The galaxy has been plunged into total war! As clones and Jedi alike are sent far and wide to stop the separatist's advances, Palpatine hatches a wicked plan to end the war and seize total control of the galaxy.

Quantum of Solace but with Black & White flashbacks to Casino Royale in order to make it more emotionaly involving.
The first hour of Casino Royale is skipped over so the first flashback is of Bond meeting Vesper on the train.

Star Wars with a rocking soundtrack! Heavy Star Wars takes the existing action and adventure, trimming away unnecessary story/action/bad acting, and replaces the soundtrack with Rock music!

This edit makes The Last Jedi a respectful sequel to The Force Awakens as best as possible while also including some elements from The Rise of Skywalker. The terrible humor, unnecessary characters, and pointless side plots have been removed. Characters feel closer to how they were before. The result is a more serious and engaging movie that fits better with its predecessor.

Main changes include the addition of several deleted scenes to expand Padme's presence, the silly antics of R2 & 3PO are removed from the factory and arena battle, and a few of Ani's whiniest/creepiest moments are removed (but I kept in all the cringe romance).

Added several deleted scenes, removed some droid slapstick and Vader's "Noooo!".

A lighter edit of The Phantom Menace than most, removing only the worst of Jar Jar's antics and Ani's acting and trimming the podrace a bit.

Eliminates most of the first half hour of the film to get into the main action faster and preserve the mystery of at least a few of Han's origins.

By removing the love triangle this turns out to be a great action and war movie about a day the US will never forget.

Storywise this fan-edit doesn't differ from the movie. It only tells the story in a more clear and intimate way, and adds a bit more suspense.

Winners of the 1990 and 1992 Worst Parents Awards are accidently seperated from their 8 year old son, as he is at home, left to severely torture and mutilate 2 grown men.

The Holiday Special Edition adds back 14 deleted, extended and alternate scenes to this Christmas classic, with over 10 minutes of new footage.

In my view this movie suffers from a narrative which aims to tell a complex political and sociological aspect. By no way i condem this approach but it isn´t told in a proper way and jumps back, forth between narrative locations and merge at the end.

So how i want to tackle this in hope that the movie becomes more interesting?
My approach is similiar to @L8wrtr ´s in his American Gangster - Two Tales edit (definitely a recommandation!) amd inspired me to try the same, kind of. Telling two stories separately before they flow into each other.

See is a criminally underseen AppleTV series, one of the more interesting and fleshed out science fiction stories I've seen recently.

I always though that the production was so strong on the show that it would've made a great movie, so I'm playing with that concept. Also, there was a bit of a stylistic shift between the first and second seasons, where a lot of very abstract ideas got sort of left behind in favor of a more action/adventure heavy show. Doing a fanedit of the first season in movie form can help line it up with the style of the rest of the show.

The Thing 2011, Extended and tweaked .

When I contructed "THE THINGS" edit ( a mashup of both the 1982 and 2011 versions), I also made an extended version of the 2011 version.

We all hoped to see the original VFX that were sgot with practical effects that were later replaced in post production, but this will clearly now not occur.

Over the years, I have shared this version with a few on the site, to favorable responses. So on that basis (and yet another request to wither make this oedit or release it), I believe now is the time to re-appraise this film.

The one provisio I make to any who review this is that this was the last Standard Definition edit I made, So please do not scor it down on image on that basis. It was and is DVD quality, and older DVD based edits were not penalised back then, so please bear this in mind.

I will in the fullness of time, make an HD version of this....eventually.

ENJOY to all

W

Star Trek " The Wrath of Khan without the recyled VFX from Star Trek The Motion Picture

I love the Hunger Games books, and I thought the movies were well done adaptations, but there were some aspects I thought could be trimmed and the pacing of the final movies improved. Originally I was going to leave the first two movies alone and just work on the last one, but earlier this year I watched MisterCooper's fantastic edit of the Hunger Games movies into an 8 episode miniseries. Because movies 2-4 were so connected the miniseries treatment worked really well. Mine is heavily inspired by his edit so please check out his if you're interested!

I don't want this to sound like I am bashing MisterCooper's edit because I really enjoyed it and mine is heavily inspired by his. But I did have some things I wanted to change, mainly around pacing, a couple story choices, and the music. Most of his series worked really well for me, but some of the pacing didn't feel right, such as starting his third episode with the last few minutes in the arena from the first movie. It felt anticlimactic to me to resolve the first movie in the initial ten minutes of that episode. His Catching Fire arena episode also ended up being a lot longer than the rest of his episodes, and while that isn't inherently bad I wanted to find a way to make the episode lengths more similar across the board. I also wanted some different story and music choices, such as my edit getting rid of most of the Gale romance from the latter movies as I thought it wasn't well done and didn't add much, and then keeping more of the original music from the series.

Indiana Jones embarks on the story you love as presented in a less intense Saturday morning kid friendly way. Same plot, less pew pew, blood splat, face melting and nightmare inducing ghosts.

Indiana Jones and his father embark on the the quest to find the Holy Grail in this edit of the story you love with slightly less intense moments.

The Wrath of Khan as it might have been, had it not been made on a tight budget with recycled VFX by the Paramount Television Unit (which it was astonishingly)

Thor Love and Thunder arrived in cinemas to the sounds of raucus laughter, and the sound of footsteps as people walked out of the cinema, disgusted at what a blundering fool Thor had become. Whilst many people enjoyed Taika Waititi's unique blend of humour and emotion, There are many people who felt he had taken it too far.

Thor Love and Thunder Minus Comedy takes the worst of the comedy out and aims to focus on Thor's emotional journey, rediscovering love and accentuating the threatening presence of Gorr the god-butcher.

Thor discovers that Gorr is aiming to kill all gods and sets out on a mission to raise an army to rescue the abducted children of Asgard. It's not yet clear how this army will come about but on the way, he meets the enigmatic Zeus whose allegiances are never quite clear, and rekindles a romance with Jane Foster who has her own secrets.

Carlito's girlfriend Gail takes up a lot of screentime so I wanted to just keep the scenes that really needs to be there and cut the movie down for a better pace. To tell faster more streamlined story.

This edit gives the viewer the chance to experience and interpret the story as it unfolds rather than constantly being told what is happening and how to feel about it. Commodus’ actions alone are what shows us his depravity, and he actually acts upon his lust for his sister. Lucilla (the sister) is also depicted as a much stronger woman.

New elements of the Tarantino screenplay are incorporated along with a retro, gritty color re-grade and new Tarantin-esque soundtrack and musical scoring. No music/score is borrowed from his other films. Additional blood/gore VFX is the cherry on top of this Hyperviolent Cut. Other edits which used Tarantino's original screenplay seemed to include most/all deleted scene footage which adds new Tony Scott material, including lowbrow penis jokes that does not jive at all with the QT screenplay. Other edits also rearranged scenes at a high level, to give a basic similar arrangement, rather than at a more detailed scene by scene level. IMO this edit is the truest edit (so far) to the spirit of Tartantino's screenplay.

A Kill Bill Vol. 1 + 2 combo NO ANIME cut upscaled to 4K (also available in 1080p). Runtime 3 hours 45 minutes. The best Kill Bill has ever looked.

ZSJL was a major improvement to the travesty which occurred in 2017; however, Snyder’s 4 hour release was rushed in production and stuffed with significant filler. Releasing such a long cut, open matted, was probably more for production speed than artistic reasons. This cut re-scores, reduces, and rearranges this film for a more epic feel, with greater dramatic impact in a much shorter runtime.

This is my own take on editor, JobWillins, overall concept in his brilliant edit Man of Tomorrow, which merges Man of Steel and Batman v Superman into one film. See further details for how Son of Krypton differs from Man of Tomorrow.

In this edit the story now takes place entirely during 1918, the action sequences are much improved, young Diana receives a more serious portrayal, cartoonish comedy is toned down, and Steve is still funny-- but in scenes where it's warranted. This release intended to be Part 1 of a trilogy followed by my edits Son of Krypton and Justice League: Gods of Earth.

Like many of the other Disney+ MCU series, this clearly felt like it was originally envisioned as a film that was then stretched out to fill out a limited series. It's a good story with some great moments, but it drags on and is stretched too thin. This edit attempts to reorganize the fairly simple plot into a single film of 2 hours and 22 minutes, an average run time for an MCU film.

I've always wanted versions of the first two Terminator films that don't spoil the plot upfront, but instead let the story play out in more of a noir mystery style. This is the second of those two edits.

A fasted paced grindhouse inspired combo of the two classic Tarantino films.

I've always wanted versions of the first two Terminator films that don't spoil the plot upfront, but instead let the story play out in more of a noir mystery style. This is the first of those two edits.

For me, The Northman is one of the best movies released in 2022. I just wanted to extend it a little bit more with the deleted scenes included in the 4K UHD.

It is the same movie that we love, but extended.

To make a slightly different movie keeping the supernatural touch that it was left ambiguous in the original movie.

Allied agents must stage a daring raid on a fortified castle to rescue a prisoner vital to winning the war. But not everything is as it seems...

A classic wartime "men on a mission" movie with fantastic production values and performances. But the pacing of the storytelling does drag in parts from a modern viewpoint.

To make a faster paced and reconstructed version of the film with grindhouse elements.
I find the original version too messy and unfocused with Carolinas (Salma Hayek) scenes split out across the whole film.
In this version all her scenes have been placed at the beginning and then a more streamlined version of the film can take place.

Transformers is a film that came at just the right time in my life - at 13 years old, the concept of giant alien robots fighting each other and turning into all manner of vehicles was mind-blowing. Unfortunately in the years that followed, my tastes in films changed, and the film I once adored became hard to sit through. Since the nostalgia was still there, I started to wonder whether I could trim the film to live up to my teenage image of it, and spurred on by my discovery of Harmy's Despecialized Editions and this website, I went ahead and gave it a go.

There and Back Again is a fan edit of the Hobbit Trilogy that aims to tell the story in a single film. The bloat of the original movies is excised to create a more concise and exciting experience.

As thousands of solar systems threaten to secede from the Galactic Republic, the Dark Side of the Force shrouds the Jedi's vision. Caught up in a plot to assassinate Senator Padmé Amidala, Anakin Skywalker must navigate the balance between his oath to the Jedi Order and his growing feelings for Padmé. But as Padmé's own feelings grow amidst a looming galactic conflict, can Anakin and the Jedi turn the tide toward peace, or will war consume them all?

Find out in SHROUD OF THE DARK SIDE, a fanedit that uses deleted scenes (AI-upscaled to 4K with HDR) and some redone visual effects to restructure the love story in "Attack of the Clones" to proceed more naturally and realistically while also streamlining and making sense of the politics behind the Grand Army of the Republic and the Jedi Council.

The same movie without the Epilogue.

The greedy Trade Federation has established a blockade of warships around the planet of Naboo and threatened her people with starvation. It is up to a small band of heroes, including two jedi, a queen, and a young boy from Tattooine, to save the people of Naboo from the sinister Nute Gunray and his fellow Neimoidians.

A grindhouse version with a higher pacing.

The Living Daylights makes for a striking introduction to Timothy Dalton's iteration of James Bond (particularly after the Roger Moore era), not to mention a charming and exciting throwback to classical espionage adventures and the Ian Fleming novels themselves. It is, however, also held back by the sensibilities of the time, antiquated pacing (even for when it was released), and an apparent desire to not stray too far from the campier and leerier vibes of the films that preceded it.
The aim of this edit was to bring the standard of the film up to that of the central performance. I wanted to bring out the exciting, thrilling and romantic qualities of the film whilst downplaying its flaws, all while giving the technical execution of the film a more modern edge.

Jump back on Jump Street! An all new and longer extended cut of Lord and Miller's reboot of the classic TV series!

Seven extended, alternate and deleted scenes have been reintegrated into the film, adding 5 more minutes of Jenko's and Schmidt's high school infiltration!

Are You A Sonic Fan? Are You A Fan Of The Film Franchise BUT...
- You Don't Like The Human Sub-Plots, Especially THAT DARN FAKE WEDDING!
- You Wish Sonic Was Less Childish,
- And You Want SOME FREAKING CRUSH 40 IN THESE MOVIES!!!

WELL YOU ARE IN LUCK!

Introducing “Sonic The Hedgehog: The Live And Learn Cut”. The idea of this fan edit is to combine both movies into one action packed fast paced Sonic Adventure that focuses on him becoming a true hero and finding friends and family along the way!

And of course, As the Sonic Fan base has been craving ever since the release of the first movie, I will also add in Music from across the Sonic Franchise. This includes Music from Sonic Adventure 1-2, Heroes, 06, Unleashed and more!

I watched Love and Monsters when it first became available during quarantine and I was pleasantly surprised what a great movie and somewhat of a hidden gem it is. It has a great balance of humor, heart and its fair share of scary monsters.

I've put back all but 1 of the deleted scenes if for nothing other than to just spend a few extra minutes in this world created in the film.

The only real change I made to the film is moving the fate of Clyde and Minnow to a mid-credits scene so as to not takeaway from the emotional high we feel at the end of the film. Making a joke about Joel at this point was a little out of place and we as an audience needed to arrive at the end of the film feeling uplifted by the swell of the music as Joel becomes a leader.

This is the reconstructed version of the Roadshow with is 40 minutes longer in 720p and STEREO.

The Book of Eli, if it were a PG-13 action movie.

This edit pares off some runtime to improve pacing, and edits certain aspects of the story so the main characters enter the story without prior knowledge of each other.

Going to see Crystal Skull on opening night is probably the worst cinematic experience I've ever had. You could just feel the room deflate, all the energy disappear, the excitement turned to disappointment. I hated it.

However, time has been kinder than expected to the film. Maybe it's comparing it to what passes for modern "adventure" filmmaking, but it's sort of outdated style kind of works in its favor. There's a lot of things that do work about it. Harrison Ford and the rest of the cast are game. Though it's kind of a "left hand" movie from Spielberg, he's still the greatest movie director of our lifetimes, so it's still got some great visuals and action. The story could be intriguing.

By cutting out scenes that are out of character and using alternant or deleted material form the movie I wanted to give this movie a different feel. I also rescored scenes with different music to recontextualize or emphasize different moments in the movie.