Deathly hallows part 1 and 2 combined into one film, and made to feel more colourful, upbeat, positive and more in line with the earlier films. Harry, Ron and Hermione go on a quest to find and destroy the horcruxes and defeat the dark lord. There are setbacks along the way, but we no longer have to endure torture, suffering and scenes of depression.

We all know the situation is bad, we don't need it to be rubbed in. These heroes are fighting to save their world, we need to believe their world is worth saving. We need to feel hopeful.

For me, Connery and Brosnan were the vibe that exemplifies what Bond should be, so the Craig generation always felt a bit off. It has a much darker and more brooding tone, and while Craig does have some swagger it's usually done with a sulk.

This edit attempts to reassemble the Craig era into a smaller single-film-length package that keeps the best elements in a smooth narrative flow. As a result some of the slower and darker elements fall by the wayside and Bond feels more like the older eras.

The focus is the Spectre plot arc, and the bond girls were pared down to Vesper Lynd, Severine, and Madeleine so it felt like a cohesive film and not a mess of non-essential characters. This also ends up making the Vesper and Mr White plot arcs much more coherent since they aren't spread across a few films.

George Miller's Furiosa, with fewer explicit ties to Fury Road, and a modest reduction in runtime.

Removing some subplots = lighter movie.
Removing Rocket's dark past = lighter tone.
Removing aggression between characters = lighter feel.
Rocket being out of commission = lighter team.

A lighter movie to help you feel more empathy with the main cast!

The fifth Volume in a series of edits aiming to recut GAME OF THRONES to bring it more inline with the A SONG OF ICE AND FIRE book series that it was adapted from. This Volume covers A CLASH OF KINGS Chapters 33-69, which mostly corresponds to GAME OF THRONES 2.05-2.10.

It's A Bionic Love Story!

Colonel Steve Austin's true love, tennis pro Jaime Sommers, is critically injured in a skydiving accident. To save her life, the O.S.I. transforms Jaime into the world's first Bionic Woman. But there is a price! Jaime now has amnesia!!! Can Steve win back the love of his life???

Find out in this soapy melodrama where there are no villains, only the sweet musical sounds of the 70s!

"Top Gun: Maverick" aka "Top Gun 2" is one of the better-made '80s revivals that have come out in recent years. It received very high marks from critics and audiences. However, I noticed some glaring plot issues, an overly long runtime at 130 minutes, too much mediocre music, flat characters, and illogical or impossible events. "Mach 10" is, as the name implies, a faster, shorter, more streamlined 95-minute revision of "Maverick" with exciting new music and sound effects.

Since the disappearance of his son, Jon Anderton has dedicated his life to fighting crime BEFORE it happens. but when the system designed to predict crimes identifies him as a future murderer, he is put on a time limit to prove his innocence before he can be arrested.

10 years after Order 66, the empire is searching for a rebel network called The Path. A group of inquisitors led by the Grand Inquisitor search for a young Jedi, Nari, who helps the people of Tatooine find said Path.
But one inquisitor, Reva, is obsessed by another goal...Kenobi.

The fourth Volume in a series of edits aiming to recut GAME OF THRONES to bring it more inline with the A SONG OF ICE AND FIRE book series that it was adapted from. This Volume covers A CLASH OF KINGS Chapters 0-32 & 42, which mostly corresponds to GAME OF THRONES 2.01-2.04.

To create a version of Inglourious Basterds, which is less self-indulgent, at 102 mins, without any music and then add back in a single score from another movie to change the entire tone.

Steve Austin aka The Six Million Dollar Man encounters an enemy unlike any other! During a mission, Steve notices that his friend Fred isn't acting normal. In fact, he's acting a little robotic! Just when Steve thinks he can spot a robot, one may have been hiding in plain sight all along! How can you spot the difference between a robot and a person? Well, that is the six million dollar question!

Lara Croft, daughter of Lord Henshingly Croft, was born in England on February 14th 1968. She was raised to be an aristocrat from birth, and had lived in luxury aloof from the world at large. From the age of 3 Lara began her learning with a private tutor. Lara attended Wimbledon High School for girls at the age of 11. At 16 her parents decided she should broaden her education by studying at Gordonstoun, one of Britain's most prominent boarding schools. One day Lara came across a copy of National Geographic on the hall table. The front cover featured a familiar face, her father. A respected archaeologist, Lord Henshingly Croft would go on to lecture at Lara's school to her pupils & teachers alike. The experience had a profound effect on Lara, triggering a desire for travel to remote locations in search of adventure, like her father before her. Lara’s father (and mother) had become the main inspirational figures of her archeological pursuits. Sadly, her father wasted their family fortune in search of the legendary tusk of Ganesh. He never found it.

This is not explicitly a Predator movie until Naru first encounters what she’s hunting. Dialogue is at a bare minimum, with any Commanche characters limited to their native tongue and scenes re-cut to allow for better dub synchronisation; audio tweaks have also been made to help the dub sit better in the film mix. Further changes are made to tighten some of the action and pull attention away from weaker FX elements.

Combines the only two connected theatrically-released Ghibli films into a single feature. A big white(ish) cat will show you the way…twice!

Back in March, I released a project that I had been working on on and off known as Dune: Kwisatz Haderach -- Part 1, which was an experimental cut I made to see if you could trim down the first part of Denis Villeneuve's adaptation of the epic science fiction novel, Dune, and still retain a cohesive story while doing so. Once I released that project, I knew I had to give Dune: Part 2 the Kwisatz Haderach treatment as well. With nearly 30 minutes of footage cut from the original 2 hr 46 min runtime, I was able to create a streamlined yet still cohesive cut of Dune Part 2.

I am proud to present Dune: Kwisatz Haderach -- Part 2.

After discovering a mysterious briefcase left by his father, adolescent Peter Parker embarks on a quest to uncover the truth about his parents' disappearance, further complicating his life as he deals with newfound superpowers, his first love and, most importantly, growing up.

"The Birth of a Hero: A Spider-Man Story" is a retelling of the most infamous chapter in the web-slinger's cinematic history that aims to remove most of the superheroics in order to create a more emotionally grounded narrative about Peter Parker finding his place in the world.

For over a thousand generations, the Jedi Order have protected the galaxy. Now, the Galactic Republic is stagnating. Greed and corruption has consumed the senate, and the Trade Federation has struck at this opportunity, invading the small planet of Naboo. To resolve the conflict, rogue Jedi Qui-Gon Jinn and his young apprentice Obi-Wan Kenobi step in to aid the young Queen of Naboo. Along the way, they encounter a vergence in the Force, but little do they know, a shadow from the past is rearing its head, eager to unleash its wrath....

The plot of the Wizard of Oz goes here! Everyone knows it by now hopefully!

The Extended Yellow Brick Road added back in the only surviving deleted scene, with a very long extended dance number with the scarecrow for "If I Only Had a Brain", adding back around 3 minutes of footage into the technicolour classic!

The third Volume in a series of edits aiming to recut GAME OF THRONES to bring it more inline with the A SONG OF ICE AND FIRE book series that it was adapted from. This Volume covers A GAME OF THRONES Chapters 50-72, which mostly corresponds to GAME OF THRONES 1.08 - 1.10.

Removes the non-book Green Mist/stolen citizens subplot, adds back music and deleted scenes, and tries to make the whole film a little easier on the eye.

Most edits of The Mandalorian turn it into a movie or try to change it drastically. This is not one of those edits, this is The Mandalorian for those who like The Mandalorian mostly, but want an easier rewatch.

The second Volume in a series of edits aiming to recut GAME OF THRONES to bring it more inline with the A SONG OF ICE AND FIRE book series that it was adapted from. This Volume covers A GAME OF THRONES Chapters 23-49, which mostly corresponds to GAME OF THRONES 1.04 - 1.07.

Beyond the normal trims for pacing and likability, this edit removes the most contentious elements of the original film, the Castle Raid and Susan/Caspian “romance” not found in the book.

A light edit aimed at making the score more "Bondian". Eric Serra's score was a departure from the traditional Bond scores and is quite divisive among Bond fans.

Season 3 of Camp Camp but with various trims, including Max's condescending attitude towards David reduced and the beginning of Cameron Campbell's redemption arc removed.

Takes the theatrical cut Blu-ray as the main source and adds most of the deleted and extended scenes exclusive to the Extended Edition DVD, adjusted to match the native HD footage as best as possible. Only a few seconds have been removed, this is still largely the same film that introduced many to the magical land of Narnia.

The first Volume in a series of edits aiming to recut GAME OF THRONES to bring it more inline with the A SONG OF ICE AND FIRE book series that it was adapted from. This Volume covers A GAME OF THRONES Chapters 0-22, which mostly corresponds to GAME OF THRONES 1.01 - 1.03.

Boba Fett escapes the Sarlac, gives up bounty hunting, and becomes a friendly tusken tribalist. Years later, as he attempts to gain the respect of a small town on Tatooine by preventing a greedy syndicate from taking control, he befriends a loving rancor. This edit removes scenes that are irrelevant to the plot and also puts everything in chronological order.

I've always loved the The 13th Warrior. I can remember seeing the trailer for this when I was in high school and thinking just the visuals alone, seeing Arabs and Vikings together, was so cool. Though the film is by no means perfect and suffered from a troubled production, it has some wonderful things going for it including John McTiernan's direction, Jerry Goldsmith's amazing score, and Wolf Kroeger's set design. With all that said, I felt like the final film that was released really suffered from reshoots, especially those done by Michael Crichton, which in my opinion stick out like a sore thumb. So with this edit, I really wanted to focus on removing most of those scenes.

d'Artagnan seeks to become a Musketeer and avenge the death of his parents. The same Musketeer story, but singularly focused on d'Artagnan's storyline.

The amazing 1981 BBC Radio-4 13-part adaptation of The Lord of the Rings edited into one long 12-hour "audiobook" version, for convenient iTunes listening.

The edit is made entirely from the idea of making it a good movie. Book accuracy is thrown out of the window if a cut is simply more clean
without it. We have a plethora of incredible book accurate cuts, but I miss some of the added drama Peter Jackson sometimes correctly added.

The edit is made entirely from the idea of making it a good movie. Book accuracy is thrown out of the window if a cut is simply more clean
without it. We have a plethora of incredible book accurate cuts, but I miss some of the added drama Peter Jackson sometimes correctly added.

The edit is made entirely from the idea of making it a good movie. Book accuracy is thrown out of the window if a cut is simply more clean without it. We have a plethora of incredible book accurate cuts, but I miss some of the added drama Peter Jackson sometimes correctly added.

I didn’t change much story-wise - just tried to trim the film up as much as possible.

In the original, the first half of the movie flies by quickly and the second half dragged a bit. I’ve tried to fix that by eliminating 20 minutes - most from that second half.

I also tried to cut some of the de-aging shots that did not work in the otherwise fun opening sequence.

With fairly minor cuts this film goes from a good film to a pretty great one in my opinion!

My take on The Phantom Menace. It's pretty conservative story wise, but very active with regards to pacing and tone. I tried to use the same principles for editing that The Phantom Editor used for 'Attack of the Phantom' (but not the original phantom edit) and that I later used for my Return of the Jedi edit. An emphasis has been made on improved pacing and tone, as well as seamlessness and wanting it to feel like it could have been the original film.

Dune: Kwisatz Haderach - Part One is the first of a two part project, and is an experimental cut that explores how much of the film can be cut without turning into a muddled, non-cohesive mess. Cutting twenty-two minutes of footage, I was able to create a shorter, hopefully still satisfying cut of Dune: Part One clocking in at two hours and thirteen minutes.

I am proud to present Dune: Kwisatz Haderach - Part One.

A frame-accurate recreation of the original Super 8 cuts for Harryhausen’s ‘The Golden Voyage of Sinbad’, using a full-screen HD colour source taken from the Indicator release. Featuring multiple audio options, subtitles where relevant, and carefully applied enhancements to stop-motion animation for ‘Sinbad Battles the Monsters’ and ‘Sinbad Duels the Idol with Many Arms’. Black and white ‘purist’ versions with no adjustments to animation are available where relevant.

Bruce Wayne is forced to confront his dual nature as Batman as a brilliant megalomaniac and a psychotic district attorney wreak havoc over Gotham.

Inspired by the shorter format of Marvel's Special Presentations, THE LEGEND OF THE GHOST RIDER is a tight introduction to the character of Johnny Blaze with an "all killer, no filler" approach.

Using Hal9000's edit as my baseline, I wanted to mainly fix the Leia Mary Poppins scene by making it appear Luke saves her by using The Force. This required a major reshuffling of scenes to make this work. Now Luke has one more heroic moment saving her sister rather than the ridiculous scene we got in theaters.

After 15+ years of noodling, I've finally landed on a version of the prequels that I prefer. The main concept is to fix AOTC, the weakest link that brings down the other two, and make TPM lead into it, and ROTS build from it.

The biggest problem I have with these movies isn’t necessarily the content. There’s some stuff I’m not crazy about, such as midichlorians and some of Anakin’s whiney, creepy behavior, sure. However, the biggest problem to me is in the minute to minute pacing. They just feel… weird? Off? Something’s not quite right in every single scene. The most egregious example is AOTC, where seemingly nobody talks like a human being, characters stand around clearly waiting for their cue, and much of the action mostly falls flat.

Even worse, the love story doesn’t work, partly because I think they focused on it way too much. The dialogue between Anakin and Padme is shockingly strange, but the chemistry between the two actors is definitely there. Just letting them spend time together would have sold it enough.

So I’m taking another crack at the Prequels, but I’m starting with AOTC, the biggest problem with the trilogy. Once I get that working, I can build up to it with TPM, and off of it with ROTS. The idea here is to go into every scene and remove that disjointed, stagey, unnatural feeling that permeates the film. Action will be pumped up and pacey, conversations will have that zing that they’re lacking, and the movie will move along at a steady pace.

After 15+ years of noodling, I've finally landed on a version of the prequels that I prefer. The main concept is to fix AOTC, the weakest link that brings down the other two, and make TPM lead into it, and ROTS build from it.

The biggest problem I have with these movies isn’t necessarily the content. There’s some stuff I’m not crazy about, such as midichlorians and some of Anakin’s whiney, creepy behavior, sure. However, the biggest problem to me is in the minute to minute pacing. They just feel… weird? Off? Something’s not quite right in every single scene. The most egregious example is AOTC, where seemingly nobody talks like a human being, characters stand around clearly waiting for their cue, and much of the action mostly falls flat.

Even worse, the love story doesn’t work, partly because I think they focused on it way too much. The dialogue between Anakin and Padme is shockingly strange, but the chemistry between the two actors is definitely there. Just letting them spend time together would have sold it enough.

So I’m taking another crack at the Prequels, but I’m starting with AOTC, the biggest problem with the trilogy. Once I get that working, I can build up to it with TPM, and off of it with ROTS. The idea here is to go into every scene and remove that disjointed, stagey, unnatural feeling that permeates the film. Action will be pumped up and pacey, conversations will have that zing that they’re lacking, and the movie will move along at a steady pace.

There’s a lot of PT edits out there, and I’m not the most technically accomplished editor to tackle them. However, I think my particular knack for action and pace (I’m aware of my strengths as well as my faults) will make these stand out.

After 15+ years of noodling, I've finally landed on a version of the prequels that I prefer. The main concept is to fix AOTC, the weakest link that brings down the other two, and make TPM lead into it, and ROTS build from it.

The biggest problem I have with these movies isn’t necessarily the content. There’s some stuff I’m not crazy about, such as midichlorians and some of Anakin’s whiney, creepy behavior, sure. However, the biggest problem to me is in the minute to minute pacing. They just feel… weird? Off? Something’s not quite right in every single scene. The most egregious example is AOTC, where seemingly nobody talks like a human being, characters stand around clearly waiting for their cue, and much of the action mostly falls flat.

Even worse, the love story doesn’t work, partly because I think they focused on it way too much. The dialogue between Anakin and Padme is shockingly strange, but the chemistry between the two actors is definitely there. Just letting them spend time together would have sold it enough.

So I’m taking another crack at the Prequels, but I’m starting with AOTC, the biggest problem with the trilogy. Once I get that working, I can build up to it with TPM, and off of it with ROTS. The idea here is to go into every scene and remove that disjointed, stagey, unnatural feeling that permeates the film. Action will be pumped up and pacey, conversations will have that zing that they’re lacking, and the movie will move along at a steady pace.

There’s a lot of PT edits out there, and I’m not the most technically accomplished editor to tackle them. However, I think my particular knack for action and pace (I’m aware of my strengths as well as my faults) will make these stand out.

This is for people who think “Please don’t edit Andor, it’s already perfect… I’d take it as movies though.”

This is Andor season one, rearranged into four movies of roughly two hours each, removing no content whatsoever, just focused on smoothly presenting each major A-plot as a movie whilst moving the supporting B-plots around to keep each movie as focused as possible, so each movie is self-contained and easily digestible.

Extended Edition of the first Pirates film, in full HD for the first time.

"The Other Guys," a buddy cop comedy set against the Ponzi schemes of the 2000's, starring Mark Wahlberg and Will Ferrell, directed by Adam McKay, could have been SUCH a great movie if it didn't end up so silly and underdeveloped. I have made our lead characters into good, intelligent cops we actually want to root for and chopped many of the extreme, ridiculous jokes. The movie is now tightly-paced and a much more enjoyable comedy with a real heart.

Return of the King is in some ways the best film of the trilogy, and in other ways the worst films of the trilogy. Especially the extended edition. This edit is here to balance the extended edition out.

Two Towers is an amazing film. It is however sometimes a bit.. off. Helms Deep is absolutely amazing, but the Ents storyline go nowhere.

I aim to adress the films story and pacing issues. This edit is far more intrusive than the Fellowship of the Ring.