Steven Soderbergh intercut's Alfred Hithcock's 1960 film 'Psycho', with Gus Van Sant's 1998 near shot-for-shot remake. Aside from one scene, footage from both films is in Black and White.

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Each short has been dramatically cut removing a lot of plot elements to create a shortened narrative which retains the essence of the original film(s).

Set during the chronology of the first film, "Ticket Home" is a reflective look at the hijinks of the 4077 M.A.S.H. Unit as they partake in the United Nation lead Korean "Police Action".

The main difference between my edit and the original show is the pacing. The show had a very serialized pacing whereas the motion picture had an ebb and flow to it. I intended to make my MASH more like the film.

The second of the revamped '9000 Series,' The Approaching Storm delivers a re-crafted perspective on Star Wars Episode II in keeping with the drive of the original trilogy of films. Unnecessary 'galaxy shrinking' cameos from classic characters have been cut-down or removed. Anakin and Padme are depicted as realistic adults developing romantic feelings for one another. The political plot is made more straightforward and graspable. Superfluous action is subdued to make the film more story driven.

This is a modern edit on a classic tale that will appeal to today's audiences who expect a quicker pace and more action. The story has been streamlined which permitted to add some story elements from Superman II. The end result is more action in a similar running time.

This is the creation and eventual destruction of the universe. With music by Tool.

Despite some great live music captured in the movie, the concert is constantly interrupted by something either fairly uninteresting (dull documentary footage that seems staged) or seriously drowned in vanity (the band home movies, or fantasy sequences).

This edit shows one complete uninterrupted concert out of all official footage available.

This is Grown Ups 2 without the horrible burp-snarts, the 'whaaaaats' and other incredibly lame running gags. No Jon Lovitz, very very very much less Nick Swardson. Parts of soundtrack replaced with songs from 2010's Grown Ups, such as 'Sentimental Lady', and 'The Pina Colada Song'. Way more sanitized and grounded than the theatrical version.

From the ashes of the Eugenics Wars a new threat arises. Captain Archer and the crew of the Enterprise race to stop Doctor Arik Soong and his genetically engineered Augments from starting a war between Earth and the Klingon Empire.

Bionic Bob edits the the 3 part Augment Arc into a faster paced action adventure by removing all commercial breaks, unneeded characters and filler subplots.