I know this is at least the 5th edit of KOTCS out there, so sue me ;) I've removed an additional 3 scenes (Present in all other edits as far as I know) and the partial retention of Mutt's heroics makes this somewhat unique I hope. For me, Mutt needs those swashbuckling Errol Flynn moments to keep his character alive... he just doesn't need to do acrobatics across two Jeeps and have a spiritual bond with a bunch of CGI monkeys. Let the adventure begin!

The Adventures of Superman is a radio serial that aired from 1940 to 1950. Every episode has a runtime of about 12 - 15 minutes, including an intro and an outro, a commercial break and rather long recaps as well as scenes of repetitive or expositional dialog. You're basically left with about 6 to 7 minutes of actual story. I removed all of the unnecessary stuff and turned eleven episodes into one. I also added sound effects and musical cues from John Williams' score (plus a few seconds of Hans Zimmer).

The 11 episodes I picked are the beginning of a 76 episode story arc; the longest sequence the show ever did. It's the story of The Scarlet Widow stealing the only existing piece of Kryptonite and splitting it between four of Superman's enemies. One part of the Kryptonite is stolen by Der Teufel, a crazy Nazi scientist, to power The Atom Man.

LOST II - Numbers covers the first ten episodes of the second season of the television show of the same name, and depicts the aftermath of Walt's abduction and the survivors' opening of the mysterious hatch in the jungle. This film series eschews the manufactured drama of its parent television series in order to focus on the compelling narrative hidden beneath its surface. In doing so, the central story of the series is brought into focus through a series of ten thrilling and wholly self-contained cinematic experiences.

LOST II - Numbers begins to explore the Island's mysterious past, and continues to establish the interconnectedness of all those who find themselves drawn toward it. As the castaways continue to deal with their survival of the crash of Oceanic Flight 815, they begin to realize one thing: they are not alone. Explore the world of LOST like never before in this unprecedented film experience.

A 10th anniversary tribute to the original Matrix sequels, "The Matrix Revolutions: Reprogrammed" combines the two sequel films together with additional scenes from the "Enter the Matrix" to make a single epic action powerhouse. This edit maintains the core story of the original source while improving character motivations and stripping away many unnecessary and extraneous sub plots. In this version, Neo has no powers over machines in the real world, the Oracle's change in appearance is explained, the train station and club hell are removed, the battle for Zion is vastly improved, and much much more.

This edit has now been replaced with 2014's 'The Matrix Revolutions Decoded'.

LOST I - Genesis covers the first season of the television show of the same name, and depicts the struggles of a diverse and conflicted group of people as they come to terms with the ramifications of their miraculous survival of a plane crash on an island in the South Pacific Ocean. This film series eschews the manufactured drama of its parent television series in order to focus on the compelling narrative hidden beneath its surface. In doing so, the central story of the series is brought into focus through a series of ten thrilling and wholly self-contained cinematic experiences.

LOST I - Genesis lays the foundations for the realization of the joint destinies of the survivors of the crash of Oceanic Flight 815, and sows the seeds for the discovery of their true role in the future of the mysterious island upon which they find themselves. This series of films will finally provide viewers with an easily-accessible, internally consistent series of films that tell the story of the survivors of Oceanic Flight 815 in the most compelling and concise way possible.

Explore the world of LOST like never before in this unprecedented film experience.

I set out to create a leaner, cleaner first part to The Hobbit. I do not demand purism relative to the book; instead, I insist on solid storytelling. Although I've cut most sequences that looked outright ridiculous, I kept Radagast and several other features that don't appear in the book or are more directed toward children, but which contribute to the story. Azog is gone, save only in an appearance as the angry orc in pursuit of Thorin & Company after the death of the Goblin King, the flashbacks are much condensed and differently placed, Frodo is gone, and we are left with a quicker and more magical return to Tolkien’s famous novel.

All 22 deleted scenes (12 minutes) have been restored to the first 2007 'The Thick Of It' Special to create the first of two feature length films.

I've been a lifelong Marx Brothers fan (from my earliest memories), owning all their work on DVD imported from the US. I could debate with myself all day about which of their 13 films is the best ('A Day At The Races'?). But I can say with no doubt that most of their films come with certain baggage...

Due to the commercial neccesities of the time and due to the radical nature of their comedy they usually peppered the popular songs of the day throughout the films, to keep people happy. At the time, this formula was boxoffice dynamite but some of these songs have not aged well and I almost always fast-forward through them (Other songs are still masterpieces, 'Cosi-Cosa' for example). Also sometimes the plots, subplots and supporting talent isn't up to the match of The Brothers' firecracker humour. But fast-forwarding through that material isn't really possible, so wouldn't it be wonderful to have a collection of these films with all the killer and none of the filler?

While I greatly enjoyed the original Silent Hill when I first watched it, I, like many others, wasn't that big of a fan with the Sean Bean scenes. Not that he gave a bad performance (in my opinion), but the heart of the story was with Rose and her struggle, and the real world scenes not only slowed the story down, but created a number of "safe spots" where the viewer could catch their breath. Not so any more!