The year is 2024.

Industrial pollution has destroyed the ozone layer, leaving the planet at the mercy of deadly ultraviolet rays. An electromagnetic Shield now protects the Earth by blocking all light from the Sun. Humanity was saved but it has been living in perpetual darkness for decades. A general malaise hangs over the world as society slowly crumbles.

A small group believes the Ozone layer has repaired itself and that the Shield is no longer necessary. They seek out an aging Connor MacLeod for help. But forces from MacLeod’s distant past have also returned. And they aim to finish him off once and for all...

After 15+ years of noodling, I've finally landed on a version of the prequels that I prefer. The main concept is to fix AOTC, the weakest link that brings down the other two, and make TPM lead into it, and ROTS build from it.

The biggest problem I have with these movies isn’t necessarily the content. There’s some stuff I’m not crazy about, such as midichlorians and some of Anakin’s whiney, creepy behavior, sure. However, the biggest problem to me is in the minute to minute pacing. They just feel… weird? Off? Something’s not quite right in every single scene. The most egregious example is AOTC, where seemingly nobody talks like a human being, characters stand around clearly waiting for their cue, and much of the action mostly falls flat.

Even worse, the love story doesn’t work, partly because I think they focused on it way too much. The dialogue between Anakin and Padme is shockingly strange, but the chemistry between the two actors is definitely there. Just letting them spend time together would have sold it enough.

So I’m taking another crack at the Prequels, but I’m starting with AOTC, the biggest problem with the trilogy. Once I get that working, I can build up to it with TPM, and off of it with ROTS. The idea here is to go into every scene and remove that disjointed, stagey, unnatural feeling that permeates the film. Action will be pumped up and pacey, conversations will have that zing that they’re lacking, and the movie will move along at a steady pace.

After 15+ years of noodling, I've finally landed on a version of the prequels that I prefer. The main concept is to fix AOTC, the weakest link that brings down the other two, and make TPM lead into it, and ROTS build from it.

The biggest problem I have with these movies isn’t necessarily the content. There’s some stuff I’m not crazy about, such as midichlorians and some of Anakin’s whiney, creepy behavior, sure. However, the biggest problem to me is in the minute to minute pacing. They just feel… weird? Off? Something’s not quite right in every single scene. The most egregious example is AOTC, where seemingly nobody talks like a human being, characters stand around clearly waiting for their cue, and much of the action mostly falls flat.

Even worse, the love story doesn’t work, partly because I think they focused on it way too much. The dialogue between Anakin and Padme is shockingly strange, but the chemistry between the two actors is definitely there. Just letting them spend time together would have sold it enough.

So I’m taking another crack at the Prequels, but I’m starting with AOTC, the biggest problem with the trilogy. Once I get that working, I can build up to it with TPM, and off of it with ROTS. The idea here is to go into every scene and remove that disjointed, stagey, unnatural feeling that permeates the film. Action will be pumped up and pacey, conversations will have that zing that they’re lacking, and the movie will move along at a steady pace.

There’s a lot of PT edits out there, and I’m not the most technically accomplished editor to tackle them. However, I think my particular knack for action and pace (I’m aware of my strengths as well as my faults) will make these stand out.

After 15+ years of noodling, I've finally landed on a version of the prequels that I prefer. The main concept is to fix AOTC, the weakest link that brings down the other two, and make TPM lead into it, and ROTS build from it.

The biggest problem I have with these movies isn’t necessarily the content. There’s some stuff I’m not crazy about, such as midichlorians and some of Anakin’s whiney, creepy behavior, sure. However, the biggest problem to me is in the minute to minute pacing. They just feel… weird? Off? Something’s not quite right in every single scene. The most egregious example is AOTC, where seemingly nobody talks like a human being, characters stand around clearly waiting for their cue, and much of the action mostly falls flat.

Even worse, the love story doesn’t work, partly because I think they focused on it way too much. The dialogue between Anakin and Padme is shockingly strange, but the chemistry between the two actors is definitely there. Just letting them spend time together would have sold it enough.

So I’m taking another crack at the Prequels, but I’m starting with AOTC, the biggest problem with the trilogy. Once I get that working, I can build up to it with TPM, and off of it with ROTS. The idea here is to go into every scene and remove that disjointed, stagey, unnatural feeling that permeates the film. Action will be pumped up and pacey, conversations will have that zing that they’re lacking, and the movie will move along at a steady pace.

There’s a lot of PT edits out there, and I’m not the most technically accomplished editor to tackle them. However, I think my particular knack for action and pace (I’m aware of my strengths as well as my faults) will make these stand out.

This is for people who think “Please don’t edit Andor, it’s already perfect… I’d take it as movies though.”

This is Andor season one, rearranged into four movies of roughly two hours each, removing no content whatsoever, just focused on smoothly presenting each major A-plot as a movie whilst moving the supporting B-plots around to keep each movie as focused as possible, so each movie is self-contained and easily digestible.

Extended Edition of the first Pirates film, in full HD for the first time.

What if Terminator 2 was a smaller scale, lower budget horror movie— like Terminator 1?
This edit transforms Terminator 2 from an epic action adventure into a more brutal horror flick with older production values and a 1980’s aesthetic. While it’s still “bigger and better” than T1, the focus is now on smaller scale horror rather than epic grandness from a director trying hard to outdo "Die Hard."

"The Other Guys," a buddy cop comedy set against the Ponzi schemes of the 2000's, starring Mark Wahlberg and Will Ferrell, directed by Adam McKay, could have been SUCH a great movie if it didn't end up so silly and underdeveloped. I have made our lead characters into good, intelligent cops we actually want to root for and chopped many of the extreme, ridiculous jokes. The movie is now tightly-paced and a much more enjoyable comedy with a real heart.

After reconstructing the TV cut of Legend and finally replacing an old DVD I had of the Euro cut, I decided I wanted to update the 11-year-old HD transfer of the European theatrical cut using the Arrow Video restoration. This idea was also spurred on by the fact that Arrow Video had the footage for Euro Cut on hand and included bits and pieces of it in a bonus feature available on their set, but weren't allowed to release a restoration of the cut because of rights issues and no cooperation on the part of a certain House of Mouse. So I am glad to present the European theatrical cut of Legend restored.

Live action and animation come together in this retelling of Multiverse of Madness.
The Book of Dreams is all about control. Two powerful individuals, each wanting control in some form. Both mourning a loss in some form. Their dreams have power over them and in the centre of it all is a girl who can punch holes in reality and make dreams come true. Who will come out on top? As long as they all hold on to their dreams, can there be a winner?

Tony Stark grapples with anxiety and must confront a formidable terrorist known as the Mandarin, leading to a journey of self-discovery and the ultimate test of his ingenuity.

The Extremis Edition reintegrates 10 deleted, extended and alternate scenes into the film, with an all-new subplot and mid-credits scene. 8 minutes of footage are now back in the film, restoring more of Tony's holiday adventure!

Sword Art Online Abridged is an abridged series by Something Witty Entertainment under the YouTube channel SWEabridged. It is a parody of the anime series Sword Art Online. Ascending Aincraid is the same story in movie form.

In 2022, a virtual reality massively multiplayer online role-playing game (VRMMORPG) called Sword Art Online (SAO) was released. With the NerveGear, a helmet that stimulates the user's five senses via their brain, players can experience and control their in-game characters with their minds. Both the game and the NerveGear were created by Akihiko Kayaba. On November 6, 10,000 players log into SAO's mainframe cyberspace for the first time, only to discover that they are unable to log out. Kayaba appears and tells the players that they must beat all 100 floors of Aincrad, a steel castle which is the setting of SAO, if they wish to be free. He also states that those who suffer in-game deaths or forcibly remove the NerveGear out-of-game will suffer real-life deaths. Kirito, a beta tester of the game, adventures through Aincraid to keep himself, and those around him, from dying and beat Sword Art Online.

The purpose of this restoration is to partially recreate the theatrical IMAX version of No Time To Die by combining the widescreen 2.39:1 footage from the Blu-ray and the IMAX 1.78:1 sequences from the Open Matte WEB-DL.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

AKA, Tropic Thunder Extended Edition

Let me start off by saying, I freaking love this movie. What I did here was take the Tropic Thunder Director's cut, add in all of the deleted scenes, and added back all of the alternate lines from the theatrical cut that were removed in the DC.

Rogue One reformatted and rescored entirely as the finale arc of Andor.

John Wick 4: The Final Chapter follows the the same story as the original. A man by the name of John Wick uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe and forces that turn old friends into foes.

The story of a passionate but doomed romance between a poor, young artist named Jack and an upper-class woman named Rose, aboard the ill-fated maiden voyage of the RMS Titanic.

The Extended Voyage aims to present James Cameron's film at it's best and longest, with more than 30 new and extended scenes, and over 30 minutes of footage. More Titanic action, romance, drama and iceberg!

I'm calling this The Bass Reeves Cut of HBO's Watchmen. It turns the 9 episode miniseries into a 2 hour and 22 minute movie. My edit primarily concentrates on the mystery of what happened to Judd Crawford and the origin story of Hooded Justice. It centers on Angela Abar and Will Reeves. There's no Adrian Veidt, no Dr. Manhattan and just a bit of Laurie Blake.

A synthwave rescorded version of the film to make it more in tone with Escape from New York.

In the original movie, Kevin Spacey's character has such a jarring flip on conscience that it almost ruined what is otherwise a really fun movie. So I fixed it! I moved scenes around, added foley, learned some new techniques on Premiere Pro, and even recorded my own voice to fill in some gaps. I hope this redeems Doc and makes the ending more satisfying and fun for everyone!

“Vengeance of the Dark Side” tells a more complete story of Anakin Skywalker’s fall from renowned hero to the galaxy’s most dreaded villain by reinserting 5.75 previously deleted scenes (AI-upscaled to 4K and recolored into HDR). Where the theatrical cut follows Anakin nearly exclusively, the extra scenes in this edit give Padmé her own storyline that intersects with Anakin's--providing deeper foundations for his growing mistrust of her--and helping to expand Star Wars lore by showcasing previously unknown aspects of the Force (when the saga is viewed in episode-order) and the conception of the Rebel Alliance even before the Galactic Republic officially falls.

Inspired by Blofelds Cat fanedit, 'Never Say McClory Again'. This edit follows a similar path to turn this rogue 007 production into an EON style produced film.

The Fast movies are not perfect, but for the most part they are good fun. A couple of them are great, a couple are very good, and a couple are just plain terrible. With the upcoming Fast X (upcoming at the time of starting this), I wanted to have a way to rewatch the Fast movies in smaller chunks. In my spare time, when I didn’t have the time to sit through a whole movie. So, I put this together, Fast & Furious: The Series Cut.

What is Fast and Furious: The Series Cut?
It is all of the Fast and Furious movies (including Los Bandoleros, Tokyo Drift and Hobbs and Shaw) cut up into 30ish to 45ish minute episodes.

The purpose of this restoration is to recreate the IMAX 1.43:1 presentation of The Dark Knight Rises by combining the widescreen 2.39:1 footage from the Blu-ray and the IMAX 1.43:1 sequences from the Special Features of The Dark Knight Trilogy Blu-ray (Special Edition).
That way, throughout the film, the IMAX scenes expand top and bottom showcasing the full IMAX 1.43:1 frame (instead of the cropped 1.78:1 IMAX frame) while maintaining constant width as it would on an IMAX GT 1.43:1 screen.

A redux? Why?

Because I realised that I've learned so much since I started this hobby that I should revisit one of my earliest edits. Star Wars deserves it. Based on feedback I have now created a new throneroom sequence that is completely doused in red lights instead of blue. It's far more terrifying.

A light edit that aims to tighten the pacing by re-editing the battle and crash sequences, restore some dignity (or give some that never existed to begin with) to several of the leading characters, and incorporates Spock into the denouement.

The purpose of this restoration is to recreate the IMAX 1.43:1 presentation of The Dark Knight by combining the widescreen 2.39:1 footage from the Blu-ray and the IMAX 1.43:1 sequences from the Special Features of The Dark Knight Trilogy Blu-ray (Special Edition).
That way, throughout the film, the IMAX scenes expand top and bottom showcasing the full IMAX 1.43:1 frame (instead of the cropped 1.78:1 IMAX frame) while maintaining constant width as it would on an IMAX GT 1.43:1 screen.

Experience the second live action Ben 10 movie with a slightly toned down Max, less jump cuts, and a small hint that foreshadows Elena's involvement in Ben 10: Ultimate Alien.

"In the not too distant future,
police are powerless to stop
gangs of criminals
from terrorising good citizens.

But in Gotham City,
in the heart of urban America
it is the criminals who live in fear...
OF THE BAT-MAN"

Enjoy this noir classic as it was originally presented in the 1940s, and see if you can solve the mystery:
Who is the Bat-Man?

The dreaded Galactic Empire is crumbling. Following the death of the Emperor, regional powers have begun to take up arms against their imperial overlords.
Seeking to end this growing unrest, Supreme Leader Snoke has created the FIRST ORDER, a paramilitary force tasked with crushing dissent in star systems not yet in full rebellion.
Meanwhile, the largest of these separatist governments, The New Republic, has formed their own resistance group to oppose the First Order. But in this time of need, they are without their champion. Luke Skywalker has vanished...

Speed Racer follows in the footsteps of his big brother Rex, becoming a hometown hero in auto racing before learning the horrible truth about the industry. With his career and his family's future at stake, he must accomplish what his brother once tried to do - get behind the wheel, change the future of the sport.

In this new edit which includes a shiny new color grade, shortcuts were found and corners were shaved off to achieve a new track record of 117 minutes!

The grand introduction of Kang the Conqueror to the MCU, featuring Ant-Man and his family! Kang found himself trapped in a place called the quantum realm and met a woman named Janet, She helped him to repair his ship but at the last moment she turned against him and locked his ships engine in stasis with her shrink-tech. Years later, Janet and her family (including Ant-Man) got drawn back down to the quantum realm and now is Kang's chance to escape with the help of Ant-Man, whether he wants to or not!

The crew of the Enterprise embark on their final mission after 5 years and encounter many past challenges and phenomena leaving the crew exactly where Star Trek The Motion Picture picks up from.

The purpose of this edit is to re-conceptualize Season 1 of this amazing series into a two part feature film duology.

It reorganizes the scenes for a more cohesive story, congruous concept and dramatic impact, removing a lot of extraneous filler material. While Season 1 was just plain outstanding (for the most part), it had substantial bloat. I consider this edit an improved, definitive version, and also a good way to watch it again before Season 2 is released—a very full story told in 5 hours instead of 8½ hours.

Overall, this edit is intended to be even more of a gut punch than the original. And the most important thing is:
NO SHITTY PUNS WERE HARMED IN THE MAKING OF THIS FANEDIT.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date

Big monster fight!

Watching the film in cinemas, I realised how expendable the Millie Bobby Brown character and her subplot were, as the entire side mission was completely disconnected from the main story. Doing some very simple cuts to remove the sideplot ended up with a much simplier and to-the-point film, focusing on Kong's journey to Hollow Earth and his clash with Godzilla in less than 80 minutes.

Strap in for a tighter and much faster ride as the two titans go head to head!

Recut The Last of Us into a 3-part miniseries solely focused on Joel and Elli's journey. A 4th "special episode" includes the majority of the cut content as short films.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

To create ten 60 mins Episodes from Quentin Tarantino's 10 films to date.

This BvS edit keeps the focus on the conflict between the titular heroes by removing all the interfering DCEU scenes and connections, also making edits to minimize some of the “infamous” elements and moments in the film. Nevertheless Snyder’s signature style remains intact.

False God retains all UE scenes that strengthen Lois and Clark’s respective investigations and Luthor’s manipulations but controversial elements have been alleviated (Lex’s ticks reduced, more respectful/hopeful ending). Removal of the DCEU connections close the door to the JL movie but leaves it open for the Wonder Woman (2017) 'self-contained' solo movie to connect.

After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight Jeff Bridges.

As the first Iron Man film has been airing on FX as an extended cut with deleted scenes for years, I figured I could make a HD version of it, so we don't have to wait for it to come on TV.

Venom wasn't terrible, but it wasn't great. By cutting a few scenes I've been able to tighten the pacing and make it slightly more enjoyable than the theatrical cut.

The Virtual Workprint, as edited by Josh Janson one of the more well-known edits of the film, is still my preferred cut of the film despite it's poor video quality. The HD Rebuild uses the most recent Blu-Ray to completely remake Josh Jenson's original edit from scratch in as high quality as possible.

The edit features 10 minutes of new footage, including 7 deleted scenes with an alternate opening and ending, and 10 additional shots and lines from trailers and more, while also trimming a few of the more over-the-top moments from the final film.

After the fall of France to the Nazis and the evacuation of the British Army from Dunkirk, the Royal Air Force must defend their homeland from the threat of invasion by a battle-hardened and numerically superior opponent during the summer of 1940, with the future of the country, and maybe even the whole of Europe, hanging in the balance.

This edit is, on the whole, a simple tightening of the director Guy Hamilton's ambitious 1969 retelling of these events, hopefully making it more approachable for the audience.

Available in two versions:
* Technicolor
* Black & White

This is an edit of Peter Jackson's King Kong without most of the silliness. Where things move quicker, but there's still room for a breather.

Fanedit running time: 2 hours 21 minutes (before credits)

This is the entire second season of See cut down to one action packed, epic movie. This is the third part in a planned 4-part series that will condense the entirety of the show into a film format. Season 2 of See changes the tone of the show rather drastically, becoming a lot more action/adventure focused while also broadening the scope of the world. This film is longer than the previous two, but contains the arc of an entire season's worth of story. This film is also a lot more action-packed, with intense fight scenes and epic battles.