Welcome to the second installment of ARROWVERSE BEGINNINGS! AB are not season arc movies. They are more like Expanded Pilots. Exploring our hero's debut in greater depth and detail than the original 42 minute episode could ever allow. It is not a full origin or even the full story... it is the Beginning of a Legend!

Sara Lance has mysteriously returned from the dead! Now, as the masked vigilante Black Canary, she protects her family from the dark forces of the League of Assassins!

Welcome to the first installment of ARROWVERSE BEGINNINGS! AB are not season arc movies. They are more like Expanded Pilots. Exploring our hero's debut in greater depth and detail than the original 42 minute episode could ever allow. It is not a full origin or even the full story... it is the Beginning of a Legend!

Main Goals

- Cut corny jokes, removing unimportant eye-rolling moments
- Remove Kordax dialogue and AQ1 flashbacks when possible
- Move Arthur's introduction until after Black Manta finds the trident and five months later
- Dial back much of the the overall movie exposition
- Removal of giant bugs scenes
Mild LUT update for a bit blacker blacks and more contrast, to feel more epic.

It's a pretty simple edit, like all my edits. I basically went through the movie and tried to remove as much toilet humor as possible. It's just my attempt at tightening up the film with an increased focus on Barry's story.

Billy Batson returns as he harnesses his superhero alter ego, Shazam, joining forces with his equally powered foster family to confront ancient adversaries and protect the world from a cataclysmic threat.

The Indignation Edition reintegrates 14 new extended, and deleted scenes into the electrifying sequel, with 10 minutes of new footage.

Bad Movies Made Less Bad Presents:
Lessons Learned the Hard Way.

The main objective of this edit was to significantly reduce the sillier comedic moments that didn’t quite hit the mark. As a result, it presents Barry as a more mature, competent, and heroic figure. Additionally, I aimed to trim the runtime, getting us to Wayne Manor earlier in the film, while also allowing the action sequences to be fully enjoyed without cutaways to juvenile humor. I hope this can become the version you choose to re-watch if you, like myself, love Michael Keaton's Batman and can do with less Young Barry.

MANY valid criticisms have been made about this film, which means it will most likely be another trademark "Bad Movies Made Less Bad" edit. The main goals here are:
- Remove Amon's POV as much as possible
- Minimize the hypocrisy of the Justice Society morals
- Minimize the overt foreshadowing of Ishmael evil intentions.
- Minimize exposition.
- Replace some needle drops to be more culturally relevant thematically.

A.K.A. The version that nobody asked for

I used Zack Snyder’s Justice League as the base, with scenes from Joss Whedon’s Justice League and some scenes and ideas from Wakeupkeo’s "Rise of the Motherboxes" to make a slightly extended, but also trimmed version of Zack Snyder's Justice League.

Zack Snyder's Dawn of Justice aims to replicate the style of Snyder's Justice League, by breaking the story down into multiple chapters that give focus to the various subplots and streamline the movie.

Wonder Woman 84 with a proper 80’s soundtrack! The goal was to give WW84 a proper 80’s soundtrack as if the movie studio licensed and properly scored the movie. The action sequences become music videos while preserving the dialogue and sound effects.

INVASION! EARTH-X! ELSEWORLDS! COUNTDOWN!
The Final Chapter is here!

The CRISIS has arrived!

The Multiverse is under attack and only the Heroes of the Arrowverse can save the day.
Bionic Bob takes the 5 part CW television event and unites it into a single epic movie experience!

Inspired by the structure of Zack Snyder's Justice League, Suicide Squad: Made to Fail is presented in 4 chapters that streamline and focus the overall story.

Part 1: The Worst of the Worst - Opens the film with the origins of the Enchantress and Harley Quinn, setting up the threat before introducing Amanda Waller as the heart of the story in this first part. Through her we are introduced to the Task Force X project, which subsequently introduces each member of the Suicide Squad in a totally new montage.

Part 2: Live For Me - The Joker and his relationship with Harley Quinn serves as the main thread of part 2, which opens with a flashback to the events that landed Harley in Belle Reve, and is bookended by the Joker planning her rescue. Juxtaposed is the relationship between Rick Flag and June Moon. When June becomes possessed by the Enchantress, Flag assembles the Suicide Squad to stop her.

Part 3: Everyone For Themselves - Deadshot becomes the main focus as he attempts to gain the trust of Col. Rick Flag and get the various sociopathic members of the Suicide Squad to work together to accomplish their first mission.

Part 4: Made to Fail - Against all odds, the Suicide Squad finally comes together as a team to take on the Enchantress and save the world... or die trying.

When the last survivor of an alien planet crash lands on Earth, his incredible superpowers cause a paradigm shift for the planets heroes.
Witness the story behind the formation of the most famous superhero team in comics history, the Justice League, as legends assemble to face threats the likes of which the world has never seen.

Seven of the most powerful superheroes battle foes in this animated series.

The Arrowverse Crisis Saga continues!
As the Crisis looms closer, the stakes become more dire!
Green Arrow must team up with his grown children from the future to build a weapon to save the Multiverse.
The Flash turns dark just when the world needs him most.
And a new foe emerges for the Martian Manhunter and Supergirl to face.
Will our heroes be victorious in their trials?
They better be! As only they can save us all from The Coming Crisis!

This is a TV to Movie Fan edit. It intertwines storylines from the CW series Arrow, The Flash and Supergirl. There are literally hundreds of cuts, trims and changes. The objective to keep the focus on our core heroes and jettison all filler plotlines.

A mainly ZSJL restructured edit that lets the story unfold more naturally, that tightens up ZSJL and adds as much of the best parts of JWJL. More of JWJL Diana struggling with leadership,

"Wonder Woman 1984: Wings of Asteria" is a fan edit intended to be a more grounded alternative to the theatrical cut. It re-scopes the conflict to focus on events with the greatest impacts to the main characters while reducing plot holes and awkward moments.

Aping the style of early cinema, this fanmix is intended to be a short film with a mix of humour, sincerity and subversion. The focus is shifted entirely off the traditional protagonists of a superman film and instead onto the US military and how they deal with these events. The filmis presented like a B movie and intends to enhance the military's mistrust of the alien and the reporter. There is also emphasis on explosions by adding in very selective colour.

There is a Crisis Coming.
A Crisis that threatens every life in the Multiverse.
And Three Arrowverse Heroes are the key to the survival of all of existence.

The Green Arrow embarks on a mission for the Monitor to create a weapon for the coming Crisis.
The Flash must prepare his Team for his prophesized demise so they can save billions of timelines.
And the Martian Manhunter, with the aid of Supergirl, must come to terms with his dark past so he can become the hero needed for the future.

A Crisis is coming, and the Countdown has begun!

This Fan Edit mixes various storylines from the series ARROW, THE FLASH and SUPERGIRL to tell the tale of the days leading up to Arrowverse crossover event of 2019 -- CRISIS ON INFINITE EARTHS!

ZSJL was a major improvement to the travesty which occurred in 2017; however, Snyder’s 4 hour release was rushed in production and stuffed with significant filler. Releasing such a long cut, open matted, was probably more for production speed than artistic reasons. This cut re-scores, reduces, and rearranges this film for a more epic feel, with greater dramatic impact in a much shorter runtime.

This is my own take on editor, JobWillins, overall concept in his brilliant edit Man of Tomorrow, which merges Man of Steel and Batman v Superman into one film. See further details for how Son of Krypton differs from Man of Tomorrow.

In this edit the story now takes place entirely during 1918, the action sequences are much improved, young Diana receives a more serious portrayal, cartoonish comedy is toned down, and Steve is still funny-- but in scenes where it's warranted. This release intended to be Part 1 of a trilogy followed by my edits Son of Krypton and Justice League: Gods of Earth.

From a shallow POV, the original movie is a mix of “The Wolverine” (Japan setting) and Logan (Dies at the end, mentors protégé.) But since the script is a rip off of the 1950s film D.O.A., we lean into that – trying to leave some mystery as long as possible. I love that part of Huntress's mythos is that she crusades to put an end to the crime families. All the violence in this edit is focused on yakuza gangs, so I think this edit ends up working well within the overall idea of Helena Bertinelli, pre New-52. Also that Varrick's agency could actually be Spyral.

Oliver and Barry awaken to discover they have been body swapped! To solve this mystery, they will need the help of Supergirl and travel the lengths of the DCU, from Gotham City to the cosmic beyond. All the while, a mysterious entity known as the Monitor, watches and evaluates their every move.

Super powered Nazis from a parallel world invade!
What is their ultimate goal and can our Arrowverse Heroes stop them?!?!

This fan edit uses the Snyder Cut as the foundational source but transitions over the course of the edit into the Whedon third act.

This takes the ultimate edition of Batman V Superman and centres the film on Bruce Wayne.

Diana kept fighting after the events of her first movie in smaller, more hidden humanitarian ways, even though she gave up hope in mankind as a whole. We do not find her in the 80s anti-social and still brooding about Steve this whole time. Instead she is a confident hidden hero, who happens upon a chance that brings him back, and she realizes AGAIN how much she lost. This movie becomes the reason she still thinks about him in the present day JL movies. She was over him in that she knew he was gone the first time, only to have him come back for a while and let him go again. She essentially gets PTSD from this experience, instead of just being lovesick for the full 100 years. (Also, Steve is not inhabiting anyone else’s body in this edit.)

WW84 also should have dialed up the 80's soundtrack. Bill and Teds was shot in '87 and released in '89, so I already knew I couldn't lock myself into ‘84 if I wanted to mix the soundtracks. Bill and ted's gave me tons of source material to work with, but I needed more, so since Bill and Ted wanted to work with Van Halen, Van Halen leads the additional songs needed. There is also Judas Priest, Pat Benatar, The Expressions, Killing Joke, Vangelis, Oingo Boingo, Def Leppard, Scorpions, Harold Faltermayer and Kenny Loggins.

The Snyder Cut and the Theatrical Cut, mixed and blended to create a theatrically viable version of Justice League.

Shortened to 133 minutes, focused on action and main plotline, with most of the character backstories removed or significantly shortened, this version relates heavily to 70s aesthetics but is not limited to it. The movie got used, damaged look and most of the music was replaced with some 70s (but not only) funk, rock, and cues taken from another movie soundtracks and some TV series themes.

Remixed version of Zack Snyder's Justice League is 47 minutes shorter, restructured and reframed to 2.31:1 with some theatrical additions and new opening credits sequence based on "Motherbox clip". Some scenes has been rearranged - for example: Bruce Wayne starts searching for Aquaman after the "history lesson" and we meet Flash earlier. Most of the sequel baits present in official version are gone, also removed are many scenes which were not necessary to keep the plot going. Movie ends just like theatrical cut without extended epilogue.

The Marvelous Edition extends the film with five new scenes, while also replacing four scenes with alternate version, including the opening and ending of the film, and even a new post credits scene...

Eighteen minutes has been added to the runtime, however thirteen minutes has been cut, meaning this version is five minutes longer than the theatrical.

Goals:
On first watch I loved this movie, so I didn’t change much... just to fix that ending, and to make the end more in line with her character in BvS - that these heroes are awesome but mankind is questionable.

Main Changes:
• Distance this version of Wonder Woman’s origin story from writer Azzarello's New 52 retcon where Wonder Woman is the child of Zeus and Hephaestus, restoring Wonder Woman's made-from-clay origin in the end.

• Make Diana seem less naïve about some basic things like marriage and hand-holding.

• Diminish the role of Dr. Poison to simply a lackey of the General, so her Act 3 disappearance less important (Dr. Poison falls into the easy trope that suggests disability — and in this case, specifically facial disfigurement — means that a character is evil. We never find out Dr. Poison’s backstory and whether her facial scarring caused her to become a villain or happened after she already was one, but the message is the same- we should be afraid of people whose faces and bodies are different from our own.)

• Remove much of the exposition and the Dr. Poison confrontation from the final battle.

• Avoid the strange paradoxical elements from the final Act (i.e. soldiers hugging after the defeat of Ares.)

• Make the end of WW less optimistic, more in line with MoS and BvS that these heroes are awesome but mankind is questionable.

(All three movies generally focus on the inherent nature of mankind.)

Main changes:
• Remove the Africa incident and change public reaction to events of MoS.
• Better establish the classic Kryptonian boy scout in the first Act.
• Remove Batman killing people (he still “lets” bad guys die, but doesn’t kill outright)
• Refine Lex into a better villain – less weird, more obviously paranoid, less daddy issues, more calculated (i.e. making doomsday as a backup plan more understandable.)
• Clarify the conflict the world has with Superman – its all about fear.
• Batman doesn’t actually see the future, does not see the Flash
• Change Batman’s moral return to be prodded by fear and the similarities to his parent’s killing - not the realization that their mothers have the same name.
No foreshadowing of Superman’s resurrection.

(All three movies generally focus on the inherent nature of mankind.)

This Man of Steel edit tries to keep the spirit of the original movie, but also find the classic hero inside - to make Clark more like “the noble Superman I grew up with” (yes I am aware how extremely subjective that is).

Its about a confident hero, with boy scout morals almost to a fault. He is confident in his actions but remains hidden from the world due to his personal choice. With the arrival of Zod, Clark Kent must finally reveal himself. This is not an origin story, although his origin is retold. This is about the confident kryptonian boy scout we all recognize, and we watch as Zod forces Clark beyond his limits to save his adopted world.

Main Changes:
• Krypton prologue now begins at Kal’s launch
• Credit sequence from the great Man of Steel: A Symbol of Hope from TM2YC
• Pa Kent doesn’t die for his idea, nor does he tell young Clark that he might have to let people die.
• Bus incident moved to replace tornado incident, focus on “people afraid of what they don’t understand,” which is then re-emphasized by Perry and then again by Martha
• Suit reveal moved to after discussion with priest to emphasis Clark’s overall decision to officially reveal himself to the world.
• Innocent bystanders that might get hurt are removed as much as possible in Smallville battle as well as in Metropolis battle.
• Clark contemplates the aftermath of his battle with Zod on a mountaintop with the memory of Pa Kent.

**2022 Update**
Clark's first flight has been added back in.

Superman - Last Son presents 2013's Man of Steel in a more linear, less bombastic manner that focuses more on character development and plot progression.

Wonder Woman 1918 is an entirely new experience from the 2017 original, with tighter pacing, a better climax, and zero connection to the larger DCEU.

Goal:
• Remove as much unnecessary exposition as possible. The last time something is explained, it’s the only time.
• Removed Enchantress Hip-shaking, connect her plans to the larger DC universe
• Less Joker focus and dialogue
• Reveal the team organically, without introductions

Chronological cut, without the Ace Chemicals plotline. Harley, now more of a known entity, is discovering the protections afforded under Joker are slipping away. We meet Harley as a spoiled drunk, still milking the privileges of being Joker’s girlfriend, so her personal growth seems bigger from basic piece of shit to possible new anti-hero. The rest of the major characters are introduced sooner, and Sionis’s displays of sadism ramps up more progressively until he dons the mask.

A tighter, more focused story of the reluctant heir to the kingdom of Atlantis, now with much of the unnecessary exposition as possible removed, Depeche Mode and Pitbull songs removed, "Ocean Master" references removed, and as many plot holes as possible removed.

The Justice League: Ultimate Edition, aims to reinsert as much deleted footage from trailers, TV spots, promo material, behind the scenes featurettes, VFX Reels, Blu-Ray deleted scenes and a few fanedits to create the longest possible version of the Theatrical Cut.
It's not anything too spectacularly different, but it's four minutes longer with almost 70 alternate, deleted, extended and new shots and scenes added to the running time. Everything has been painstakingly colour matched with the theatrical footage and rescored with the OST with added SFX where needed to fill gaps.
This isn't any fancy Snyder Cut, but more of the movie you saw in cinemas with a few extra moments sprinkled throughout.

This is a conservative fan edit that I feel greatly improves the tone and watching experience by removing a lot of the corny jokes and a few cheesy lines, and changing the color grade a bit so it isn't so oversaturated.

A more streamlined Justice League cut with added deleted scenes from trailers and bonus material. I’ve tried to keep it in the spirit of the previous films as much as possible, while still keeping the lighter tone. This is to improve the balance between the Joss Whedon reshoots and what Zack Snyder originally shot.

By adding the most important segments from "Batman v Superman", like the Capitol subplot, which here is a crucial part of the story, this Fan Edit not only achieves to answer the question of "How would earth react to Superman?", but to strengthen Clark's inner struggle about being the planet's hero before facing the ultimate challenge that would make him earth's "Ideal of Hope", reaching the positive and inspiring feeling that "Man of Steel" has always tried to accomplish.

Two years ago, in the final battle between Superman and Zod, Metropolis was destroyed. Now the city is slowly rebuilding, but some wounds never truly heal, and a dark vigilante has emerged from the shadows to bring justice to the man responsible. Featuring material from both versions of the film, Mr. Blue presents a faster paced, action packed recut of the most highly anticipated comic book movie of all time

'Man of Steel: A Symbol of Hope' does not try to radically reshape MOS because I liked most of it already. I just wanted to tweak the character of Superman to make him feel more heroic. So if you hated everything about the original MOS, then this isn't the FanFix for you. There are several 10-minute chunks of this edit that are unchanged (aside from the regrade) but when I did change something, I hope it feels significant.

'No Justice' refocuses "Batman v. Superman" on its central conflict between Man and God. All aspects of its 'Dawn of Justice' subtitle are excluded: Wonder Woman, the Justice League, Doomsday, Darkseid and the Kryptonian ship. These omissions create a more coherent and accessible story, intended for a wider audience.

The main change is that the Martha-name-correlation as the basis for Batman's change of mind is removed and replaced by Lois Lane's work to discover how Lex Luthor manipulated them all. That major change led to all the other changes in this fanedit, that imho benefit the movie.

'Man of Tomorrow' is a narrative experiment that combines Man of Steel and Batman V. Superman into one film. The goal was to use material from both films to form a single, feature-length, 3-act structure that focuses on Superman.