To save the Future, Kirk and the valiant crew of the Enterprise must travel to the Past!

Star Trek IV The One With The Whales is a very fun movie. I have often viewed it as "The Trouble With Tribbles" entry in the TOS Movies. A nice blend of humour, character beats and messaging. However, if there is one thing that bugs me about the movie is when smart characters are purposely written dumb just to sell a joke. Whether it is the crew's first bumbling moments on the streets of San Francisco or Chekov's interrogation, I can not help but grimace as our heroes are turned into buffoons.

This fan edit intends to mitigate as much of the idiocy as possible while still retaining the fun flavour of the film.
Of course not everything can be cut, as some things are just too integrated in the narrative to cleanly removed -- such as Spock's over use of colourful metaphors.
There will also be trims/cuts for pacing and the removal of unnecessary repetitive dialogue or unneeded subplots.

The Series Finale, one of the best episode of Star Trek: Deep Space Nine, is now enhanced: upscaling from 480p DVD (the only existing version) to 720p HD, color-corrected to increase intensity, and adding a new title sequence and some space battles, both recreated in amazing CGI.

One of the best episode of Star Trek: Deep Space Nine is now enhanced: upscaling from 480p DVD (the only existing version) to 720p HD, color-corrected to increase intensity, and adding a new title sequence and several space battles, both recreated in amazing CGI.

A renegade Vulcan steals the USS Enterprise to find God at the center of the galaxy.
Is he a Madman? What strange power does he hold over Spock and Kirk's crew?
Can Kirk stop him? Or is this the Final Adventure for Captain James T. Kirk?

The reality is, Final Frontier is essentially an unfinished film due to a last minute slashed budget and a writers strike. Thus, there are plot holes that can not be filled and narratives that can not expanded upon. But hopefully, with fan created CGI shots and some creative editing, I can create something closer to Shatner's original vision in a workprint style format.

The three Star Trek reboot films are a mixed bag for me. It's great to have new adventures of Kirk, Spock, Bones, and all of the Enterprise crew. It's a treat to see the Trek universe with modern SFX. It's endearing to see the camaraderie and (some of) the callbacks to the original series. It's a joy to discover (many of) the updates they made, e.g. Uhura still looks awesome but now her input is frequently essential to the story.
But... the storylines are weak, the villains uninteresting, camera work distracting (and already feels dated), too many scenes feel more Star Wars than Star Trek (the worst offender being the Millenium Falcon shaped ship trying to escape the Klingons through a "canyon" in Wrath of Khan Reboot).
Then again... it is more Trek, new Trek. So it'd be great to add these movies to the list of "let's rewatch them every once in a while, in rotation with other ST shows".

A light edit that aims to tighten the pacing by re-editing the battle and crash sequences, restore some dignity (or give some that never existed to begin with) to several of the leading characters, and incorporates Spock into the denouement.

The crew of the Enterprise embark on their final mission after 5 years and encounter many past challenges and phenomena leaving the crew exactly where Star Trek The Motion Picture picks up from.

With the USS Enterprise temporarily disabled, Christopher Pike becomes acting captain of the starship Discovery in a race against time to find Spock and avoid the destruction of all sentient life in the universe.

Star Trek Discovery Season 2 introduces Captain Pike, Spock and Number One to modern Trek and serves as a backdoor pilot for Star Trek Strange New Worlds (SNW). Many viewers are eager for more SNW but not interested in committing to the first two seasons of Discovery (29 episodes, as it's a very serialized show). I took it upon myself to trim the 14 episodes of Discovery's second season into a 4 episode prequel to SNW. It no longer references any Discovery season 1 events and cuts all side stories, primarily concentrating on Pike and Spock. I call it Star Trek Strange New Worlds Season Zero.

Star Trek: Picard Season 2 cut down to a 3-hour movie

It's my favourite Trek movie--EVER!!!

Friendship! Loyalty! Sacrifice! It's all there in it timeless glory as Kirk and his noble crew risk everything to resurrect their fallen shipmate, Mr. Spock!

"What would happen if Star Trek: The Motion Picture (1979) had a dynamic modern score? How much can the perception of a film change just by replacing its music? This edit is an answer."

A making of video for the two Star Trek II Wrath of Khan edits to showcase the work of fan VFX artists.

Requiem For Methuselah with less of the out-of-character Kirk.

Star Trek " The Wrath of Khan without the recyled VFX from Star Trek The Motion Picture

The Wrath of Khan as it might have been, had it not been made on a tight budget with recycled VFX by the Paramount Television Unit (which it was astonishingly)

To celebrate Halloween this year, I am completing a very basic edit of Catspaw which converts the material to widescreen and restores the unused opening and end title credits music.

I, like many have always felt Star Trek : Generations was a disappointment. But I saw a good movie in there. I loved the cast, the performances were good, I liked the story, and the vibe of it. Where it failed was a slow and boring pacing. This is not a new take on the story, merely a faster, more exciting, and more engaging presentation of it. It's no longer slow or meandering and it's much more intense.

"Shades of Gray" shortened to a half-hour episode.

An alternate take on Mudd's Women, re-structuring it into how it may have looked, had it become the second pilot.

My first edit in HD, this is a simple one: re-instating cues originally created for the episode, but subsequently removed.

The Star Trek TOS episode "That Which Survives" in a version that gets Spock, who's wildly out of character here, in line with his portrayal in the rest of the show.

With over 900 changes this is the ultimate fix. Two F Bombs remain

These two movies turn Star Trek Picard into two classic style Trek Movies with a 3 act structure and many hundered of changes, scoring tweaks, and much much more

In the time of the Space Age, the spaceship Enterprise heads to new library installation Memory Alpha, located on a nearby planetoid. On board, latest recruit Lt. Mira Romaine is assigned to the new complex. On their approach, the crew encounters a strange storm, one that is intent on invading the new lieutenant!

Based on an attempt I made years back, this edit accelerates the pace of the episode in line with the accelerated aging we witness!

We focus on Kirk's storyline entirely until he finally meets Hodin and realises he is on a replica. Thus, we – the viewer – follow Kirk's story, and don't discover the truth until he does. This is one of the few episodes where I think doing something like this actually works, since the twist pays off nicely in an otherwise pedestrian episode. To me, it's probably the best way of attempting to gain something decent out of the episode – by having the reveal of the replica being a fake as much a surprise for the viewer as Kirk. Really, very little is lost by removing the bickering between Spock and Hodin, and we don't need to necessarily know how Spock eventually managed to beam down.

Inspired by a post by keithbk, this edit combines TOS' 'Amok Time' and 'That Which Survives' into one extended episode.

An edit bringing in additional footage to create a subplot for the 'mirror' Kirk in 'our' universe.

This edit combines Classic Trek's 'The Tholian Web' and 'Day of the Dove' into one extended episode.

In the time of the Space Age, young Charles Evans is transferred to the starship Enterprise. Sole survivor of a crash eighteen years earlier, he is welcomed aboard with open arms. The boy, however, harbours a dangerous secret.

In the time of the Space Age, a Starfleet vessel from Earth arrives at the planet Triacus to discover their scientific group are all dead. Disturbingly, the children are unaffected.

The Enterprise arrives at the planet Ekos, in search of Federation historian John Gill, only to discover it is at war with its neighbouring planet Zeon. Gill is not heard from, so Kirk and Spock travel back in time to investigate what went wrong, and prevent the all-out war.

Not to be confused with DS9's 'Playing God', this edit combines Star Trek: The Original Series 'The Ultimate Computer' and 'The Omega Glory' into one extended episode, with the events of 'The Omega Glory' taking place on the planet that M5 orbits during the first half of 'The Ultimate Computer'.

An edit combining Star Trek TOS episodes 'The Way To Eden' and 'Requiem For Methuselah' into one extended episode, with the connective tissue being that the Synthococcusnovae disease and 'Eden' planet in the former, are now both represented in the latter, with 'Eden' being Flint's planet.

An edit combining Star Trek: The Original episodes' 'For the World is Hollow and I have Touched the Sky' and 'The Paradise Syndrome' into one extended episode.

In the time of the space age, a future ship's crew lands on a planet on a mission of peaceful first contact. The distrusting inhabitants, however, punish the spacemen for their intrusion, by recreating a famous Western gunfight, with the men forced to take on the roles of the ill-fated cowboys.

This edit combines together the stories ‘The Naked Time’, ‘Tomorrow is Yesterday’ and ‘Assignment: Earth’ into a three-weekly story arc, with each episode leading into the next, with the premise that the Enterprise is stuck in time, or is at odds with time.

Kirk is convinced to take Spock's living spirit back to Vulcan...to do so he risks his and his entire crew's careers. Even if their mission to the unstable planet Genesis, the final resting place of their friend, is a success, the punishment for their disobedience awaits them...

It's becoming more and more clear that "Star Trek: Into Darkness" has become quite the divisive film-is it good, action packed fun, or is it a shameless remake of the greatest film in the franchise? After repeated viewings (like most people I know) the film , for me personally, has landed right square in the middle. It's still well acted, shot, and directed, even with the many problems with the script and how it is a massive retread of "WoK" as well as the 2009 prequel. What I had in mind, was to give this film a fresh new look in re-orderings, the removal of as many references and lip service snippets, and try to fix most of the annoying character flaws the script had.

I liked 'Star Trek Into Darkness' a lot but from the first viewing I could see the flaws and could see ways to fix them. So this is an attempt to create my ideal version, a version that brings out the best of what was always there. The "plot holes" remain (Removing them would be like trying to make a bowl, out of a sieve) but the emotional impact and character motivations are now what I think they should have been.

Confronted with old demons, Commander Riker watches the final mission of the NX-01 to gain insight into his current situation.

This is a cut of 'The Motion Picture' that attempts to get a little closer to the excitement and pacing of the Original-Series and the five Original-Crew films that followed it.

The three movies featuring the Enterprise-E appear in the format they always deserved: as episodes in an 8th season of Star Trek: The Next Generation, as if it had aired on premium cable following the finale of Deep Space 9.

Each episode lasts one hour. Tone and characterization attempts to hew more closely to the show, unnecessary subplots and characters have been dropped, and the franchise concludes on a significantly different note.

From the ashes of the Eugenics Wars a new threat arises. Captain Archer and the crew of the Enterprise race to stop Doctor Arik Soong and his genetically engineered Augments from starting a war between Earth and the Klingon Empire.

Bionic Bob edits the the 3 part Augment Arc into a faster paced action adventure by removing all commercial breaks, unneeded characters and filler subplots.

A 25th anniversary tv special hosted by William Shatner and Leonard Nimoy about the phenomenon that is Star Trek.

After watching Pauley79′s “Trials And Tribble-ations – The Extended Edition”, I wondered just how far I could take what movie editing software I have on my home PC, so that I might start doing some Fanedits of my own.

The NexGen’s final theatrical outing was a messy affair, plagued with an uninspired, safe script that catered more to the whims of its two lead actors than to needs of story and character. It was further hampered by miserable direction by Stuart Baird. This edit tries to remove many of the sillier and offensive moments of the movie, with biggest change being the complete removal of the B4 Android subplot, and leaving the audience with a darker character piece that focuses solely on Picard vs. Shinzon.

These are 4 in depth reviews about all 4 TNG Star Trek movies. In his unique, funny, very smart and to the point way RedLetterMedia shows us what went wrong with all these movies and why the TV shows were so much better. Star Trek Generations is considered by him the worst movie ever made. And Nemesis is not much better. In here we also learn more details about the “accident” of his wife and pizza rolls.

The STAR TREK PILOTS project is a 3-DVD collection of the first episodes of THE NEXT GENERATION, DEEP SPACE NINE and VOYAGER – all in trimmed WIDESCREEN versions. This one is for fans, who always wanted to watch these shows without the worst annoyances on the big modern screens.

The STAR TREK PILOTS project is a 3-DVD collection of the first episodes of THE NEXT GENERATION, DEEP SPACE NINE and VOYAGER – all in trimmed WIDESCREEN versions. This one is for fans, who always wanted to watch these shows without the worst annoyances on the big modern screens.