#ReleaseTheTylerCut is a version of The Super Mario Bros. Movie with every needle drop replaced with its intended soundtrack.

Rescore only! I just find that the original version is too quiet and full of silent parts.
I want to fill these parts but also add a different vibe and rescore the whole film.

d'Artagnan seeks to become a Musketeer and avenge the death of his parents. The same Musketeer story, but singularly focused on d'Artagnan's storyline.

The overly long, over-edited Best Picture award-winning film by Christopher Nolan has been cut down to an hour-and-a-half-long story focused on The Manhattan Project. The oppressive omnipresent score by Ludwig Göransson was removed, with only three tracks put back in. The rest of the music is from other artists. For scenes with no music, new sound effects have been added. Intercutting of shots and scenes has been greatly reduced.

I grew up with the US Cut and Paul Gilreath score, so a fleshed out version of that was my intention. I used my original cut as a base and reworked the whole thing from start to finish. I fixed the things I wasn't happy with in the original fan edit and then added and tweaked a lot more.

Agents of the Earth Council, Valerian and Laureline, are tasked to recover the last know Mül Converter - a creature from a destroyed planet - and become embroiled in a threat against Alpha, the vast space metropolis that is home to millions of individuals from a thousand different planets.

The marriage proposal sub-plot has been excised from this cut while leaving a burgeoning romance between the two main characters, and other edits have been made to speed up the pace of the story.

Removes a cringeworthy character that nobody can really defend the inclusion of from a creative perspective.

A mentally unstable photo developer targets an upper middle-class family after his obsession with them becomes more sick and disturbing than any of them could imagine.

The ReWorkedPrint recuts the film as closely to an early version of the film, with an alternate opening/ending, new narration, removed the wraparound story, and some reinserted deleted moments.

Based on Scott Turow's novel "Presumed Innocent" (1987), adapted from its namesake movie (1990), and in anticipation of the upcoming Apple+ mini series, "WAS JUSTICE DONE?" explores the question of justice, inside and outside of the law, in two versions.
In both, Rusty, a married prosecutor, has an affair with a beautiful colleague. When she is murdered, he investigates the case until he himself becomes the prime suspect. He hires Sandy Stern, a top defense lawyer, to plead his innocence. The killer is revealed: Version A matches the original movie, Version B reveals a different killer.
This fanedit is faster paced (38 minutes shorter than the 1990 movie). The timeline is compressed (the victim starts out alive, the affair is ongoing). It remains unclear whether Rusty is the killer (until the reveal).

The amazing 1981 BBC Radio-4 13-part adaptation of The Lord of the Rings edited into one long 12-hour "audiobook" version, for convenient iTunes listening.

The edit is made entirely from the idea of making it a good movie. Book accuracy is thrown out of the window if a cut is simply more clean
without it. We have a plethora of incredible book accurate cuts, but I miss some of the added drama Peter Jackson sometimes correctly added.

The edit is made entirely from the idea of making it a good movie. Book accuracy is thrown out of the window if a cut is simply more clean
without it. We have a plethora of incredible book accurate cuts, but I miss some of the added drama Peter Jackson sometimes correctly added.

The edit is made entirely from the idea of making it a good movie. Book accuracy is thrown out of the window if a cut is simply more clean without it. We have a plethora of incredible book accurate cuts, but I miss some of the added drama Peter Jackson sometimes correctly added.

Removed the scenes that cut away to the narrator throughout the film, and rework the story to flow smoothly without interruption.

Japan faces a catastrophic threat when toxic pollution gives rise to Hedorah, a smog monster that feeds on industrial waste and grows exponentially. As Hedorah ravages the environment and threatens human existence, Godzilla emerges to confront this monstrous adversary. Amidst the chaos, humanity desperately seeks a way to halt Hedorah's rampage before it's too late, Leading to a climactic showdown between the King of the Monsters and this pollution-spawned terror at the base of Mt. Fuji.

I didn’t change much story-wise - just tried to trim the film up as much as possible.

In the original, the first half of the movie flies by quickly and the second half dragged a bit. I’ve tried to fix that by eliminating 20 minutes - most from that second half.

I also tried to cut some of the de-aging shots that did not work in the otherwise fun opening sequence.

With fairly minor cuts this film goes from a good film to a pretty great one in my opinion!

My take on The Phantom Menace. It's pretty conservative story wise, but very active with regards to pacing and tone. I tried to use the same principles for editing that The Phantom Editor used for 'Attack of the Phantom' (but not the original phantom edit) and that I later used for my Return of the Jedi edit. An emphasis has been made on improved pacing and tone, as well as seamlessness and wanting it to feel like it could have been the original film.

Dune: Kwisatz Haderach - Part One is the first of a two part project, and is an experimental cut that explores how much of the film can be cut without turning into a muddled, non-cohesive mess. Cutting twenty-two minutes of footage, I was able to create a shorter, hopefully still satisfying cut of Dune: Part One clocking in at two hours and thirteen minutes.

I am proud to present Dune: Kwisatz Haderach - Part One.

A frame-accurate recreation of the original Super 8 cuts for Harryhausen’s ‘The Golden Voyage of Sinbad’, using a full-screen HD colour source taken from the Indicator release. Featuring multiple audio options, subtitles where relevant, and carefully applied enhancements to stop-motion animation for ‘Sinbad Battles the Monsters’ and ‘Sinbad Duels the Idol with Many Arms’. Black and white ‘purist’ versions with no adjustments to animation are available where relevant.

Bruce Wayne is forced to confront his dual nature as Batman as a brilliant megalomaniac and a psychotic district attorney wreak havoc over Gotham.

The 1961 film, featuring Audrey Hepburn in her likely best-known role, has been conformed to match the 1958 novella of the same name by Truman Capote as much as possible, as well as removing the horribly-dated appearance of Mickey Rooney. In essence, this edit takes the romance and some "comedy" out of a beloved romcom!

I made this edit a couple years ago, at the same time that I made my Terminator 3 edit. I didn't release it because it was a somewhat minor edit that I just made for myself. But recently, on the forums here, on Reddit and in my direct messages, I have seen a few people looking for good edits of Salvation. So I decided I might as well release mine.

Bad Movies Made Less Bad Presents:
Lessons Learned the Hard Way.