Between remastering the International Cut (a.k.a. European Theatrical Cut) and reconstructing the US network broadcast cut, I'm sure many of you know that Ridley Scott's 1985 fantasy film, Legend, is one of my favorite films. Having done those edits within the past few months, I decided to reconstruct the UK broadcast television cut for completion sake. The UK television cut, from what I read, is an oddity like the US television cut: whereas the US television cut is essentially the American theatrical print with the Director's Cut (though known only as a workprint during its original creation) version of two sequences with their original music, the UK television cut is also the American theatrical print, with the Tangerine Dream soundtrack, but with the shots of the chef chopping the man on the table omitted, which is quite interesting. Why would the American print be used for UK broadcast instead of the International Cut? Who could really know for certain at this point, but it's still an interesting choice that I wanted to preserve, and do so I have.

For curiosity, posterity and completion sake, I am proud to present Legend: The U.K. TV Cut.

Legend: The U.S. TV Cut is another personal passion project that has a special place in my heart. I have very fond memories associated with this film, and they have followed me into adulthood, compelling me to do this project. My interest in creating this project would be ignited when I came across a site dedicated to the film and saw various mentions of the TV Cut; the site even had a complete breakdown of the TV Cut written up! After giving a thorough readthrough of the breakdown, I had it in my mind that I was going to recreate this cut to the best of my ability.

After reconstructing the TV cut of Legend and finally replacing an old DVD I had of the Euro cut, I decided I wanted to update the 11-year-old HD transfer of the European theatrical cut using the Arrow Video restoration. This idea was also spurred on by the fact that Arrow Video had the footage for Euro Cut on hand and included bits and pieces of it in a bonus feature available on their set, but weren't allowed to release a restoration of the cut because of rights issues and no cooperation on the part of a certain House of Mouse. So I am glad to present the European theatrical cut of Legend restored.

The purpose of this restoration is to partially recreate the theatrical IMAX version of No Time To Die by combining the widescreen 2.39:1 footage from the Blu-ray and the IMAX 1.78:1 sequences from the Open Matte WEB-DL.

I made this for my own personal use a while back since seeing this movie in IMAX was one of the most impressive theater experiences I've ever had, and I'm a sucker for IMAX/Open Matte movies. This takes multiple sources, including a German Open Matte HDTV broadcast and the official opening credits by the company that made them, and blends them together to replicate as best as possible what I remember that experience to be.

This is the uncensored Japanese SD-DVD cut of 'Kill Bill Vol.1', reconstructed using the censored HD-Blu-Ray cut as the basis.

On 30th October 2014 BBC3 screened a new version of Nicholas Winding Refn's 2011 film 'Drive' with an all-new score of original music. It was curated by Radio 1 DJ Zane Lowe with the full co-operation of the Director. So it's one of those rare "Official Fanedits".

Zane Lowe has insisted that it's not meant to be an improvement on the original, only an alternate take while Refn has stated "You can't own creativity. Rather than say 'Drive' is mine, I'd prefer to say it's everyone else's". Good idea or not, it's a brave experiment, so Lowe and his pick of artists deserve points for having the bottle to even attempt this in the first place.

Edgar Wright made this film first during High School. He later remade it on a budget of £10,000 and shot it entirely in the English county of Somerset. It was picked up and distributed for a couple years on VHS before disappearing into obscurity - unlike Mr Wright himself. Don't expect the snazzy editing and pace of Shaun of the Dead or Hot Fuzz, but a fledgling director who even back then was doing a fairly decent job.

Using a videotape recording of the original 1976 two-part broadcast as a reference source, the ABC OHMSS Preservation Fanedit is a shot-for-shot reproduction of the ABC broadcast which faithfully reproduces all transitions (wipes and dissolves), edit points, censored scenes and/or dialogue.