This edit began with a need to cut all the jokes that ruined the tension of the action, and the pacing of the dialogue. Underneath all those bad jokes was a strong and intense film, so those jokes and attempts at humor were cut. And added deleted scenes were put in to ehance the dramatic feel.

This edit combines Homecoming with Avengers Infinity War while keeping the focus squarely on Peter Parker.

In order to minimize spoilers, the first part is light on reveals however Spoiler levels increase as you go thru the documentary.
This looks at all aspect of the fanedit process, from sound rebuilding, dialogue manipulation, new scene construction, full audio and score replacments AND the planning and mapping of the new narrative structure and the rationale for the decisions made.

Parts 1 and 2 are available indiviually to prevent excessive spoilers being revealed to viewers.

New credits
Trimmed a few scenes.
Replaced the original William Olvis score with Angelo Badalamenti where possible.
A new altered open ending

The opening has been moved forward by 11 years & the "present" back by 5 years, leaving a gap of 6 years instead of 21.
This corrects Jason's age & helps the chronology of the rest of the series going forward.
Both of the new dates are real Friday the 13ths.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

New timeline moves the date back by a year, setting the film on a real Friday the 13th.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

Dates changed to keep continuity with the of the rest F13 [raymix] series timeline.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

Dates changed to keep continuity with the rest of the F13 [raymix] series timeline.
There are many cuts made to alter the timeline, remove filler, tighten the editing & improve the overall ambiance.

Originally written as a wise-cracking Raymond Chandler detective yarn with supernatural elements; the tone shifted once Eddie Murphy was cast in the central role. Out went the sardonic quips from the script and in their place Murphy attempted to ad-lib new jokes throughout most scenes. But the spark wasn’t there the same way it had been for his previous hits and test audiences were not kind.

Their consensus was that at 2 hours the film was too long and slow. And it was decided the orchestral score by John Barry was not helping with the pacing. So with only a couple of weeks to go before its release date the choice was made to chop 30 minutes out of the runtime and replace the music. So Michel Colombier was drafted in to hastily deliver a contemporary synth soundtrack instead.

Usually these abandoned scores are lost to time. But thankfully La-La Land Records released a 3 disc set containing the entirety of John Barry’s discarded work. So its time to see what the film might have been like with the original Barry score.

Eddie Murphy may be the Chosen One... but John Barry is the Unchosen One!

I am a huge King fan and I particularly love The Stand. I was very excited for the new miniseries adaptation coming to Paramount Plus last year. It was a great cast and creative team, and was going to be 9 episodes long, which meant they could tell a lot more of the story than in the previous miniseries.

However... it was kind of a dud. They made the absolutely puzzling decision of telling the story out of order, which makes a lot of the events feel pointless and aimless because you're getting a pay off before you get the full set up. It's the equivalent of telling someone the punchline of a joke, then over explaining how you got to the punchline.

They also didn't really tell much more of the story. Huge swaths of the plot were rushed through or completely cut out. It really was a bit of a mess.

But! There's a lot of good stuff in there. So, I'm removing the confusing narrative structure and cutting tons of footage out to create a Trilogy of films that tell the story of The Stand.

7 minutes of deleted footage has been added back into the film to bring The Place Beyond the Pines to its maximum length whilst maintaining continuity.

Spider-Man 3 Redemption – A true fanedit that creates a tighter movie with villains moved to supporting roles to allow the Peter/Harry story to reach its deserved finale.

In this version Flint Marko is no longer the killer of Peter’s uncle, a lot of the humour has also been removed. Peter’s fall to the darkside is no longer brought about through guilt but through his ego and new found self importance.
This version gives more focus to the journeys of Peter and Harry and how both find redemption for themselves.

Following the release of Making of SUG Pt 1, people asked for more information, so here it is.

This will be followed by a final deeper dive into the narrative structure in Part 3, coming in February 2022. That will be a feature length release combining parts 1-3 AND will include a surprise announcement.

Part 2 is heavier on the spoilers. YOU HAVE BEEN WARNED!

This edit combines all three of the Lunar themed episodes into one extended TV movie.

SEELE battles NERV to initiate third impact in the groundbreaking conclusion to the original "Neon Genesis: Evangelion" in a way you've never seen before!