'Man of Steel: A Symbol of Hope' does not try to radically reshape MOS because I liked most of it already. I just wanted to tweak the character of Superman to make him feel more heroic. So if you hated everything about the original MOS, then this isn't the FanFix for you. There are several 10-minute chunks of this edit that are unchanged (aside from the regrade) but when I did change something, I hope it feels significant.

GotG2: Pruned Edition is about 16 minutes shorter than the official film. It's a respectful effort to streamline an enjoyable if slightly overlong story about unkillable space adventurers. My opinion is below the surface, like a second onion layer, there's a snappier, smarter telling of the same story in the same order with the same humor. It just needs the tiniest bit of pruning.

So! Here you will find the same wonderful movie but with slightly trimmer action and banter, mildly reduced beats in dialogue, and so forth, hopefully never at the cost of real feels or jokes -- it aims to enhance what's there, nudging things forward where they otherwise tend to linger (before they spoil the feels and jokes they set up so well). Don't get me wrong, I love a dick and poop joke as much as the next goofball, and I preserve many (most) silly moments. This isn't a humorectomy, although that would be an interesting project. The edit considers the overall rhythm and makes frequent, small, hopefully not glaring reductions, scene by scene, of a few lines to sometimes just a few frames. I feel like the flow is improved in aggregate, and would like to share.

The Goblet of Fire needs a much more cohesive tone to follow along with the rest, as the tone of the fourth movie is in many ways quite different from the rest of the series - not just in score and pacing, but in visual style and tone.

I also noticed how Goblet of Fire Director, Mike Newell, tried to get back in some of all the warm, golden, cozy colors of Columbus' entries, and when listening in on the Commentary Track I found it odd how these choices came into play. Prisoner of Azkaban had a silver/brown color palette to it that looked very lived-in and real, and then suddenly Mike Newell decided to throw all of that away - despite all the critical acclaim for the visual style of the Prisoner of Azkaban, because he always liked the warm tone of the Columbus' movies, yet he continued with the visual presentation (Hogwarts tracking shots and movie style editing) created by Alfonso in PoA.

The entire movie is tonally and stylistically confusing, and that was the most important thing for me to fix - along with franchise continuity.

Ash vs Evil Dead Season 2 cut to one movie.

Combining episodes to conclude the first season trilogy. This finale uses the following episodes as its core: Providence; The Only Light In The Darkness; Nothing Personal; Ragtag; and Beginning Of The End.

'It' the 1990 tv show edit to one movie in two chapters.