Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have superior firepower, but will that be enough?

Inspired by my media teacher's hatred for the early Hadley's Hope scenes in Aliens (the only reason that we watched the theatrical cut in class was due to these 2 scenes in the SE), I've created my own cut as a half way point between the Special Edition and the Theatrical without the Hadley's Hope sequence.

Following the original shooting script for the film, shuffling around a lot in the first 2 thirds and adding back deleted scenes to fill some gaps in the story, I've tried to restore the film back to how it was originally structured.

Nothing major has been cut, it's the same terror-filled film you remember, just restructured for a fresh experience. Strap once more to believe in the boogeyman like never before.

Uncertain times, but you can still count on a Doctor to sort you out, a Relive the trip of a lifetime with this special edition fanedit of 'Rose'. This edit makes use of shots and sequences from the 2005 TV Spot “The Trip of A Lifetime”, there's also a brand new ending.

The series five premiere of Doctor Who, The Eleventh Hour, slightly extended utilising footage from promotional tv spots and a "Meanwhile In The TARDIS" mini-sode.

A special edition of the Doctor Who series seven premiere episode 'Asylum of the Daleks' bookmarked by two of the 'Pond Life' shorts, it also makes use of a DVD-exclusive prequel sequence.

Logan battles his primal paternal intuition as he makes his way through a dark fairy tale landscape filled with southern gothic grotesqueries. As his health fails him he finds himself operating on instincts he thought long lost, as if his destiny were already decided. As he passes into the realm of myth he finally realizes what he had been fighting for all those years.

Buck Rogers is an air-force pilot and astronaut on a deep-space mission. An accident freezes him in an orbit that returns Buck to Earth 500 years later. In the year 2491 he is found and revived by the Draconians, under the command of Princess Ardala. Back on Earth, Buck learns that society has been rebuilt over centuries following a holocaust. He must adjust to the 25th century, and convince its people that the Draconians are planning to conquer Earth.

The Enterprise arrives at the planet Ekos, in search of Federation historian John Gill, only to discover it is at war with its neighbouring planet Zeon. Gill is not heard from, so Kirk and Spock travel back in time to investigate what went wrong, and prevent the all-out war.

After the success of Timothy Dalton's first outing as James Bond in The Living Daylights, anticipation was high for the follow up. However, with a more ruthless take on the character and more violence which caused particular trouble in the UK market where it became the first Bond film to receive a 15 rating, Licence To Kill did suffer somewhat at the box office. It was still a hit, but due to legal issues it would be the last Bond film for 7 long years and the last Dalton Bond film.

It's a shame, as the film on the whole has a lot to offer. Dalton is terrific as Bond, arguably the closest anyone has got to playing the character as Fleming wrote him, and Robert Davi's Sanchez is one of the most realistic and finest villains in the long history of the series. However, the film is not without its problems. Considering John Glen is an experienced Bond director, the film feels somewhat clumsy at times, particularly in some of the editing and most noticeably in the performance of Talisa Soto as Sanchez's girlfriend, Lupe. Also, such is the serious nature of Dalton's Bond, the few attempts at humor do not work that well.

A simple, unnecessary, but fun extended edition to "the ninth film by Quentin Tarantino", Once Upon a Time in Hollywood.

I've reinserted all deleted scenes, making the runtime just a couple minutes over three hours, adding twenty-three minutes of footage to the film.