This is the director’s cut with some stuff taken out that always bugged me and adding back some stuff back from the theatrical cut. I also fixed the very inconsistent colour grading which varied from shot-to-shot in a few scenes.

Some movies are just perfection and can’t be improved. That’s one of them. But there’s always a way to provide some new interesting way to experience them and that was the goal here. Ridley Scott’s masterpiece has been converted to Grindhouse-like movie. Video got additional heavy grain and print damage, 90% of the movie was re-scored, some deleted scenes and outtakes reinstated, along with little additions of footage and dialogue lines from other movies, and some fan-created videos. New opening credits sequence was created and the end credits were also changed. Some scenes were cut, some repurposed and as a cherry on top, an alternate ending was added.

"Prometheus" wasn't exactly an Alien prequel, but this treats it as such by intercutting the events of Alien with Prometheus in a dual narrative structure.

"Derelict" is in black & white to better marry the visual quality of the two originals (and also because both films look great in black & white). Roughly 30 minutes has been cut from Prometheus and about an hour of Alien has been used in its place. Some content from the deleted scenes of Prometheus was also used.

This version puts back the extra Director’s cut scenes into the Theatrical Cut. It also adds three scenes that were restored for the Director’s Cut but not used, so the quality is consistent throughout. Also restores the 1979 Fox fanfare and alternate alien transmission sound fx. This is Alien extended for best entertainment.

The 1979 classic with several minutes of added footage taken from the Alien Quadrilogy DVD. Actually this is a re-edit of Mr.E’s extended Alien edition

Alien Appendix contains several DVDs including rare and special featurettes about Alien. No2 is a fan-edit of the film ALIEN which interpolates all existing deleted scenes and a variety of unseen footage and unused score cues to create a version that runs considerably longer than both the 1979 theatrical release and the 2003 director’s cut.