This is a tighter and more in the sense of the Supermnan predecessors made edit thatalso includes several of the deleted scenes. A true fan made this.

This film would have played a lot better had the tempo of the film not been an homage to the pacing of Donner’s original. With 24 minutes of un-needed lengths removed, this is a much faster paced version of SUPERMAN RETURNS.

This edit allow you to more strongly connect with Superman/Clark Kent and understand him more throughout his emotional journey.

This is Smallville the way it should have been. A story of one mans journey to greatness & not his weekly battles with strange people who pop up out of nowhere.

The two stories of Superman III and Superman IV have been edited together into one trimmed and improved tale.

This is a cut of Superman III modelled heavily on Father Merrins Smallville cut, but with all the focus being on Superman III material.

A serious & dark version of Superman III using Smallville elements from Superman I & IV, but without the continuity errors & with the Evil Computer.

Perhaps the most exhaustive and complete reworking of Superman II to date. Combining footage from the original Lester cut, the 2006 “Donner Cut” and selected footage from Superman The Movie, along with extensive special effects corrections, this is the movie that Richard Donner never got to make, the movie you always wanted.

Superman Returns – Fanedited by Booshman restores the deleted “Return to Krypton” opener , and several other deleted scenes. Characters have been edited to be more likeable and give stronger performances. And the entire film has been re-colored. Culminating in a more enjoyable, less introspective Superman,experience, and one you’ll want to re-visit again and again.

The best bits from Donner’s & Lester’s Versions, with the beginning & end from Lester’s film with as much Donner footage as possible.

This attempts to make a “best of breed” between the two edits of the film that remains congruous with the later films as well.

This fanedit is supposed to be the best version of Superman II ever made, with an emphasis on the “Donner” vision, using only the best and “completed” scenes…no workprint footage, no deleted scenes, a film that would reasonably be in theaters and be the followup to Superman: The Movie… also to fix all the technical mistakes, bad FX (Donner), bad editing, and lame corniness of the original Superman II.

This is a totally different, alternate version of the movie. It was created using both the Lester and the Donner cut.

This combines footage of Superman II & Superman II: The Richard Donner Cut.

This combines Superman 1 and Superman 2 (both Lester and Donner Cut) to one complete and improved movie, by trimming lots of scenes and re-arranging them.

To present the core themes explored within season 1 of Smallville whilst excising the “freak of the week” element, with 2 feature length parts in the style of a mini-series. Please note this is not intended to be Smallville: The Movie (even if I started out the project with that exact intention!). It is still very much grounded in its television roots and I wanted to maintain a strong sense of character and story telling in the edit which is reminiscent of the TV series.

By both inserting deleted scenes and in a few cases inserting still frames and comic panes, this is the ultimate extended edition of Superman IV, including the complete musical score and all the deleted scenes for a complete and unique watching experience.

This is a COMPLETELY re-built version of Superman II using the best elements from both movies with a whole new opening credit sequence and many, many changes and edits.

Several scenes that were supposed to be in the final cut are now restored. This is supposed to extend Superman to a more complete movie.

This edit combines Superman The Movie and Superman II into a single narrative that strips out the distractions of Lex Luther’s land-grab and instead focuses on the relationship between Kal-El and his father Jor-El, and the challenges that Superman faces in accepting his duty and destiny. With an entirely new ending that does not rely on time travel or memory-wiping kisses, we finally have a Superman with an ending of consequence, where the events we invested our time watching, have meaning.