Deathly hallows part 1 and 2 combined into one film, and made to feel more colourful, upbeat, positive and more in line with the earlier films. Harry, Ron and Hermione go on a quest to find and destroy the horcruxes and defeat the dark lord. There are setbacks along the way, but we no longer have to endure torture, suffering and scenes of depression.

We all know the situation is bad, we don't need it to be rubbed in. These heroes are fighting to save their world, we need to believe their world is worth saving. We need to feel hopeful.

Reinstates the song missing from the theatrical cut back into the body of the film, now in high definition.

The ghosts of a deceased couple are annoyed by an unbearable family that has moved into their home, and hire a sketchy bio-exorcist to drive them out. In this cut, as soon as Barbara and Adam Maitland (Geena Davis and Alec Baldwin) die, they will not be heard again until the very end of the movie.
The story revolves more around this haunted house and all its weird inhabitants.

The fifth Volume in a series of edits aiming to recut GAME OF THRONES to bring it more inline with the A SONG OF ICE AND FIRE book series that it was adapted from. This Volume covers A CLASH OF KINGS Chapters 33-69, which mostly corresponds to GAME OF THRONES 2.05-2.10.

The fourth Volume in a series of edits aiming to recut GAME OF THRONES to bring it more inline with the A SONG OF ICE AND FIRE book series that it was adapted from. This Volume covers A CLASH OF KINGS Chapters 0-32 & 42, which mostly corresponds to GAME OF THRONES 2.01-2.04.

This is not explicitly a Predator movie until Naru first encounters what she’s hunting. Dialogue is at a bare minimum, with any Commanche characters limited to their native tongue and scenes re-cut to allow for better dub synchronisation; audio tweaks have also been made to help the dub sit better in the film mix. Further changes are made to tighten some of the action and pull attention away from weaker FX elements.

Combines the only two connected theatrically-released Ghibli films into a single feature. A big white(ish) cat will show you the way…twice!

For over a thousand generations, the Jedi Order have protected the galaxy. Now, the Galactic Republic is stagnating. Greed and corruption has consumed the senate, and the Trade Federation has struck at this opportunity, invading the small planet of Naboo. To resolve the conflict, rogue Jedi Qui-Gon Jinn and his young apprentice Obi-Wan Kenobi step in to aid the young Queen of Naboo. Along the way, they encounter a vergence in the Force, but little do they know, a shadow from the past is rearing its head, eager to unleash its wrath....

The third Volume in a series of edits aiming to recut GAME OF THRONES to bring it more inline with the A SONG OF ICE AND FIRE book series that it was adapted from. This Volume covers A GAME OF THRONES Chapters 50-72, which mostly corresponds to GAME OF THRONES 1.08 - 1.10.

Removes the non-book Green Mist/stolen citizens subplot, adds back music and deleted scenes, and tries to make the whole film a little easier on the eye.

Most edits of The Mandalorian turn it into a movie or try to change it drastically. This is not one of those edits, this is The Mandalorian for those who like The Mandalorian mostly, but want an easier rewatch.

The second Volume in a series of edits aiming to recut GAME OF THRONES to bring it more inline with the A SONG OF ICE AND FIRE book series that it was adapted from. This Volume covers A GAME OF THRONES Chapters 23-49, which mostly corresponds to GAME OF THRONES 1.04 - 1.07.

Beyond the normal trims for pacing and likability, this edit removes the most contentious elements of the original film, the Castle Raid and Susan/Caspian “romance” not found in the book.

Takes the theatrical cut Blu-ray as the main source and adds most of the deleted and extended scenes exclusive to the Extended Edition DVD, adjusted to match the native HD footage as best as possible. Only a few seconds have been removed, this is still largely the same film that introduced many to the magical land of Narnia.

The first Volume in a series of edits aiming to recut GAME OF THRONES to bring it more inline with the A SONG OF ICE AND FIRE book series that it was adapted from. This Volume covers A GAME OF THRONES Chapters 0-22, which mostly corresponds to GAME OF THRONES 1.01 - 1.03.

Boba Fett escapes the Sarlac, gives up bounty hunting, and becomes a friendly tusken tribalist. Years later, as he attempts to gain the respect of a small town on Tatooine by preventing a greedy syndicate from taking control, he befriends a loving rancor. This edit removes scenes that are irrelevant to the plot and also puts everything in chronological order.

I've made extensive alterations in order to summon my ideal version.
Extensive changes have been made to strengthen continuity, remove filler & improve pacing.
Deleted scenes are used to fill some narrative gaps.

Rescore only! I just find that the original version is too quiet and full of silent parts.
I want to fill these parts but also add a different vibe and rescore the whole film.

Between remastering the International Cut (a.k.a. European Theatrical Cut) and reconstructing the US network broadcast cut, I'm sure many of you know that Ridley Scott's 1985 fantasy film, Legend, is one of my favorite films. Having done those edits within the past few months, I decided to reconstruct the UK broadcast television cut for completion sake. The UK television cut, from what I read, is an oddity like the US television cut: whereas the US television cut is essentially the American theatrical print with the Director's Cut (though known only as a workprint during its original creation) version of two sequences with their original music, the UK television cut is also the American theatrical print, with the Tangerine Dream soundtrack, but with the shots of the chef chopping the man on the table omitted, which is quite interesting. Why would the American print be used for UK broadcast instead of the International Cut? Who could really know for certain at this point, but it's still an interesting choice that I wanted to preserve, and do so I have.

For curiosity, posterity and completion sake, I am proud to present Legend: The U.K. TV Cut.

The amazing 1981 BBC Radio-4 13-part adaptation of The Lord of the Rings edited into one long 12-hour "audiobook" version, for convenient iTunes listening.

Legend: The U.S. TV Cut is another personal passion project that has a special place in my heart. I have very fond memories associated with this film, and they have followed me into adulthood, compelling me to do this project. My interest in creating this project would be ignited when I came across a site dedicated to the film and saw various mentions of the TV Cut; the site even had a complete breakdown of the TV Cut written up! After giving a thorough readthrough of the breakdown, I had it in my mind that I was going to recreate this cut to the best of my ability.

My take on The Phantom Menace. It's pretty conservative story wise, but very active with regards to pacing and tone. I tried to use the same principles for editing that The Phantom Editor used for 'Attack of the Phantom' (but not the original phantom edit) and that I later used for my Return of the Jedi edit. An emphasis has been made on improved pacing and tone, as well as seamlessness and wanting it to feel like it could have been the original film.

A frame-accurate recreation of the original Super 8 cuts for Harryhausen’s ‘The Golden Voyage of Sinbad’, using a full-screen HD colour source taken from the Indicator release. Featuring multiple audio options, subtitles where relevant, and carefully applied enhancements to stop-motion animation for ‘Sinbad Battles the Monsters’ and ‘Sinbad Duels the Idol with Many Arms’. Black and white ‘purist’ versions with no adjustments to animation are available where relevant.

The year is 2024.

Industrial pollution has destroyed the ozone layer, leaving the planet at the mercy of deadly ultraviolet rays. An electromagnetic Shield now protects the Earth by blocking all light from the Sun. Humanity was saved but it has been living in perpetual darkness for decades. A general malaise hangs over the world as society slowly crumbles.

A small group believes the Ozone layer has repaired itself and that the Shield is no longer necessary. They seek out an aging Connor MacLeod for help. But forces from MacLeod’s distant past have also returned. And they aim to finish him off once and for all...

This is for people who think “Please don’t edit Andor, it’s already perfect… I’d take it as movies though.”

This is Andor season one, rearranged into four movies of roughly two hours each, removing no content whatsoever, just focused on smoothly presenting each major A-plot as a movie whilst moving the supporting B-plots around to keep each movie as focused as possible, so each movie is self-contained and easily digestible.

An extended version of the International Cut of this classic 80s fantasy.

After reconstructing the TV cut of Legend and finally replacing an old DVD I had of the Euro cut, I decided I wanted to update the 11-year-old HD transfer of the European theatrical cut using the Arrow Video restoration. This idea was also spurred on by the fact that Arrow Video had the footage for Euro Cut on hand and included bits and pieces of it in a bonus feature available on their set, but weren't allowed to release a restoration of the cut because of rights issues and no cooperation on the part of a certain House of Mouse. So I am glad to present the European theatrical cut of Legend restored.

Sword Art Online Abridged is an abridged series by Something Witty Entertainment under the YouTube channel SWEabridged. It is a parody of the anime series Sword Art Online. Ascending Aincraid is the same story in movie form.

In 2022, a virtual reality massively multiplayer online role-playing game (VRMMORPG) called Sword Art Online (SAO) was released. With the NerveGear, a helmet that stimulates the user's five senses via their brain, players can experience and control their in-game characters with their minds. Both the game and the NerveGear were created by Akihiko Kayaba. On November 6, 10,000 players log into SAO's mainframe cyberspace for the first time, only to discover that they are unable to log out. Kayaba appears and tells the players that they must beat all 100 floors of Aincrad, a steel castle which is the setting of SAO, if they wish to be free. He also states that those who suffer in-game deaths or forcibly remove the NerveGear out-of-game will suffer real-life deaths. Kirito, a beta tester of the game, adventures through Aincraid to keep himself, and those around him, from dying and beat Sword Art Online.

A more serious take on The Hobbit

The main problem with this season was that instead adapting third book "Blood of Elves" writers have decided to go all in with their poorly written fan-fiction and most of the season was completely unrecognizable to the fans of the books. So, the idea was to create something at least resembling proper adaptation of "Blood of Elves" as there was no way to make it really faithful to the book. This edit is a movie build from book-accurate elements, things that keep the spirit of the books intact (and theoretically could happen in the story but were not described by Sapkowski in detail), some of the Netflix additions that I didnt mind too much and some of those that I do mind, but they're needed for continuity reasons.

In the spirit of my bold my take on the prequel trilogy (Before the Dark Times), comes my attack on the sequel trilogy.

A partial reconstruction of an earlier version of The Dark Crystal which most notably excises the voiceovers, replaces most of the Skeksis English dialogue with an alien language (as found in the Bluray extras), rearranges and trims only a few scenes.

“Vengeance of the Dark Side” tells a more complete story of Anakin Skywalker’s fall from renowned hero to the galaxy’s most dreaded villain by reinserting 5.75 previously deleted scenes (AI-upscaled to 4K and recolored into HDR). Where the theatrical cut follows Anakin nearly exclusively, the extra scenes in this edit give Padmé her own storyline that intersects with Anakin's--providing deeper foundations for his growing mistrust of her--and helping to expand Star Wars lore by showcasing previously unknown aspects of the Force (when the saga is viewed in episode-order) and the conception of the Rebel Alliance even before the Galactic Republic officially falls.

A strange man named Gordon joins his mother and an accountant in a scheme to take the fortunes of the creepy, kooky, mysterious, and spooky family known as the Addamses. When it is discovered that Gordon has a faint resemblance of the patriarch's long lost brother, Uncle Fester, he impersonates him in a quest to steal the family fortune. But as he spends his time with the family, he begins to find that he shares more in common with this abnormal family than he expected.

My goal was to make a miniseries edit that didn't simply feel like a chopped up version of the movies. Overall this worked surprisingly well without too much editing, though the Return of the King had to have some extra reordering of scenes to make it work.

The vast majority of each movie is retained, though I changed a handful of things that I thought weren't so well done in the movies (Bridge collapse leaning, Frodo and Sam "rock" cloak at the Black Gate, etc). I cut a few other scenes that were from the extended editions that I felt did not add to the movies at all (extra Gimli humor, Merry and Pippin drinking water to get taller, etc). And lastly, I rearranged some scenes to help the pacing of each episode. With the new format this was needed, mainly in the Return of the King. I added chapter titles to every episode and they appear within the first 10 minutes matching how the original movies did it, I kept the short 45 second intro credits and "Lord of the Rings" Title sequence for each episode, and then added a shortened 60 second credit sequence for each episode.

My goal was to make a miniseries edit that didn't simply feel like a chopped up version of the movies. Overall this worked surprisingly well without too much editing, though the Return of the King had to have some extra reordering of scenes to make it work.

The vast majority of each movie is retained, though I changed a handful of things that I thought weren't so well done in the movies (Bridge collapse leaning, Frodo and Sam "rock" cloak at the Black Gate, etc). I cut a few other scenes that were from the extended editions that I felt did not add to the movies at all (extra Gimli humor, Merry and Pippin drinking water to get taller, etc). And lastly, I rearranged some scenes to help the pacing of each episode. With the new format this was needed, mainly in the Return of the King. I added chapter titles to every episode and they appear within the first 10 minutes matching how the original movies did it, I kept the short 45 second intro credits and "Lord of the Rings" Title sequence for each episode, and then added a shortened 60 second credit sequence for each episode.

The dreaded Galactic Empire is crumbling. Following the death of the Emperor, regional powers have begun to take up arms against their imperial overlords.
Seeking to end this growing unrest, Supreme Leader Snoke has created the FIRST ORDER, a paramilitary force tasked with crushing dissent in star systems not yet in full rebellion.
Meanwhile, the largest of these separatist governments, The New Republic, has formed their own resistance group to oppose the First Order. But in this time of need, they are without their champion. Luke Skywalker has vanished...

The shorter International Cut that most viewers know and love is now presented with decent quality video, almost entirely re-sourced from the longer German Cut Blu-ray.

Available in two versions:
* Technicolor
* Black & White

This is an edit of Peter Jackson's King Kong without most of the silliness. Where things move quicker, but there's still room for a breather.

Fanedit running time: 2 hours 21 minutes (before credits)

Would Spaceballs be even funnier with some of the weaker moments removed... AND the entire score replaced from David Lynch's Dune? I think so!

Wonder Woman 84 with a proper 80’s soundtrack! The goal was to give WW84 a proper 80’s soundtrack as if the movie studio licensed and properly scored the movie. The action sequences become music videos while preserving the dialogue and sound effects.

After arriving at the Lonely Mountain and witnessing Smaug's massacre, Bilbo Baggins finds himself in a bit of a pickle... participating in an all out war! Dwarves, elves, men, orcs... Will our little hero make it out alive and unscathed?

Explorers. Easily one of the best science-fiction films from the 80's. Unfortunately, most who love the film are quick to point out its flawed third act. Once the boys meet the aliens at the end the film simply falls apart. The alien children, mostly Wak, are completely over the top and ruin the experience.

I grew up on The Last Starfighter. It is a wonderfully fun and entertaining film. However, it is not free of problems. It drags a bit here and there. Mainly, I wanted to keep the story focused on Alex and keep the tension and threat focused there. Mainly, the subplot with the Beta Unit has been mostly removed. I felt this would better focus the story on Alex and keep the tension up (although removing anything with Catherine Mary Stewart is heartbreaking!).

My goal was to make a miniseries edit that didn't simply feel like a chopped up version of the movies. Overall this worked surprisingly well without too much editing, though the Return of the King had to have some extra reordering of scenes to make it work.

The vast majority of each movie is retained, though I changed a handful of things that I thought weren't so well done in the movies (Bridge collapse leaning, Frodo and Sam "rock" cloak at the Black Gate, etc). I cut a few other scenes that were from the extended editions that I felt did not add to the movies at all (extra Gimli humor, Merry and Pippin drinking water to get taller, etc). And lastly, I rearranged some scenes to help the pacing of each episode. With the new format this was needed, mainly in the Return of the King. I added chapter titles to every episode and they appear within the first 10 minutes matching how the original movies did it, I kept the short 45 second intro credits and "Lord of the Rings" Title sequence for each episode, and then added a shortened 60 second credit sequence for each episode.

Seven of the most powerful superheroes battle foes in this animated series.

There was a story about 2 brothers who had a natural talent for alchemy called Fullmetal Alchemist. This story was originally told in a manga, but before the manga was finished an anime was put out. The anime had to change and create some original story elements because the manga was still ongoing at the time.

After the manga had finished they wanted to revisit the anime with a version closer to the actual story told in the manga. This would be known as Fullmetal Alchemist: Brotherhood. The only thing was due to retreading some story elements told in the original anime, they shortened some story beats for FMAB.

Serving as a continuation to The Last Jedi - Consistency Edition, this edit modifies The Rise of Skywalker to be a more fulfilling end to the trilogy by smoothing out the plot, removing convoluted elements, and modifying aspects of the film to elevate the story.

BUT THERE ARE SO MANY HOBBIT EDITS! WHO IS THIS FOR?

This is a Movie-to-TV edit based on AdamDens' 'The Hobbit: The Original Two-Film Structure', with a few further tweaks.
Therefore, this edit will be most suitable for people who want-
* A high quality edit with well-considered changes, tightened and polished and with minimal frustration
* Tonal and visual consistency with the Lord of the Rings movies, and the retention of the majority of content which sets up its plotlines
* A digestible, episodic structure (8 episodes of ~50 mins each)

THE CLONE WARS: REFOCUSED presents the entire Clone Wars as a complete series of five seasons of about ten TV-length episodes each. Now structured and presented with the conventions of a more mature modern TV drama, it tells the complete narrative of the Clone Wars, retaining all the most important and enjoyable elements of the show, whilst trimming a vast amount of the weaker content, saving you over 17 hours total while still telling the same core narratives. Episodes have been refined, refocused, reordered and recontextualised to maximise story quality and viewer enjoyment, both for the show’s own complete end-to-end story, and for those seeking a supplement or introduction to new canon like the Mandalorian, Bad Batch, and wider Filoniverse.