With this being an episode dealing with the TARDIS as the enemy, I chose to use music more electronic sounding, so Forbidden Planet seemed like a nice addition. I also felt like there were some plot holes on why Susan went nuts earlier on in the episode.

Taking 7 short episodes and editing them down to 2 thrilling longer episodes, this is an edit that I'm VERY proud of. The Daleks continue to be menacing while the Thal's are more mysterious until we learn they are our friends.

In this edit, the Doctor and the gang initially meet in the same way, but when we land in the cavemen era, the story pushes forward a lot more. Major plotlines with no payoff are gone and we see how they learn to work together to escape their situation.

Classic Who's Vengeance on Varos, converted to modern aspect ratio, with a new soundtrack.

The first in what I hope is a continuing series of a fanedits which will see episodic Doctor Who stories from the classic era, fanedited into feature length movie style edits.

The Caves of Androzani is a 4 part story which is widely considered to be among the very finest Doctor Who stories ever made. It's not difficult to see why, with every main character fleshed out beautifully and a doom laden plot, the tone of which is rarely seen in the programme, resulting in a bonafide classic adventure which has lost none of its impact some 36 years later. What's more, it rattles along at a heck of a pace, with director Graeme Harper making every shot count, to the point where one struggles to think what could be cut in such a fanediting exercise such as this.

Uncertain times, but you can still count on a Doctor to sort you out, a Relive the trip of a lifetime with this special edition fanedit of 'Rose'. This edit makes use of shots and sequences from the 2005 TV Spot “The Trip of A Lifetime”, there's also a brand new ending.

The series five premiere of Doctor Who, The Eleventh Hour, slightly extended utilising footage from promotional tv spots and a "Meanwhile In The TARDIS" mini-sode.

A special edition of the Doctor Who series seven premiere episode 'Asylum of the Daleks' bookmarked by two of the 'Pond Life' shorts, it also makes use of a DVD-exclusive prequel sequence.

Suppose Rose didn't revive Captain Jack? Suppose there was no real foreshadowing of The Doctor regenerating before he made his farewell speech? Suppose no longer, this edit will make this a reality

On planet Karn, a good man comes to realise there is no need for a Doctor anymore, In 2013, something terrible is awakening in London's National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion.

School Reunion is the perfect marriage of Classic and New Who, paving the way for the future mega-hit that was the Sarah Jane Adventures, and giving us emotional closure between The Doctor and the best of his companions (besides Ace) intrepid journalist Sarah Jane Smith.

Count me among the hopeless romantics who don’t feel the show loses a step if The Doctor gets involved romantically with a companion….provided it’s done right…which, frankly, it seldom ever is. It only works in retrospect, and many a time, it works with companions that the writers aren’t forcing into a relationship with the time lord. Donna, Jo, Sarah Jane, they’re remembered fondly in this way because they earned their closeness with The Doctor, because they either complimented him or took him to task, meaning well and looking out for him in the process. These companions were there for him as friends and equals first, and that’s what drew us to them, and it’s also what drew The Doctor to them in the end also.

So when Ten said goodbye to Sarah, I refused to accept he was putting him behind her, and the ongoing saga at the time vindicated that belief as they would meet several more time, with each instance we gained a little more insight into Sarah’s thoughts and feelings towards the man as she built a life without him. In my headcanon, long past the unfortunate end of SJA, a very much alive Sarah is visited upon one more time by The Doctor, revisiting the face of his tenth or seventh incarnation, and they elope, ultimately conceiving the young lady we see recruiting Kate Winslet and the lady off Ever Decreasing Circus against Nazi Eldritch and supercomputer Behemoth in Dark Season

Oh, wait, you’ve never heard of that? Google it, it can also be found on Youtube. If you still haven’t seen it, you haven’t been born yet.

Not exactly the edit you're expecting. This isn't a Dark Water/Death In Heaven combo, frankly I find Death In Heaven rather droll as a concluding half, it's not exactly a resoundingly upbeat climax either.

With Clara and Doc giving in to their lies, Missy killing Osgood, and the Brig being given the ol' 'Telos Special', if Kate had died maybe it would a wee bit more memorably bleak but overall it's a dud and I would much rather fix it's first part...that, or the very least muck about with it as much as possible without care or consideration for the second half.

This episode could do with a nice spring clean.

There really isn’t a hell of a lot of point to the sexism deflection that this episode pads itself out with. Within the context of current history, I suppose there’s some fleeting relevancy, but Doctor Who ought to be timeless, and it’s characters should not be dragged down into political soap boxing, however subtle or unsubtle. This is what has killed the show for many a true fan, and as much as I still love the show, it does make me cringe a little too. It’s like attending a council meeting with your parents on a Sunday, reminding you of the real world awaiting you in the week ahead. What happened to weekend/holiday escapism?

A twenty-three minute trim of the Eighth Series Doctor Who episode “Listen”, focusing entirely on the Orson Pink storyline and trimming Clara’s disastrous date with Danny Pink so they only screw up just the once.

It's 2017, and Peter Capaldi's time as The Doctor is up. Determined to perform one last defiant act of kindness, the good man makes his journey into night battling the forces of the Mondassian Cybermen, a battle which brings him to death's door. On the brink of death he is saved by his loyal companion Bill Potts and brought to the safety of the TARDIS. Bill heads off on her own journey, leaving The Doctor to experience the miracle of the time lords...

...Or rather would have if Chris Chibnall hadn't been a sodding diva and opted not to start his run with a christmas special, forcing Steven Moffat to helm one more special which just about disgraced and sullied the memory of William Hartnell, undermined the conclusion to Bill's story and dragged out a regeneration with a speech that seemingly went on forever before Capaldi let the part go.

What if Amy and Rory weren't zapped back in time? Find out in this special fanmix which sees Amy and Rory reflect on their adventures with the Doctor and must decide once and for all if the monsters are all worth it. Once you know what's coming, it's written in stone.

Summoned by an old friend, The Doctor and Clara navigate their way through a trap street, and fall into the most fateful and consequential of snares.

The Doctor and his companions face off against deadly Daleks and the rampaging River Song in two specially edited adventures set against the backdrop of World War II.

The Moment has come, and the Doctor must decide what kind of men he is fated to become

Think of this one as the "Page One Edit", named so because we get to find out just what "page one" and that whole deal with the leaf was all about before the episode ends, rather than wait for a filler pre-titles when you reach Rings of Akaten.

The Eighth Doctor falls trying to save a life, and is soon given a choice of a new path and a new life...sometime later, that path takes him to Earth and to a young shop worker called Rose, together they come up against the terror of the Autons.

The Doctor meets his new assistants, Nardole and Bill, as he begins to honor a promise to look over a fallen friend for a thousand years.

The Doctor, fresh off an adventure fighting killer robots, is left with a burning question and a moral dilemma...can Clara Oswald help him answer it? Or will she hinder him? Is The Doctor a good man?

A 45-minute trim of the 2012 Doctor Who Christmas special The Snowmen.

Christmas is coming, and if the Great Intelligence has his way, so is eternal winter. Sentient and savage snow is descending, eager to consume us all, can The Doctor, the Paternoster Gang, and nanny Clara save a family from the merciless lady of the lake?

This is an attempt to take the two parter Sarah Jane Adventures serial "The Wedding of Sarah Jane Smith" and turn it into one of the 2009 Doctor Who specials for outgoing Doctor David Tennant.

The two 1965/1966 Peter Cushing 'Dr. Who' films stand apart from the 'Doctor Who' BBC TV show (Of the same period) in several respects. They were in colour, the Doctor was human and the TARDIS was his eccentric "Garden-Shed" invention rather than a time-machine he had stolen from the Timelords. I set out to reverse or omit these elements.

The Doctor has a spot of unfinished business. Reunited with his old friends Romana and K9, he answers a summons from Professor Chronotis, a retired Time Lord now living the academic life in a Cambridge college.

But the Doctor isn't the only visitor to Cambridge. Somewhere in the city is the sinister alien Skagra, who is intent on stealing an ancient and mysterious book brought to Earth by the Professor many years before.

What is Skagra's diabolical master plan? And who or what is the mysterious Shada? To discover the truth, the Doctor and his companions must embark on a perilous journey that will take them from the cloisters of Cambridge to the farthest reaches of deep space, risking deadly encounters with a sentient spaceship, the monstrous Krargs, and an ancient Time Lord criminal call Salyavin. As the Doctor soon discovers, the fate of the universe hangs in the balance.