minutes of new footage.

Second Scribbling Cut revisits a previously light edit of mine and indulges in significantly heavier trims for pacing, as well as to songs and humour. The Taxidermist scene has been re-scored to aid the new tone and there is a slight shift to the order of some scenes. The result is the removal of an additional 30 minutes (39 minutes in total), without sacrificing any of the core narrative. Optional audio is included for a crisper recording of the opening and closing themes, as well as the iconic Albert Hall sequence.