- Messages
- 366
- Reaction score
- 451
- Trophy Points
- 83
_________________________________
_________________________________
Main Project Intentions & Info:
This project aims to bring tighter editing, improved pacing & stronger continuity to 3 films in Universal's Frankenstein franchise & a tribute/parody from FOX.
Frankenstein - Bride of Frankenstein - Son of Frankenstein - Young Frankenstein
Many alterations have been made to give each film a quicker pulse, a more modern presentation & a better series continuity all while retaining their original charm.
I've added many sound effects throughout, as these were made before audio tracks featuring extensive foley work.
New title cards bring a visual continuity to the series.
New end credits correct errors & give credit to the previously un-credited.
Each film now ends with a short post-credits shot that leads into the next film.
I've made extensive alterations to each film in order to give my ideal versions life.
Check out the full changelists below for the all the details on each film.
_________________________________
NEW!- Introducing Version 1.1:
This is an update for all 4 films & the music video.
I've implemented some solid feedback & applied a few new changes.
This update is small, but the changes are essential. The higher quality files alone make the update worthwhile.
This thread has been updated with all the current info, but for a layout of the 1.1 updates, changes & tech specs, check out this post.
Version 1.1 is a strong step-up in every way- Video, Audio & Editing.
I really hope that everyone who has enjoyed my work will update.
To check your version, look for a V 1.1 during my opening production logo
_________________________________
Sources Used:
The Universal films are sourced from the 2017 Frankenstein bluray collection.
Young Frankenstein is sourced from the 2008 20th Century Fox bluray.
_________________________________
Changes:
The changes are listed in chronological order, scene-by-scene.
These are simple lists with no explanations. If you'd like to know the hows or whys about anything, feel free to ask. I'd love to talk all about it!
FRANKENSTEIN
Frankenstein Changelist-
ORIGINAL RUNTIME-
-70 mins.
TIME CUT-
-9 mins.
TIME ADDED-
-1 min.
FINAL RUNTIME-
-62 mins.
BRIDE OF FRANKENSTEIN
Bride of Frankenstein Changelist-
ORIGINAL RUNTIME-
-75 mins.
TIME CUT-
-11 mins.
TIME ADDED-
-2 mins.
FINAL RUNTIME-
-66 mins.
SON OF FRANKENSTEIN
Son of Frankenstein Changelist-
ORIGINAL RUNTIME-
-99 mins.
TIME CUT-
-20 mins.
TIME ADDED-
-1 min.
FINAL RUNTIME-
-80 mins.
YOUNG FRANKENSTEIN
Young Frankenstein Changelist-
ORIGINAL RUNTIME-
-105 mins.
TIME CUT-
-11 mins.
TIME ADDED-
-1 min.
FINAL RUNTIME-
-95 mins.
_______________________________
EXTRAS:
DOCUMENTARIES-
This is a collection docs edited together from various sources.
These make the perfect companion to the Frankenstein [raymix] Series.
Anatomy of a Monster- Making Frankenstein
Back in the Lab- Making the Bride of Frankenstein
(Unfortunately, there just isn't enough available material to piece together a
documentary for Son of Frankenstein. It is, as always, an overlooked jem)
Stitching it Together- Making Young Frankenstein
SOUNDTRACK
This is a little collection of various pieces of score used the Frankenstein [raymix] Series, as well as a few of my favorite Frankenstein-related songs.
A few tracks are stitched together from bits of the film & a few others are exclusive remixes & edits, making this the only place to get them!
I've used the best available mix/master of each track & adjusted the gain to make this sound like a cohesive album.
Tracklist-
01. Theme From Frankenstein [raymix] - Brenhard Kaun
02. A Word of Warning - spoken by Edward Van Sloan
03. Theme From Bride of Frankenstein [raymix] - Franz Waxman
04. The Monster's Entrance [raymix] - Franz Waxman
05. Theme From Son of Frankenstein [raymix] - Frank Skinner
06. Igor's Horn - Frank Skinner
07. Theme From Young Frankenstein - John Morris
08. The Monster's Lullaby - John Morris
09. Frankenstein's Monster Wants a Wife - Blaster the Rocket Man
10. Weird Science (single version) - Oingo Boingo
11. New Life - Depeche Mode
MUSIC VIDEO
This is a fun MV I put together that takes you through all 4 films.
A tale of terror & tragedy set to a beat you can dance to.
You'll find an uncompressed, HD version in my downloadable Extras.
_______________________________
Peroration:
I've loved the Universal Monsters since I was very young. The films, the characters & the pop culture paraphernalia- It was all a big part of my childhood & formation. I've always been drawn to the classic spooky imagery & atmosphere. From inspiring my Halloween costumes to being the first "old films" I really studied, I have a long history with these films & characters.
The story of Frankenstein is a favorite of mine. From Mary Shelly's novel to various screen interpretations, it's a theme that really resonates with me.
The 4 films presented here are some of my absolute favorites. I considered them the Core Four Frankenstein Flicks, going from spooky to absurd.
They make for an excellent series full of iconic moments, characters, dialog & music.
I think these versions will thrill you. They may even shock you. They might even horrify you.
So, if any of you do not care to subject your nerves to such a strain, well...
I've warned you.
_________________________________
Available Now!
PM me for the link!
IT'S ALIVE!
_________________________________
_________________________________
Main Project Intentions & Info:
This project aims to bring tighter editing, improved pacing & stronger continuity to 3 films in Universal's Frankenstein franchise & a tribute/parody from FOX.
Frankenstein - Bride of Frankenstein - Son of Frankenstein - Young Frankenstein
Many alterations have been made to give each film a quicker pulse, a more modern presentation & a better series continuity all while retaining their original charm.
I've added many sound effects throughout, as these were made before audio tracks featuring extensive foley work.
New title cards bring a visual continuity to the series.
New end credits correct errors & give credit to the previously un-credited.
Each film now ends with a short post-credits shot that leads into the next film.
I've made extensive alterations to each film in order to give my ideal versions life.
Check out the full changelists below for the all the details on each film.
_________________________________
NEW!- Introducing Version 1.1:
This is an update for all 4 films & the music video.
I've implemented some solid feedback & applied a few new changes.
This update is small, but the changes are essential. The higher quality files alone make the update worthwhile.
This thread has been updated with all the current info, but for a layout of the 1.1 updates, changes & tech specs, check out this post.
Version 1.1 is a strong step-up in every way- Video, Audio & Editing.
I really hope that everyone who has enjoyed my work will update.
To check your version, look for a V 1.1 during my opening production logo
_________________________________
Sources Used:
The Universal films are sourced from the 2017 Frankenstein bluray collection.
Young Frankenstein is sourced from the 2008 20th Century Fox bluray.
_________________________________
Changes:
The changes are listed in chronological order, scene-by-scene.
These are simple lists with no explanations. If you'd like to know the hows or whys about anything, feel free to ask. I'd love to talk all about it!
FRANKENSTEIN
SOURCES USED:
Main-
-Frankenstein (Universal bluray, 2017)
Additional-
-Bride of Frankenstein (Universal bluray, 2017)
-Sound Effects (youtube.com)
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
-added the 1931 Universal logo.
OPENING-
-added a "Word of Warning" title.
-longer pause between "Well," & "we've warned you."
-shot lingers longer on the curtains after Edward walks away.
-slower fade-out.
TITLE CARD-
-new edit of the Opening Theme.
-new "A James Whale Film" credit.
-new title card.
-removed the opening credits.
IN THE GRAVEYARD-
-cut the grave keeper lighting his pipe.
-inter-cut the grave keeper walking away with Henry & Fritz watching.
-shortened a shot of the grave keeper walking away.
-added a fade-out transition to end the scene.
-longer transition into the next scene.
THE HANGED MAN-
-added a fade-in transition to begin the scene.
-shortened the shot of Henry & Fritz pushing the wagon.
-slower fade-out.
-longer transition into the next scene.
AT THE MEDICAL COLLEGE-
-extended the college establishing shot.
-removed the first few shots of the students before class begins.
-Dr. Waldman's lecture begins over the college establishing shot.
-edited some of Dr. Waldman's dialog for better rhythm.
-added a shot of Fritz at the window as Dr. Waldman speaks. (cut later)
-shortened the shot of students leaving class.
-added sounds for the shattering jar & the brain splatting on the floor.
-cut some of Fritz bumbling around after picking up the second brain.
-shortened the shot of Fritz leaving the classroom.
-slower fade-out.
MEETING WITH DR. WALDMAN-
-cut Victor saying "Oh, the bodies of animals."
AT THE WATCHTOWER LAB-
-added thunder sounds to the establishing shot.
-shortened the shot of Fritz coming down the rope.
-Henry's dialog about the brain begins as he puts a cloth over the head.
-cut Fritz investigating the knocking at the door.
-added the shot of Fritz fixing his socks as everyone goes upstairs. (cut earlier)
-cut Henry explaining his previous experiments to Dr. Waldman.
BRINGING THE MONSTER TO LIFE-
-cut a shot of Henry speaking with no dialog.
-cut a corresponding shot of Fritz.
-cut a shot looking up at the operating table.
-rearranged shots of Henry, Fritz, the table & some equipment.
-cut another shot of Henry speaking with no dialog.
-cut a shot looking up at the operating table.
-swapped two shots of sparking equipment.
-extended the thunder sounds after the scene fades-out.
-longer transition into the next scene.
MEETING WITH BARON FRANKENSTEIN-
-cut the Baron saying "...Will you tell me that?"
-fixed an edit that cut as the Baron begins to speak.
-cut the Baron complaining to the burgomaster about "troubles."
-cut the burgomaster saying "Good day, Baron."
-replaced the Baron's dialog about "Another woman" with dialog cut earlier.
-shortened the shot of the Baron walking to the door.
-slower fade-out.
THE DOCTORS DEBATE-
-cut dialog about Henry's father's disapproval.
MEETING THE MONSTER-
-extended the 2nd close-up on the Monster's face.
-cut Henry walking to the door.
-shortened a shot of Henry opening the window.
-added some subtle outside ambiance after Henry opens the window.
-added a beat between Fritz's "Where is it?" & his scream.
-extended the Monster's yell when Waldman clubs him from behind.
-longer transition into the next scene.
FRITZ TORTURES THE MONSTER-
-added burning & whooshing sounds while Fritz taunts the Monster with the torch.
-removed the Monster's groans as Henry & Waldman run down the stairs.
-removed the Monster making an ape-like sound before it passes out.
BARON & ELIZABETH ARRIVE AT THE LAB-
-cut the Baron complaining before knocking on the door.
-cut the Baron raking his cane against the door impatiently.
-cut the Baron knocking again before Victor opens the door.
-cut some of the Baron's rambling as he enters the lab.
-cut the Baron's slow, whinny trip up the stairs.
-slower fade-out.
-longer transition into the next scene.
DR. WALDMAN & THE MONSTER-
-extended the shot of Waldman's notes, allowing time to read it.
-shortened the shot of the Monster peeking before attacking.
-re-timed Waldman's "Ack!" to better match the Monster's grasp.
-added a neck-break sound.
-longer transition into the next scene.
HENRY & ELIZABETH AT HOME-
-cut Henry easing back into his chair, removing a continuity error.
-shortened a shot of Elizabeth before she replies "Let's make it soon."
-quicker transition into the next scene.
A TOAST TO THE GROOM-
-cut the Baron's second toast.
-cut the Baron's "Give the servants champagne. This stuff's wasted on em."
-cut the servants' toast.
-cut a few shots of people celebrating outside.
-cut everybody going to the window to see, before the Baron goes outside.
-the music doesn't end abruptly.
-smoother cross-fade into the next scene.
THE MONSTER & LITTLE MARIA-
-cut "Won't you stay & play, daddy?" / "I'm too busy. Stay & play with the kitty."
-cut Little Maria saying "Come on, kitty" while obviously choking it.
-added sounds for the flowers hitting the water.
-smoother cross-fade into the next scene.
DANCIN' IN THE STREETS-
-the music doesn't start abruptly.
-shortened a shot of people dancing.
-removed a jump-cut while people dance.
-the music doesn't stop abruptly when we cut inside to Henry & Co.
ELIZABETH IS WORRIED-
-cut Liz dismissing her feelings as "Just a mood" before speaking her mind.
-cut Liz's 2nd "What is it?" as Victor knocks.
THE MONSTER IN THE HOUSE-
-new growl for the Monster as Henry & Co. realize it's in the house.
-cut Henry & Co. searching upstairs in the attic.
-cut Henry & Co. rushing from the attic back to Liz's dressing room.
SEARCHING FOR THE MONSTER-
-cut a shot of the villagers rounding a corner.
-smoother cross-fade from the villages in town to the countryside.
-removed a jump cut while the villagers march down the hillside.
-fixed an audio jump-cut while the dogs bark.
-shortened a shot of the villagers approaching camera.
-fixed an audio jump-cut as the villagers come to a stop.
-fixed an audio jump-cut as the villagers split-up.
-cut a quick cross-fade from the split-up to the rowboats.
-added sounds for the rowing & the lake.
-fixed an audio jump-cut as the villagers reach the mountain summit.
-shortened a shot of the villagers coming across the mountain summit.
-fixed an audio jump-cut as the villagers continue through the mountain.
-fixed an audio jump-cut just before Henry says "Come on, boys!"
-shortened the villagers approaching as Henry speaks to the injured man.
-fixed an audio jump-cut as we cut to a tighter shot of the injured man.
-cut a shot of the Monster ducking & villagers running past.
-cut a wide shot that reveals the shortcomings of the stage set.
-cut a shot of the man with the dogs.
-cut a quick shot of Henry climbing.
-shortened a shot of a group looking around before spotting Henry.
-cut the villagers stopping to listen as Henry cries for help.
-added a sound when the Monster strikes Henry.
AT THE WINDMILL-
-added a sound when the Monster drops Henry to the floor.
-additional burning sounds throughout.
-added a sound when Henry hits the windmill blade.
-crowd sounds dissipate instead of cutting suddenly after Henry falls.
-removed some odd audio during a shot of the Monster.
-added sounds for the beam dropping onto the Monster & the Monster falling.
-slo-mo on the final shot of the burning windmill.
-slow fade-out on the final shot of the burning windmill.
BACK AT HOME-
-cut this entire scene.
END CREDITS-
-replaced the End Theme with a new edit of the Opening Theme.
-cut the The End card.
-added the title card.
-new cards for the cast credits.
-new card for the crew credits
-corrected "Mrs. Percy Shelly" to the proper "Mary Shelly."
-added a credit for the make-up effects by Jack Pierce.
-added a credit for music composer Bernhard Kaun.
-new card for the director credit.
POST-CREDITS-
-added two shots of the burning windmill collapsing. (from BRIDE OF FRANKENSTEIN)
-added SFX (angry shouts, fire, rumble clattering)
-added the classic 1930's THE END / IT'S A UNIVERSAL PICTURE titles.
--added the airplane sound from the 1930's Universal logo.
-added my production logo.
Main-
-Frankenstein (Universal bluray, 2017)
Additional-
-Bride of Frankenstein (Universal bluray, 2017)
-Sound Effects (youtube.com)
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
-added the 1931 Universal logo.
OPENING-
-added a "Word of Warning" title.
-longer pause between "Well," & "we've warned you."
-shot lingers longer on the curtains after Edward walks away.
-slower fade-out.
TITLE CARD-
-new edit of the Opening Theme.
-new "A James Whale Film" credit.
-new title card.
-removed the opening credits.
IN THE GRAVEYARD-
-cut the grave keeper lighting his pipe.
-inter-cut the grave keeper walking away with Henry & Fritz watching.
-shortened a shot of the grave keeper walking away.
-added a fade-out transition to end the scene.
-longer transition into the next scene.
THE HANGED MAN-
-added a fade-in transition to begin the scene.
-shortened the shot of Henry & Fritz pushing the wagon.
-slower fade-out.
-longer transition into the next scene.
AT THE MEDICAL COLLEGE-
-extended the college establishing shot.
-removed the first few shots of the students before class begins.
-Dr. Waldman's lecture begins over the college establishing shot.
-edited some of Dr. Waldman's dialog for better rhythm.
-added a shot of Fritz at the window as Dr. Waldman speaks. (cut later)
-shortened the shot of students leaving class.
-added sounds for the shattering jar & the brain splatting on the floor.
-cut some of Fritz bumbling around after picking up the second brain.
-shortened the shot of Fritz leaving the classroom.
-slower fade-out.
MEETING WITH DR. WALDMAN-
-cut Victor saying "Oh, the bodies of animals."
AT THE WATCHTOWER LAB-
-added thunder sounds to the establishing shot.
-shortened the shot of Fritz coming down the rope.
-Henry's dialog about the brain begins as he puts a cloth over the head.
-cut Fritz investigating the knocking at the door.
-added the shot of Fritz fixing his socks as everyone goes upstairs. (cut earlier)
-cut Henry explaining his previous experiments to Dr. Waldman.
BRINGING THE MONSTER TO LIFE-
-cut a shot of Henry speaking with no dialog.
-cut a corresponding shot of Fritz.
-cut a shot looking up at the operating table.
-rearranged shots of Henry, Fritz, the table & some equipment.
-cut another shot of Henry speaking with no dialog.
-cut a shot looking up at the operating table.
-swapped two shots of sparking equipment.
-extended the thunder sounds after the scene fades-out.
-longer transition into the next scene.
MEETING WITH BARON FRANKENSTEIN-
-cut the Baron saying "...Will you tell me that?"
-fixed an edit that cut as the Baron begins to speak.
-cut the Baron complaining to the burgomaster about "troubles."
-cut the burgomaster saying "Good day, Baron."
-replaced the Baron's dialog about "Another woman" with dialog cut earlier.
-shortened the shot of the Baron walking to the door.
-slower fade-out.
THE DOCTORS DEBATE-
-cut dialog about Henry's father's disapproval.
MEETING THE MONSTER-
-extended the 2nd close-up on the Monster's face.
-cut Henry walking to the door.
-shortened a shot of Henry opening the window.
-added some subtle outside ambiance after Henry opens the window.
-added a beat between Fritz's "Where is it?" & his scream.
-extended the Monster's yell when Waldman clubs him from behind.
-longer transition into the next scene.
FRITZ TORTURES THE MONSTER-
-added burning & whooshing sounds while Fritz taunts the Monster with the torch.
-removed the Monster's groans as Henry & Waldman run down the stairs.
-removed the Monster making an ape-like sound before it passes out.
BARON & ELIZABETH ARRIVE AT THE LAB-
-cut the Baron complaining before knocking on the door.
-cut the Baron raking his cane against the door impatiently.
-cut the Baron knocking again before Victor opens the door.
-cut some of the Baron's rambling as he enters the lab.
-cut the Baron's slow, whinny trip up the stairs.
-slower fade-out.
-longer transition into the next scene.
DR. WALDMAN & THE MONSTER-
-extended the shot of Waldman's notes, allowing time to read it.
-shortened the shot of the Monster peeking before attacking.
-re-timed Waldman's "Ack!" to better match the Monster's grasp.
-added a neck-break sound.
-longer transition into the next scene.
HENRY & ELIZABETH AT HOME-
-cut Henry easing back into his chair, removing a continuity error.
-shortened a shot of Elizabeth before she replies "Let's make it soon."
-quicker transition into the next scene.
A TOAST TO THE GROOM-
-cut the Baron's second toast.
-cut the Baron's "Give the servants champagne. This stuff's wasted on em."
-cut the servants' toast.
-cut a few shots of people celebrating outside.
-cut everybody going to the window to see, before the Baron goes outside.
-the music doesn't end abruptly.
-smoother cross-fade into the next scene.
THE MONSTER & LITTLE MARIA-
-cut "Won't you stay & play, daddy?" / "I'm too busy. Stay & play with the kitty."
-cut Little Maria saying "Come on, kitty" while obviously choking it.
-added sounds for the flowers hitting the water.
-smoother cross-fade into the next scene.
DANCIN' IN THE STREETS-
-the music doesn't start abruptly.
-shortened a shot of people dancing.
-removed a jump-cut while people dance.
-the music doesn't stop abruptly when we cut inside to Henry & Co.
ELIZABETH IS WORRIED-
-cut Liz dismissing her feelings as "Just a mood" before speaking her mind.
-cut Liz's 2nd "What is it?" as Victor knocks.
THE MONSTER IN THE HOUSE-
-new growl for the Monster as Henry & Co. realize it's in the house.
-cut Henry & Co. searching upstairs in the attic.
-cut Henry & Co. rushing from the attic back to Liz's dressing room.
SEARCHING FOR THE MONSTER-
-cut a shot of the villagers rounding a corner.
-smoother cross-fade from the villages in town to the countryside.
-removed a jump cut while the villagers march down the hillside.
-fixed an audio jump-cut while the dogs bark.
-shortened a shot of the villagers approaching camera.
-fixed an audio jump-cut as the villagers come to a stop.
-fixed an audio jump-cut as the villagers split-up.
-cut a quick cross-fade from the split-up to the rowboats.
-added sounds for the rowing & the lake.
-fixed an audio jump-cut as the villagers reach the mountain summit.
-shortened a shot of the villagers coming across the mountain summit.
-fixed an audio jump-cut as the villagers continue through the mountain.
-fixed an audio jump-cut just before Henry says "Come on, boys!"
-shortened the villagers approaching as Henry speaks to the injured man.
-fixed an audio jump-cut as we cut to a tighter shot of the injured man.
-cut a shot of the Monster ducking & villagers running past.
-cut a wide shot that reveals the shortcomings of the stage set.
-cut a shot of the man with the dogs.
-cut a quick shot of Henry climbing.
-shortened a shot of a group looking around before spotting Henry.
-cut the villagers stopping to listen as Henry cries for help.
-added a sound when the Monster strikes Henry.
AT THE WINDMILL-
-added a sound when the Monster drops Henry to the floor.
-additional burning sounds throughout.
-added a sound when Henry hits the windmill blade.
-crowd sounds dissipate instead of cutting suddenly after Henry falls.
-removed some odd audio during a shot of the Monster.
-added sounds for the beam dropping onto the Monster & the Monster falling.
-slo-mo on the final shot of the burning windmill.
-slow fade-out on the final shot of the burning windmill.
BACK AT HOME-
-cut this entire scene.
END CREDITS-
-replaced the End Theme with a new edit of the Opening Theme.
-cut the The End card.
-added the title card.
-new cards for the cast credits.
-new card for the crew credits
-corrected "Mrs. Percy Shelly" to the proper "Mary Shelly."
-added a credit for the make-up effects by Jack Pierce.
-added a credit for music composer Bernhard Kaun.
-new card for the director credit.
POST-CREDITS-
-added two shots of the burning windmill collapsing. (from BRIDE OF FRANKENSTEIN)
-added SFX (angry shouts, fire, rumble clattering)
-added the classic 1930's THE END / IT'S A UNIVERSAL PICTURE titles.
--added the airplane sound from the 1930's Universal logo.
-added my production logo.
ORIGINAL RUNTIME-
-70 mins.
TIME CUT-
-9 mins.
TIME ADDED-
-1 min.
FINAL RUNTIME-
-62 mins.
BRIDE OF FRANKENSTEIN
Bride of Frankenstein Changelist-
SOURCES USED:
Main-
-Bride of Frankenstein (Universal bluray, 2017)
Additional-
-Frankenstein (Universal bluray, 2017)
-Bride of Frankenstein Score (Waxwork Records remaster, 2019)
-Sound Effects (youtube.com)
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
TITLE CARD-
-new music is a remix of The Monster's Entrance & Main Title.
-cut the opening credits.
-new "A James Whale Film" credit.
-new title card.
OPENING-
-cut the storytelling opening.
AFTERMATH AT THE WINDMILL-
-slow fade-in on a shot of the burning windmill.
-added burning sounds throughout the scene.
-added additional shouting & crumbling sounds to the first two shots.
-slight slo-mo on the first three shots.
-cut Minnie saying "That's the best fire I saw in all me life!"
-added sound effects to accompany the flame flare-ups.
-the sound of the villagers walking away builds instead of beginning suddenly.
HENRY TAKEN AWAY-
-the sound of the villagers dissipates instead of stopping abruptly.
-cut Minnie saying "...to that lovely girl, Elizabeth."
HANS HAS TO SEE-
-added burning sounds.
-added sounds when Han's Wife collapses.
-added splashing sounds for Hans & the Monster.
-added a splash sound when Han's Wife hits the water.
-removed the flutes when Minnie gets scared by the Monster.
-cut two shots of Minnie scared & screaming.
-extended a close-up on the Monster.
-added a cue from The Monster's Entrance as Minnie runs away.
-smoother audio transition into the next scene.
AT THE HOUSE OF FRANKENSTEIN-
-cut the man knocking on the door & ringing the bell.
-cut an odd shot of the wagon after Elizabeth comes to the door.
-replaced the wagon shot with a shot of the messenger stepping forward.
-cut two shots of Minnie running & screaming across the courtyard.
-cut a shot of Henry being brought up the stairs.
-cut Minnie trembling after telling Albert that the Monster is still alive.
-cut Minnie's "Nobody believes me" speech.
THE HOUSE IN MOURNING-
-cut Elizabeth saying she was foretold to beware her wedding night.
-added a fade-out to end the scene.
-cut Minnie crying.
IN HENRY'S ROOM-
-slower fade-in to begin the scene.
-cut Henry's "I could have trained him to do my will. I could have bred a race."
-Henry's "I might even have found the secret to eternal life" is over a shot of Elizabeth.
-extended a shot of Elizabeth.
-cut Elizabeth saying "We are not meant to know such things."
-cut Elizabeth's hysterics & claiming to see Death in the room.
THE ARRIVAL OF DR. PRETORIUS-
-cut Minnie repeating "Pretorius?" a 2nd time.
-cut Elizabeth's "Who's there?" & Minnie's "It's Minnie, my Lady."
-cut Elizabeth's "I do hope he won't upset Henry" as she leaves.
PRETORIUS' CREATIONS-
-cut Pretorius getting his box & then getting the jars out of the box.
-added music as Pretorius prepares to reveal his creations.
-removed the little mermaid.
-extended a shot of Henry & Pretorius.
-cue from The Monster's Entrance ends the scene.
-slower fade-out on Pretorius.
CHASED THROUGH THE WOODS-
-added a sound effect when the Monster drops the boulder on the men.
-cut all of Minnie's input as the Monster is being tied up.
-added a sound when the Monster is thrown onto the wagon.
IMPRISONING THE MONSTER-
-cut three shots of the Monster being brought down into the dungeon.
-extended a shot of the Monster being carried down a hallway.
-cross-fade from a shot of the Monster on the rail to being chained to the chair.
-shortened a shot of the Monster chained to the chair.
-cut Minnie commenting from the window & being shooed away.
-smoothed a jump-cut in the audio.
-cut the Burgomaster & the guards commenting as they leave.
THE MONSTER IS LOOSE-
-cut "Frau Newman" from the woman's "Where's his wife, Frau Newman?"
-cut Minnie repeating "Frau Newman?"
TRAVELERS IN THE WOODS-
-cut the man saying "He's safe in jail & they'll keep him there."
-shortened a shot of the Monster approaching to match the next.
THE MONSTER & THE BLIND HERMIT-
-removed the Monster's growl as it opens the door.
-shortened a shot of the blind man leading the Monster to the bed.
-longer transition from The Blind Man's Thanks into The Monster's Lessons.
HUNTERS AT THE HERMITS HOUSE-
-removed a jump-cut during the struggle between the Monster & hunter #1.
-added a reaction shot of hunter #2.
-added additional fire sounds.
-cut the Monster scaring some children.
-cross-fade from the burning house to the cemetery.
CHASED THROUGH THE CEMETERY-
-new cross-fade removes Boris standing to the side waiting for his cue.
-adjusted the volume & EQ as the villagers run through the graveyard.
DOWN IN THE CATACOMBS-
-Pretorius' "Read the inscription" is heard over a shot of the Monster watching.
-shortened a shot of Karl clearing things away.
-cut Karl reading the date on the grave.
-removed the sound of Ludwig blowing a raspberry after opening the coffin.
-cut a shot of pretorius laughing.
-cut a shot of the Monster watching.
-removed some of Pretorius' laughs.
PRETORIUS' ULTIMATUM-
-cut Henry saying "There, I knew it" when Minnie announces Pertorius.
ELIZABETH & THE MONSTER-
-cut Minnie worrying before leaving the room.
HENRY'S DEAL WITH PRETORIUS-
-cut Henry saying "But, if you can bring her back, I'll do anything you ask."
WORKING IN THE LAB-
-extended the establishing shot of the laboratory.
-cut Henry saying he hopes the heart keeps going, before Karl mentions it's freshness.
-cut Pretorius explaining the telephone.
-extended the exterior shot of the lab as the storm begins.
-cut Karl yelling for Ludwig to get the kites ready.
-cut a shot of Karl & Ludwig on the roof.
-adjusted the EQ & volume as the kites are launched.
-darkened the shots of the flying kites.
-cut some repeated shots of machinery.
-cut the Monster throwing the bad dummy of Karl.
-added a sound effect when the kite is struck by lightning.
-added a sound effect when lightning sparks the cosmic diffuser.
-shortened a shot of the Monster contemplating Pretorius' warning.
-added additional explosion & crumbling sounds as the lab is destroyed.
-combined two shots of the exploding lab into one.
END CREDITS-
-new music is a remix of Main Title & The Monster's Entrance.
-added the title card before the credits.
-new card for the cast credits.
-the character Albert is credited by name instead of "Butler."
-new card for the crew credits.
-added a credit for the make-up effects by Jack Pierce.
-new card for the director credit.
-cut the The End card.
POST-CREDITS-
-added Baron toasting "A son to the house of Frankenstein." (from FRANKENSTEIN)
-added the classic 1930's THE END / IT'S A UNIVERSAL PICTURE titles.
--added the airplane sound from the 1930's Universal logo.
-added my production logo.
-added a cue from The Monster's Entrance.
Main-
-Bride of Frankenstein (Universal bluray, 2017)
Additional-
-Frankenstein (Universal bluray, 2017)
-Bride of Frankenstein Score (Waxwork Records remaster, 2019)
-Sound Effects (youtube.com)
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
TITLE CARD-
-new music is a remix of The Monster's Entrance & Main Title.
-cut the opening credits.
-new "A James Whale Film" credit.
-new title card.
OPENING-
-cut the storytelling opening.
AFTERMATH AT THE WINDMILL-
-slow fade-in on a shot of the burning windmill.
-added burning sounds throughout the scene.
-added additional shouting & crumbling sounds to the first two shots.
-slight slo-mo on the first three shots.
-cut Minnie saying "That's the best fire I saw in all me life!"
-added sound effects to accompany the flame flare-ups.
-the sound of the villagers walking away builds instead of beginning suddenly.
HENRY TAKEN AWAY-
-the sound of the villagers dissipates instead of stopping abruptly.
-cut Minnie saying "...to that lovely girl, Elizabeth."
HANS HAS TO SEE-
-added burning sounds.
-added sounds when Han's Wife collapses.
-added splashing sounds for Hans & the Monster.
-added a splash sound when Han's Wife hits the water.
-removed the flutes when Minnie gets scared by the Monster.
-cut two shots of Minnie scared & screaming.
-extended a close-up on the Monster.
-added a cue from The Monster's Entrance as Minnie runs away.
-smoother audio transition into the next scene.
AT THE HOUSE OF FRANKENSTEIN-
-cut the man knocking on the door & ringing the bell.
-cut an odd shot of the wagon after Elizabeth comes to the door.
-replaced the wagon shot with a shot of the messenger stepping forward.
-cut two shots of Minnie running & screaming across the courtyard.
-cut a shot of Henry being brought up the stairs.
-cut Minnie trembling after telling Albert that the Monster is still alive.
-cut Minnie's "Nobody believes me" speech.
THE HOUSE IN MOURNING-
-cut Elizabeth saying she was foretold to beware her wedding night.
-added a fade-out to end the scene.
-cut Minnie crying.
IN HENRY'S ROOM-
-slower fade-in to begin the scene.
-cut Henry's "I could have trained him to do my will. I could have bred a race."
-Henry's "I might even have found the secret to eternal life" is over a shot of Elizabeth.
-extended a shot of Elizabeth.
-cut Elizabeth saying "We are not meant to know such things."
-cut Elizabeth's hysterics & claiming to see Death in the room.
THE ARRIVAL OF DR. PRETORIUS-
-cut Minnie repeating "Pretorius?" a 2nd time.
-cut Elizabeth's "Who's there?" & Minnie's "It's Minnie, my Lady."
-cut Elizabeth's "I do hope he won't upset Henry" as she leaves.
PRETORIUS' CREATIONS-
-cut Pretorius getting his box & then getting the jars out of the box.
-added music as Pretorius prepares to reveal his creations.
-removed the little mermaid.
-extended a shot of Henry & Pretorius.
-cue from The Monster's Entrance ends the scene.
-slower fade-out on Pretorius.
CHASED THROUGH THE WOODS-
-added a sound effect when the Monster drops the boulder on the men.
-cut all of Minnie's input as the Monster is being tied up.
-added a sound when the Monster is thrown onto the wagon.
IMPRISONING THE MONSTER-
-cut three shots of the Monster being brought down into the dungeon.
-extended a shot of the Monster being carried down a hallway.
-cross-fade from a shot of the Monster on the rail to being chained to the chair.
-shortened a shot of the Monster chained to the chair.
-cut Minnie commenting from the window & being shooed away.
-smoothed a jump-cut in the audio.
-cut the Burgomaster & the guards commenting as they leave.
THE MONSTER IS LOOSE-
-cut "Frau Newman" from the woman's "Where's his wife, Frau Newman?"
-cut Minnie repeating "Frau Newman?"
TRAVELERS IN THE WOODS-
-cut the man saying "He's safe in jail & they'll keep him there."
-shortened a shot of the Monster approaching to match the next.
THE MONSTER & THE BLIND HERMIT-
-removed the Monster's growl as it opens the door.
-shortened a shot of the blind man leading the Monster to the bed.
-longer transition from The Blind Man's Thanks into The Monster's Lessons.
HUNTERS AT THE HERMITS HOUSE-
-removed a jump-cut during the struggle between the Monster & hunter #1.
-added a reaction shot of hunter #2.
-added additional fire sounds.
-cut the Monster scaring some children.
-cross-fade from the burning house to the cemetery.
CHASED THROUGH THE CEMETERY-
-new cross-fade removes Boris standing to the side waiting for his cue.
-adjusted the volume & EQ as the villagers run through the graveyard.
DOWN IN THE CATACOMBS-
-Pretorius' "Read the inscription" is heard over a shot of the Monster watching.
-shortened a shot of Karl clearing things away.
-cut Karl reading the date on the grave.
-removed the sound of Ludwig blowing a raspberry after opening the coffin.
-cut a shot of pretorius laughing.
-cut a shot of the Monster watching.
-removed some of Pretorius' laughs.
PRETORIUS' ULTIMATUM-
-cut Henry saying "There, I knew it" when Minnie announces Pertorius.
ELIZABETH & THE MONSTER-
-cut Minnie worrying before leaving the room.
HENRY'S DEAL WITH PRETORIUS-
-cut Henry saying "But, if you can bring her back, I'll do anything you ask."
WORKING IN THE LAB-
-extended the establishing shot of the laboratory.
-cut Henry saying he hopes the heart keeps going, before Karl mentions it's freshness.
-cut Pretorius explaining the telephone.
-extended the exterior shot of the lab as the storm begins.
-cut Karl yelling for Ludwig to get the kites ready.
-cut a shot of Karl & Ludwig on the roof.
-adjusted the EQ & volume as the kites are launched.
-darkened the shots of the flying kites.
-cut some repeated shots of machinery.
-cut the Monster throwing the bad dummy of Karl.
-added a sound effect when the kite is struck by lightning.
-added a sound effect when lightning sparks the cosmic diffuser.
-shortened a shot of the Monster contemplating Pretorius' warning.
-added additional explosion & crumbling sounds as the lab is destroyed.
-combined two shots of the exploding lab into one.
END CREDITS-
-new music is a remix of Main Title & The Monster's Entrance.
-added the title card before the credits.
-new card for the cast credits.
-the character Albert is credited by name instead of "Butler."
-new card for the crew credits.
-added a credit for the make-up effects by Jack Pierce.
-new card for the director credit.
-cut the The End card.
POST-CREDITS-
-added Baron toasting "A son to the house of Frankenstein." (from FRANKENSTEIN)
-added the classic 1930's THE END / IT'S A UNIVERSAL PICTURE titles.
--added the airplane sound from the 1930's Universal logo.
-added my production logo.
-added a cue from The Monster's Entrance.
ORIGINAL RUNTIME-
-75 mins.
TIME CUT-
-11 mins.
TIME ADDED-
-2 mins.
FINAL RUNTIME-
-66 mins.
SON OF FRANKENSTEIN
Son of Frankenstein Changelist-
SOURCES USED:
Main-
-Son of Frankenstein (Universal bluray, 2017)
Additional-
-smokey stock footage (forfilmcreation.com, 2015)
-Sound Effects (youtube.com & freesound.org)
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
TITLE CARD-
-new edit of the Main Theme.
-new "A Rowland V. Lee Film" credit.
-new smokey background.
-new title card.
-removed the opening credits.
CITY COUNCIL MEETING-
-changed "Because of these Frankensteins" to "Because of Frankenstein."
-extended the man's laugh so it doesn't cut off abruptly.
THE TRAIN TO TRANSYLVANIA-
-added train sounds as soon as it's seen fading in.
-added a wide shot as Wolf mentions his mother telling stories of his father.
-cut Wolf blaming the incident with the Monster on the "bad brain."
-smoothed the cross-fade from the train car to the waiting villagers.
ARRIVING IN TRANSYLVANIA-
-added the sound of the train's breaks.
-cut a shot of a sign designating the town of Frankenstein.
-cut a shot of Wolf walking past the Frankenstein town sign.
-removed a jump-cut during the cross-fade into the next scene.
-added fade-out to end the scene.
ARRIVING AT THE HOUSE OF FRANKENSTEIN-
-fade-in on the car arriving at the castle.
-cut a shot of Elsa & Frederick getting out of the car.
-cut Elsa calling their son "Peter." (here, he's Frederick from YOUNG FRANKENSTEIN)
-cut Elsa calling young Frederick "Peter" again.
-shortened the shot of Benson approaching.
IN THE LIBRARY-
-extended the shot of the painting of Henry Frankenstein.
-cut a shot of Wolf stepping closer to the painting.
-Benson's "you're rather like your father" is heard during the painting shot.
-shortened a shot of Wolf & Benson looking up at the painting.
-cut Wolf saying "A miracle the people of Frankenstein call a monster."
-cut Benson saying "Such stories I'd never heard."
-longer beat between "They say a lot worse than that"/"Would you like a brandy?"
-shortened the shot of Benson going to fix a brandy.
PUTTING YOUNG FREDERICK TO BED-
-cut young Frederick's "Our father, help me be a good little boy."
-cut Elsa asking about the beds.
-cross-fade from young Frederick asleep to the angry villagers.
ARRIVAL OF INSPECTOR KROGH-
-cut Elsa & Amelia running down the hallway as the Inspector knocks.
-added a thunder sound to cover a jump-cut in the audio.
-added a thunder sound after Krogh says "You're in danger."
-cut Krogh explaining his military ambitions.
-cut a shot of Krogh walking across the room to remove continuity error.
-cut Elsa checking on young Frederick while Igor peeks in.
AT BREAKFAST-
-cut Wolf calling his son "Peter."
-cut young Frederick asking about the boar's head on the wall.
-cut Wolf calling young Frederick "Peter" again.
-re-timed young Frederick's "Goodbye!"
AT THE OLD LAB-
-cut Wolf saying "Sulfur" as he looks at the sulfur pit.
-added a sound for the rock rolling before it falls.
-shortened the shot of Igor climbing through the hole in the wall.
-re-timed Wolf's "C'mon, c'mon. Hurry it up."
-cut Igor knocking on his neck.
-cut Igor explaining that lightning is what hurt the Monster.
-merged two shots of the Monster into one longer shot.
-cut Wolf saying "Evidence of trauma. Exactly like a human being."
CITY COUNCIL MEETING-
-cut "Frankensteinians" from "We Frankensteinians are as nervous as cats."
-added a wide shot of the council.
-added a fade-out to end the scene.
-removed the cross-fade into the next scene.
-longer transition into the next scene.
PREPARING THE MONSTER-
-added a fade-in to begin the scene.
-added sounds for the door lifting.
-cut a shot of Igor coming up through the door.
-shortened a shot of Igor entering the room.
-shortened a shot of the Monster being laid back on the table.
-removed an odd cross-fade between two shots of the Monster.
-shortened Igor opening the door for Benson.
DIAGNOSING THE MONSTER-
-extended a shot of Benson.
-cut a shot of Wolf looking into the Monsters eye.
-cut Wolf saying "Take notes. Heart is contracted. Mental abnormality."
-cut Wolf saying "Definite hyper pituitary." ect.
-cut Wolf saying "That accounts for his great size."
-cut Wolf saying "No human heart can function like that" ect.
-cut a shot of spinning machinery.
-cut a shot of Wolf.
-cut a repeated shot of Igor.
-cut Wolf saying "He's completely super-human."
-cut a cross-fade from a shot of Wolf to Benson & Wolf raising the table.
THE MONSTER'S X-RAY-
-cut Wolf saying "Take notes, Benson."
-cut a shot of Igor.
-added a quick fade-out when Wolf flips the light switch.
-added a long fade-in as the light adjusts.
-shortened a shot of Wolf examining the x-ray.
-cut Wolf saying "Left ventricular preponderance."
-cut Wolf finding & commenting on bullets in the Monster's heart.
-cut a shot of Igor walking over to look at the x-ray.
-added a cross-fade from the x-ray to Wolf at the microscope.
EXAMINING THE MONSTER'S BLOOD-
-cut all of Wolf's comments.
-cut a microscopic shot of the blood.
-cut a shot of Wolf at the microscope.
-cut another microscopic shot of the blood.
-shortened a microscopic shot of the blood.
-added a cross-fade from the blood to Wolf looking at notes.
IGOR & THE CITY COUNCIL-
-moved this scene to later on.
WOLF MONOLOGUES HIS FINDINGS-
-cut Wolf talking about the "Cosmic Rays."
-cut Wolf talking about the Monster being "truly un-human."
-added a shot of Igor, reversed from later.
-cut Wolf wanting to reveal the Monster's abnormal functions to the world.
REVIVING THE MONSTER-
-cut a shot of the Monster on the table.
-cut Igor touching the Monster, getting shocked & telling Wolf to stop.
-cut a shot of the Monster being electrocuted.
-cut the Monster waking up & attacking Benson before passing out again.
-longer transition into the next scene.
THE INSPECTOR HIRES A SPY-
-cut this entire scene & sub-plot.
IGOR & THE CITY COUNSEL-
-moved this scene from earlier.
-cut the man saying "Body snatcher, you mean."
-cut the pause before the man asks "Did he ask you to rob any graves?"
-cut the discussion about being able to hang Igor a 2nd time.
-longer transition into the next scene.
INSPECTOR KROGH AT THE HOUSE OF FRANKENSTEIN-
-added a long fade-in to begin the scene.
-cut Elsa explaining that Wolf has fixed-up his father's old lab.
-cut Krogh looking up at his spy.
-cut Krogh's spy giving him a knowing nod.
-Elsa's "He's deep in some experiment" is heard over a different shot of Krogh.
-added sound effects when Wolf sets his hat & cane down.
-cut the discussion about the sulfur pit being built by the Romans.
-cut Wolf saying "...and parboil you" as well as the ensuing laughter.
-cut Elsa calling young Frederick "Peter."
-cut young Frederick questioning Krogh's prosthetic arm.
-shortened Wolf carrying young Frederick up to his room.
-Wolf's "Here we go up the mountain" is heard during a different shot.
-cut Wolf calling young Frederick "Peter" again.
-extended the shot of Krogh after Wolf runs off to his lab.
-removed a cross-fade from Krogh to Wolf entering the lab.
WOLF SEARCHES THE LAB-
-cut Wolf opening the lid & going downstairs to search around.
-shortened the Monster looking at himself in the mirror.
-merged two shots of Wolf into one.
-cut some of the Monster comparing itself to Wolf in the mirror.
-shortened the shot of Igor after he says "I keep him here."
-cut some of Igor laughing.
WOLF CONFIDES IN BENSON-
-cut Wolf repeating "Yes, alive! Alive!"
-cut Benson calling young Frederick "Peter."
IGOR LEADS THE MONSTER-
-cut a shot of Igor coaxing the Monster down a hallway.
-cut the duo entering through & then shutting the hidden door.
-cut the Monster bobbing it's head up & down after Igor motions for murder.
-altered the pitch of the wagon sound effects as it comes uphill.
-extended the shot of Igor at the window after the Monster has gone.
-fade-out on the shot of Igor laughing.
-cut a shot of the wagon.
-cut a shot of the Monster in the countryside.
DEATH OF A JUROR-
-slow transition to show some time has passed.
-fade-in on a shot of the Monster in the countryside.
-the sound of the wagon fades in gradually as the Monster looks around.
-darkened the shot of the wagon passing by to match the surrounding shots.
-re-timed the man's first scream to match the Monster's attack.
-added a neck-break sound effect as the man is attacked off-screen.
-added creaking sounds as the Monster climbs over the wagon harness.
-added a thud sound as when the wagon wheel hits the juror.
DINNER AT THE HOUSE OF FRANKENSTEIN-
-cut Wolf repeating that Krogh is their 1st guest.
-cut Wolf bowing a 2nd time before Krogh leaves.
-cut Elsa worrying about Benson.
-cut Wolf leaving the room.
-cross-fade into the next scene.
WOLF SEARCHES FOR BENSON-
-cut Wolf asking about the Monster & Igor saying "He sleeps."
-cut Wolf's "That would scare anyone. I didn't think Benson would come here."
-shortened the shot after Igor slaps Wolf's hand away.
-fade from Wolf & Igor to Krogh at the juror's house.
KROGH AT THE JUROR'S HOUSE-
-shortened the shot of Krogh entering the room.
-shortened the shot of everyone leaving the room.
BEDTIME WORRIES-
-cut Wolf suggesting that Benson went out & got drunk.
-cut Wolf calling young Frederick "Peter" again.
-edited Wolf saying he's sending Elsa to Brussels to be faster, more intense.
-added a close-up of Elsa.
-cut Elsa crying about not being as brave as Wolf.
-cut Elsa getting up to go get young Frederick.
-cross-fade from Wolf & Elsa to Elsa, young Frederick & Wolf in bed.
DEATH OF ANOTHER JUROR-
-cut shots of the Monster in the countryside.
-added a thud sound when the Monster strikes the juror.
-longer transition into the next scene.
KROGH STOPS WOLF'S FAMILY PLANS-
-added fade-in to begin the scene.
-cut Krohg's "So?" after Wolf tells him he's going to the train station.
-cut Krogh ordering breakfast.
-added fade-out as Wolf walks away.
-longer transition into the next scene.
TERROR AT THE APOTHEKER-
-cut the screaming lady running out into the streets.
KROGH SPEAKS TO YOUNG FREDERICK-
-added fade-in to start the scene.
-cut Krogh asking if young Frederick is scared of the giant.
-extended the shot of Benson's watch, allowing time to read the inscription.
-added sounds for Amelia's footsteps coming into the room.
-removed Amelia calling young Frederick "Peter."
ELSA TALKS WITH WOLF-
-cut Elsa calling young Frederick "Peter."
-lowered the volume of the knockers.
KROGH, WOLF & THE DARTS-
-added the sound of two darts hitting the board as Krogh speaks.
-cut Wolf saying "That's too bad. I've never heard of him."
-added the sound of the dart hitting the board in the close-up.
-cut Wolf laughing after saying "The Monster."
-cut Wolf saying he recreated his fathers table "out of curiosity."
KROGH SEARCHES THE HOUSE, WOLF SEARCHES THE LAB-
-cut Krogh using his prosthetic arm to knock on the walls.
-added sounds as the wall slides open.
THE MONSTER FINDS IGOR-
-cut the Monster's scream.
-added a cross-fade from the Monster crying to Wolf in his study.
KROGH COMFORTS ELSA-
-cut this entire scene.
KROGH CONFRONTS WOLF-
-cut Wolf asking "Would you like a drink or would you rather play darts?"
-scene ends on a wide shot of Wolf & Krogh.
--extended the duration of the wide shot.
THE MONSTER MORNS IGOR-
-shortened the shot of the Monster carrying Igor.
-re-timed the music.
-shortened the close-up on the Monster.
THE MONSTER WRECKS THE LAB-
-new sound effect when the lab door closes.
-cut the Monster finding the fairy tales book during his lab rampage.
THE MONSTER GOES TO FREDERICK'S ROOM-
-shortened the Monster walking through the tunnel.
-added sound effects for the false-wall sliding open.
-re-timed the music to sync with the Monster's attack.
-cut away as the Monster grabs Amelia, before she faints.
-shortened a shot of Wolf & Krogh throwing darts.
-added a shot of the Monster dropping Amelia's body, cut earlier.
-shortened a shot of Krogh preparing to throw a dart.
ELSA FINDS FREDERICK MISSING-
-cut Amelia getting up & joining in on the screaming. (she's dead)
-cut Elsa running down the stairs & calling young Frederick "Peter."
EVERYBODY AT THE LAB-
-cut an exterior shot as Wolf, Elsa & Krogh run to the lab.
-removed all calls for "Peter!"
-shortened a shot of Wolf beginning to climb.
-shortened a shot before Amelia runs into the room. (she's still dead)
-cut the family hug before Amelia arrives. (still dead)
-slo-mo on the hug.
-added fade-out as the family embraces.
AT THE TRAIN STATION-
-cut this entire scene.
END CREDITS-
-music is a new edit of the Main Theme.
-added the title card before the credits.
-new card for the cast credits.
-new cards for the crew credits.
-added a credit for the make-up effects by Jack Pierce.
-new card for the director credit.
POST-CREDITS-
-added a shot of Igor at the front gates, reversed from earlier.
-added the classic 1930's THE END / IT'S A UNIVERSAL PICTURE titles.
--added the airplane sound from the 1930's Universal logo.
-added my production logo.
Main-
-Son of Frankenstein (Universal bluray, 2017)
Additional-
-smokey stock footage (forfilmcreation.com, 2015)
-Sound Effects (youtube.com & freesound.org)
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
TITLE CARD-
-new edit of the Main Theme.
-new "A Rowland V. Lee Film" credit.
-new smokey background.
-new title card.
-removed the opening credits.
CITY COUNCIL MEETING-
-changed "Because of these Frankensteins" to "Because of Frankenstein."
-extended the man's laugh so it doesn't cut off abruptly.
THE TRAIN TO TRANSYLVANIA-
-added train sounds as soon as it's seen fading in.
-added a wide shot as Wolf mentions his mother telling stories of his father.
-cut Wolf blaming the incident with the Monster on the "bad brain."
-smoothed the cross-fade from the train car to the waiting villagers.
ARRIVING IN TRANSYLVANIA-
-added the sound of the train's breaks.
-cut a shot of a sign designating the town of Frankenstein.
-cut a shot of Wolf walking past the Frankenstein town sign.
-removed a jump-cut during the cross-fade into the next scene.
-added fade-out to end the scene.
ARRIVING AT THE HOUSE OF FRANKENSTEIN-
-fade-in on the car arriving at the castle.
-cut a shot of Elsa & Frederick getting out of the car.
-cut Elsa calling their son "Peter." (here, he's Frederick from YOUNG FRANKENSTEIN)
-cut Elsa calling young Frederick "Peter" again.
-shortened the shot of Benson approaching.
IN THE LIBRARY-
-extended the shot of the painting of Henry Frankenstein.
-cut a shot of Wolf stepping closer to the painting.
-Benson's "you're rather like your father" is heard during the painting shot.
-shortened a shot of Wolf & Benson looking up at the painting.
-cut Wolf saying "A miracle the people of Frankenstein call a monster."
-cut Benson saying "Such stories I'd never heard."
-longer beat between "They say a lot worse than that"/"Would you like a brandy?"
-shortened the shot of Benson going to fix a brandy.
PUTTING YOUNG FREDERICK TO BED-
-cut young Frederick's "Our father, help me be a good little boy."
-cut Elsa asking about the beds.
-cross-fade from young Frederick asleep to the angry villagers.
ARRIVAL OF INSPECTOR KROGH-
-cut Elsa & Amelia running down the hallway as the Inspector knocks.
-added a thunder sound to cover a jump-cut in the audio.
-added a thunder sound after Krogh says "You're in danger."
-cut Krogh explaining his military ambitions.
-cut a shot of Krogh walking across the room to remove continuity error.
-cut Elsa checking on young Frederick while Igor peeks in.
AT BREAKFAST-
-cut Wolf calling his son "Peter."
-cut young Frederick asking about the boar's head on the wall.
-cut Wolf calling young Frederick "Peter" again.
-re-timed young Frederick's "Goodbye!"
AT THE OLD LAB-
-cut Wolf saying "Sulfur" as he looks at the sulfur pit.
-added a sound for the rock rolling before it falls.
-shortened the shot of Igor climbing through the hole in the wall.
-re-timed Wolf's "C'mon, c'mon. Hurry it up."
-cut Igor knocking on his neck.
-cut Igor explaining that lightning is what hurt the Monster.
-merged two shots of the Monster into one longer shot.
-cut Wolf saying "Evidence of trauma. Exactly like a human being."
CITY COUNCIL MEETING-
-cut "Frankensteinians" from "We Frankensteinians are as nervous as cats."
-added a wide shot of the council.
-added a fade-out to end the scene.
-removed the cross-fade into the next scene.
-longer transition into the next scene.
PREPARING THE MONSTER-
-added a fade-in to begin the scene.
-added sounds for the door lifting.
-cut a shot of Igor coming up through the door.
-shortened a shot of Igor entering the room.
-shortened a shot of the Monster being laid back on the table.
-removed an odd cross-fade between two shots of the Monster.
-shortened Igor opening the door for Benson.
DIAGNOSING THE MONSTER-
-extended a shot of Benson.
-cut a shot of Wolf looking into the Monsters eye.
-cut Wolf saying "Take notes. Heart is contracted. Mental abnormality."
-cut Wolf saying "Definite hyper pituitary." ect.
-cut Wolf saying "That accounts for his great size."
-cut Wolf saying "No human heart can function like that" ect.
-cut a shot of spinning machinery.
-cut a shot of Wolf.
-cut a repeated shot of Igor.
-cut Wolf saying "He's completely super-human."
-cut a cross-fade from a shot of Wolf to Benson & Wolf raising the table.
THE MONSTER'S X-RAY-
-cut Wolf saying "Take notes, Benson."
-cut a shot of Igor.
-added a quick fade-out when Wolf flips the light switch.
-added a long fade-in as the light adjusts.
-shortened a shot of Wolf examining the x-ray.
-cut Wolf saying "Left ventricular preponderance."
-cut Wolf finding & commenting on bullets in the Monster's heart.
-cut a shot of Igor walking over to look at the x-ray.
-added a cross-fade from the x-ray to Wolf at the microscope.
EXAMINING THE MONSTER'S BLOOD-
-cut all of Wolf's comments.
-cut a microscopic shot of the blood.
-cut a shot of Wolf at the microscope.
-cut another microscopic shot of the blood.
-shortened a microscopic shot of the blood.
-added a cross-fade from the blood to Wolf looking at notes.
IGOR & THE CITY COUNCIL-
-moved this scene to later on.
WOLF MONOLOGUES HIS FINDINGS-
-cut Wolf talking about the "Cosmic Rays."
-cut Wolf talking about the Monster being "truly un-human."
-added a shot of Igor, reversed from later.
-cut Wolf wanting to reveal the Monster's abnormal functions to the world.
REVIVING THE MONSTER-
-cut a shot of the Monster on the table.
-cut Igor touching the Monster, getting shocked & telling Wolf to stop.
-cut a shot of the Monster being electrocuted.
-cut the Monster waking up & attacking Benson before passing out again.
-longer transition into the next scene.
THE INSPECTOR HIRES A SPY-
-cut this entire scene & sub-plot.
IGOR & THE CITY COUNSEL-
-moved this scene from earlier.
-cut the man saying "Body snatcher, you mean."
-cut the pause before the man asks "Did he ask you to rob any graves?"
-cut the discussion about being able to hang Igor a 2nd time.
-longer transition into the next scene.
INSPECTOR KROGH AT THE HOUSE OF FRANKENSTEIN-
-added a long fade-in to begin the scene.
-cut Elsa explaining that Wolf has fixed-up his father's old lab.
-cut Krogh looking up at his spy.
-cut Krogh's spy giving him a knowing nod.
-Elsa's "He's deep in some experiment" is heard over a different shot of Krogh.
-added sound effects when Wolf sets his hat & cane down.
-cut the discussion about the sulfur pit being built by the Romans.
-cut Wolf saying "...and parboil you" as well as the ensuing laughter.
-cut Elsa calling young Frederick "Peter."
-cut young Frederick questioning Krogh's prosthetic arm.
-shortened Wolf carrying young Frederick up to his room.
-Wolf's "Here we go up the mountain" is heard during a different shot.
-cut Wolf calling young Frederick "Peter" again.
-extended the shot of Krogh after Wolf runs off to his lab.
-removed a cross-fade from Krogh to Wolf entering the lab.
WOLF SEARCHES THE LAB-
-cut Wolf opening the lid & going downstairs to search around.
-shortened the Monster looking at himself in the mirror.
-merged two shots of Wolf into one.
-cut some of the Monster comparing itself to Wolf in the mirror.
-shortened the shot of Igor after he says "I keep him here."
-cut some of Igor laughing.
WOLF CONFIDES IN BENSON-
-cut Wolf repeating "Yes, alive! Alive!"
-cut Benson calling young Frederick "Peter."
IGOR LEADS THE MONSTER-
-cut a shot of Igor coaxing the Monster down a hallway.
-cut the duo entering through & then shutting the hidden door.
-cut the Monster bobbing it's head up & down after Igor motions for murder.
-altered the pitch of the wagon sound effects as it comes uphill.
-extended the shot of Igor at the window after the Monster has gone.
-fade-out on the shot of Igor laughing.
-cut a shot of the wagon.
-cut a shot of the Monster in the countryside.
DEATH OF A JUROR-
-slow transition to show some time has passed.
-fade-in on a shot of the Monster in the countryside.
-the sound of the wagon fades in gradually as the Monster looks around.
-darkened the shot of the wagon passing by to match the surrounding shots.
-re-timed the man's first scream to match the Monster's attack.
-added a neck-break sound effect as the man is attacked off-screen.
-added creaking sounds as the Monster climbs over the wagon harness.
-added a thud sound as when the wagon wheel hits the juror.
DINNER AT THE HOUSE OF FRANKENSTEIN-
-cut Wolf repeating that Krogh is their 1st guest.
-cut Wolf bowing a 2nd time before Krogh leaves.
-cut Elsa worrying about Benson.
-cut Wolf leaving the room.
-cross-fade into the next scene.
WOLF SEARCHES FOR BENSON-
-cut Wolf asking about the Monster & Igor saying "He sleeps."
-cut Wolf's "That would scare anyone. I didn't think Benson would come here."
-shortened the shot after Igor slaps Wolf's hand away.
-fade from Wolf & Igor to Krogh at the juror's house.
KROGH AT THE JUROR'S HOUSE-
-shortened the shot of Krogh entering the room.
-shortened the shot of everyone leaving the room.
BEDTIME WORRIES-
-cut Wolf suggesting that Benson went out & got drunk.
-cut Wolf calling young Frederick "Peter" again.
-edited Wolf saying he's sending Elsa to Brussels to be faster, more intense.
-added a close-up of Elsa.
-cut Elsa crying about not being as brave as Wolf.
-cut Elsa getting up to go get young Frederick.
-cross-fade from Wolf & Elsa to Elsa, young Frederick & Wolf in bed.
DEATH OF ANOTHER JUROR-
-cut shots of the Monster in the countryside.
-added a thud sound when the Monster strikes the juror.
-longer transition into the next scene.
KROGH STOPS WOLF'S FAMILY PLANS-
-added fade-in to begin the scene.
-cut Krohg's "So?" after Wolf tells him he's going to the train station.
-cut Krogh ordering breakfast.
-added fade-out as Wolf walks away.
-longer transition into the next scene.
TERROR AT THE APOTHEKER-
-cut the screaming lady running out into the streets.
KROGH SPEAKS TO YOUNG FREDERICK-
-added fade-in to start the scene.
-cut Krogh asking if young Frederick is scared of the giant.
-extended the shot of Benson's watch, allowing time to read the inscription.
-added sounds for Amelia's footsteps coming into the room.
-removed Amelia calling young Frederick "Peter."
ELSA TALKS WITH WOLF-
-cut Elsa calling young Frederick "Peter."
-lowered the volume of the knockers.
KROGH, WOLF & THE DARTS-
-added the sound of two darts hitting the board as Krogh speaks.
-cut Wolf saying "That's too bad. I've never heard of him."
-added the sound of the dart hitting the board in the close-up.
-cut Wolf laughing after saying "The Monster."
-cut Wolf saying he recreated his fathers table "out of curiosity."
KROGH SEARCHES THE HOUSE, WOLF SEARCHES THE LAB-
-cut Krogh using his prosthetic arm to knock on the walls.
-added sounds as the wall slides open.
THE MONSTER FINDS IGOR-
-cut the Monster's scream.
-added a cross-fade from the Monster crying to Wolf in his study.
KROGH COMFORTS ELSA-
-cut this entire scene.
KROGH CONFRONTS WOLF-
-cut Wolf asking "Would you like a drink or would you rather play darts?"
-scene ends on a wide shot of Wolf & Krogh.
--extended the duration of the wide shot.
THE MONSTER MORNS IGOR-
-shortened the shot of the Monster carrying Igor.
-re-timed the music.
-shortened the close-up on the Monster.
THE MONSTER WRECKS THE LAB-
-new sound effect when the lab door closes.
-cut the Monster finding the fairy tales book during his lab rampage.
THE MONSTER GOES TO FREDERICK'S ROOM-
-shortened the Monster walking through the tunnel.
-added sound effects for the false-wall sliding open.
-re-timed the music to sync with the Monster's attack.
-cut away as the Monster grabs Amelia, before she faints.
-shortened a shot of Wolf & Krogh throwing darts.
-added a shot of the Monster dropping Amelia's body, cut earlier.
-shortened a shot of Krogh preparing to throw a dart.
ELSA FINDS FREDERICK MISSING-
-cut Amelia getting up & joining in on the screaming. (she's dead)
-cut Elsa running down the stairs & calling young Frederick "Peter."
EVERYBODY AT THE LAB-
-cut an exterior shot as Wolf, Elsa & Krogh run to the lab.
-removed all calls for "Peter!"
-shortened a shot of Wolf beginning to climb.
-shortened a shot before Amelia runs into the room. (she's still dead)
-cut the family hug before Amelia arrives. (still dead)
-slo-mo on the hug.
-added fade-out as the family embraces.
AT THE TRAIN STATION-
-cut this entire scene.
END CREDITS-
-music is a new edit of the Main Theme.
-added the title card before the credits.
-new card for the cast credits.
-new cards for the crew credits.
-added a credit for the make-up effects by Jack Pierce.
-new card for the director credit.
POST-CREDITS-
-added a shot of Igor at the front gates, reversed from earlier.
-added the classic 1930's THE END / IT'S A UNIVERSAL PICTURE titles.
--added the airplane sound from the 1930's Universal logo.
-added my production logo.
ORIGINAL RUNTIME-
-99 mins.
TIME CUT-
-20 mins.
TIME ADDED-
-1 min.
FINAL RUNTIME-
-80 mins.
YOUNG FRANKENSTEIN
Young Frankenstein Changelist-
SOURCES USED:
Main-
-Young Frankenstein (20th Century Fox bluray, 2008)
Additional-
-Son of Frankenstein (Universal bluray, 2017)
-Frankenstein (Universal bluray, 2017)
-Star Wars (DeSpecialized Edition V 2.7)
-Sound Effects (youtube.com)
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
-replaced the low-res FOX logo with the one from STAR WARS.
--adjusted the saturation, brightness, contrast & speed of the FOX logo.
TITLE CARD-
-new edit of the opening suite.
-new "A Mel Brooks Film" credit.
-looped footage of the castle background.
-added a slow pan toward the castle.
-added lightning flashes.
-new title card.
-removed the opening credits.
-cross-fade from the castle to the window.
RETRIEVING THE WILL-
-slight slo-mo on the shot panning towards the window.
-longer cross-fade from the window to the clock.
CLASS QUESTIONS-
-cut the elementary explanation of the brain.
-cut "before we proceed" from "Any questions before we proceed?"
-extended the shot after pronunciation is corrected to "Fronk-en-steen."
-cut grandpa being called "Victor" from the book. (He's Henry from the movie)
-cut the elementary lecture on the nervous system.
-cut the students cheering after Frederick dismisses class.
-shuffled some shots of students getting up to leave.
RECEIVING THE WILL-
-cut "great" from Gerhardt's "your great grandfather."
-cut "Bofort" from Gerhardt's "Baron Bofort von Frankenstein."
-Gerhardt's "Baron von Frankenstein" is heard over a shot of Frederick.
THE TRAIN TO TRANSYLVANIA-
-cut the bit with the shoe shine boy.
AT THE HOUSE OF FRANKENSTEIN-
-re-created the horizontal wipe from the staircase to the painting.
-replaced the painting with the one of Henry from SON OF FRANKENSTEIN.
-cut Frau Blucher calling Henry "Victor."
-cut Frau Blucher kissing the painting of Henry.
-shorter beat between Frederick's "I see" & "Well..."
-cut Frau Blucher calling Henry "Victor."
-cut Frau Blucher saying "Goodnight" a 2nd time.
-added Frederick's "Frau Blucher" from his 3rd "Goodnight" to his 2nd.
-the horses whinny is heard over a different shot.
-the sound of the door closing is heard over a different shot.
DREAMING OF DESTINY-
-added fade-in to begin the scene.
-replaced the painting with the one of Henry from SON OF FRANKENSTEIN.
-cut Frederick repeating "Ok, I'll say it."
MYSTERIOUS MUSIC-
-cut Frederick sticking his tongue out while he thinks.
-cut Frederick saying "Hand me that robe, will you dear?"
SECRET PASSAGEWAYS-
-shortened a shot of Frederick & Inga stopping to observe a decomposing head.
DISCOVERING THE OLD LAB-
-added dialog from the original FRANKENSTEIN as the group look over the lab.
--added reverb & effects to make the dialog seem distant & otherworldly.
-added the Main Theme as Frederick realizes he's in the private library.
-added a pan across the table to the How I Did It book.
-cropped the shot of the book to remove "Victor" Frankenstein as the author.
-extended the shot of the book.
-rearranged some shots of the lightning for clarity.
-extended the sound of thunder after the fade-out.
-longer transition into the next scene.
READING & REALIZING-
-cut Frederick's heavy breathing before we hear him reading.
-slower fade-in to begin the scene.
-replaced the painting with the one of Henry from SON OF FRANKENSTEIN.
-added lightning flashes to the painting shot.
-shot pushes in toward the painting.
-longer transition into the next scene.
AT BREAKFAST-
-cut Igor revealing the picture he's drawn of the Monster.
-added fade-out to end the scene.
AT THE CEMETERY-
-added fade-in to begin the scene.
-cut the hanged man.
-cross-fade to the body being buried.
TRANSPORTING THE BODY-
-longer transition into the next scene.
IN THE LAB-
-cut Frederick repeating "Do you understand" before Igor appears at his side.
-smoothed a skip in the audio after Frederick calls up to Igor.
CITY COUNCIL MEETING-
-cut the councilman saying "...from 5 times before."
-moved a shot of the citizens to earlier.
INTERROGATING IGOR ABOUT THE BRAIN-
-Frederick's "Now, about that brain" is heard over a shot of Inga.
-shortened a shot of Frederick & Igor.
-extended a shot of Inga as Frederick asks if the brain was Hans Delbrook's.
DARTS WITH INSPECTOR KEMP-
-cut Frederick running to look out the window after Kemp leaves.
FRAU BLUECHER FINDS THE MONSTER-
-cut Frau Blucher calling Henry "Victor."
-added a shot of the monster, reversed from later.
-cut Frau Blucher saying the music is "in the blood of all Frankensteins."
-cut Frau Blucher saying that Henry played the music when making his creation.
-cut Frederick calling Henry "Victor."
-tighter cut as Frau Blucher says "My boyfriend" & the machinery sparking.
-cut Frau Blucher yelling "You'll never catch him! He's free!"
THE MONSTER & THE LITTLE GIRL-
-longer fade-in as the girl drops flowers down the well.
-cut before the Monster looks away after breaking the 4th wall.
-extended the Monster looking into the camera.
-added a sound effect as the girl flys through the air.
THE MONSTER & THE BLIND HERMIT-
-cut the hermit saying "Your hand is frozen, my child."
CONFRONTING THE MONSTER-
-cut Frederick's fake laugh as he pleads to be let out of the room.
-cut Frederick's cry for "Mommy!"
-swapped shots of Inga trying to open the door & the Monster growling.
-longer transition into the next scene.
POST-PERFORMANCE BLUES-
-cut Frederick blaming the "bad brain" for the Monster's tantrum.
-the sound of the table lowering begins sooner.
-cut a shot of Frau Blucher watching the table descend.
ELIZABETH & THE MONSTER-
-cut some of Elizabeth combing her hair & singing.
-added an iris wipe while the Monster carries Elizabeth through the woods.
-cut a shot of the searching villagers.
-cut Elizabeth protesting the Monster's advances.
-lowered the volume of Elizabeth's singing.
-cut the 2nd line of the "Mystery of Life" song.
-cut a shot of the searching villagers.
BRINGING THE MONSTER HOME-
-cut Frederick's "Yes" after Igor says "You realize your risking both your lives?"
-re-created the vertical wipe into the next scene.
THE OPERATION-
-re-timed the sound when Igor smacks the machine to match.
THE VILLAGERS BREAK IN-
-cut Inspector Kemp saying "Yeah, I can see that you are the Monster."
-cut the Monster saying "he gave me a calmer brain."
--re-edited the dialog to say "He gave me a calmer way of expressing myself."
-added music to the end of the Monster's speech.
WEDDING NIGHT-
-added a wipe from Frederick rubbing his head to the Monster reading in bed.
-cut before Fredrick looks away as we zoom in on his eyes.
-re-timed the shot of Igor playing the horn so his movements match the music.
-longer cross-fade from Igor to the final shot of the castle.
END CREDITS-
-added the title card before the credits.
-cut the THE END card.
POST-CREDITS-
-added a cue from the Main Theme.
-added two shots of the painting of Frederick, normal & smiling.
-re-framed the shots so they line-up.
-cross-fade between the shots so the smile appears in the lightning.
-added the THE END card, cut earlier.
-added my production logo to the end.
Main-
-Young Frankenstein (20th Century Fox bluray, 2008)
Additional-
-Son of Frankenstein (Universal bluray, 2017)
-Frankenstein (Universal bluray, 2017)
-Star Wars (DeSpecialized Edition V 2.7)
-Sound Effects (youtube.com)
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
-replaced the low-res FOX logo with the one from STAR WARS.
--adjusted the saturation, brightness, contrast & speed of the FOX logo.
TITLE CARD-
-new edit of the opening suite.
-new "A Mel Brooks Film" credit.
-looped footage of the castle background.
-added a slow pan toward the castle.
-added lightning flashes.
-new title card.
-removed the opening credits.
-cross-fade from the castle to the window.
RETRIEVING THE WILL-
-slight slo-mo on the shot panning towards the window.
-longer cross-fade from the window to the clock.
CLASS QUESTIONS-
-cut the elementary explanation of the brain.
-cut "before we proceed" from "Any questions before we proceed?"
-extended the shot after pronunciation is corrected to "Fronk-en-steen."
-cut grandpa being called "Victor" from the book. (He's Henry from the movie)
-cut the elementary lecture on the nervous system.
-cut the students cheering after Frederick dismisses class.
-shuffled some shots of students getting up to leave.
RECEIVING THE WILL-
-cut "great" from Gerhardt's "your great grandfather."
-cut "Bofort" from Gerhardt's "Baron Bofort von Frankenstein."
-Gerhardt's "Baron von Frankenstein" is heard over a shot of Frederick.
THE TRAIN TO TRANSYLVANIA-
-cut the bit with the shoe shine boy.
AT THE HOUSE OF FRANKENSTEIN-
-re-created the horizontal wipe from the staircase to the painting.
-replaced the painting with the one of Henry from SON OF FRANKENSTEIN.
-cut Frau Blucher calling Henry "Victor."
-cut Frau Blucher kissing the painting of Henry.
-shorter beat between Frederick's "I see" & "Well..."
-cut Frau Blucher calling Henry "Victor."
-cut Frau Blucher saying "Goodnight" a 2nd time.
-added Frederick's "Frau Blucher" from his 3rd "Goodnight" to his 2nd.
-the horses whinny is heard over a different shot.
-the sound of the door closing is heard over a different shot.
DREAMING OF DESTINY-
-added fade-in to begin the scene.
-replaced the painting with the one of Henry from SON OF FRANKENSTEIN.
-cut Frederick repeating "Ok, I'll say it."
MYSTERIOUS MUSIC-
-cut Frederick sticking his tongue out while he thinks.
-cut Frederick saying "Hand me that robe, will you dear?"
SECRET PASSAGEWAYS-
-shortened a shot of Frederick & Inga stopping to observe a decomposing head.
DISCOVERING THE OLD LAB-
-added dialog from the original FRANKENSTEIN as the group look over the lab.
--added reverb & effects to make the dialog seem distant & otherworldly.
-added the Main Theme as Frederick realizes he's in the private library.
-added a pan across the table to the How I Did It book.
-cropped the shot of the book to remove "Victor" Frankenstein as the author.
-extended the shot of the book.
-rearranged some shots of the lightning for clarity.
-extended the sound of thunder after the fade-out.
-longer transition into the next scene.
READING & REALIZING-
-cut Frederick's heavy breathing before we hear him reading.
-slower fade-in to begin the scene.
-replaced the painting with the one of Henry from SON OF FRANKENSTEIN.
-added lightning flashes to the painting shot.
-shot pushes in toward the painting.
-longer transition into the next scene.
AT BREAKFAST-
-cut Igor revealing the picture he's drawn of the Monster.
-added fade-out to end the scene.
AT THE CEMETERY-
-added fade-in to begin the scene.
-cut the hanged man.
-cross-fade to the body being buried.
TRANSPORTING THE BODY-
-longer transition into the next scene.
IN THE LAB-
-cut Frederick repeating "Do you understand" before Igor appears at his side.
-smoothed a skip in the audio after Frederick calls up to Igor.
CITY COUNCIL MEETING-
-cut the councilman saying "...from 5 times before."
-moved a shot of the citizens to earlier.
INTERROGATING IGOR ABOUT THE BRAIN-
-Frederick's "Now, about that brain" is heard over a shot of Inga.
-shortened a shot of Frederick & Igor.
-extended a shot of Inga as Frederick asks if the brain was Hans Delbrook's.
DARTS WITH INSPECTOR KEMP-
-cut Frederick running to look out the window after Kemp leaves.
FRAU BLUECHER FINDS THE MONSTER-
-cut Frau Blucher calling Henry "Victor."
-added a shot of the monster, reversed from later.
-cut Frau Blucher saying the music is "in the blood of all Frankensteins."
-cut Frau Blucher saying that Henry played the music when making his creation.
-cut Frederick calling Henry "Victor."
-tighter cut as Frau Blucher says "My boyfriend" & the machinery sparking.
-cut Frau Blucher yelling "You'll never catch him! He's free!"
THE MONSTER & THE LITTLE GIRL-
-longer fade-in as the girl drops flowers down the well.
-cut before the Monster looks away after breaking the 4th wall.
-extended the Monster looking into the camera.
-added a sound effect as the girl flys through the air.
THE MONSTER & THE BLIND HERMIT-
-cut the hermit saying "Your hand is frozen, my child."
CONFRONTING THE MONSTER-
-cut Frederick's fake laugh as he pleads to be let out of the room.
-cut Frederick's cry for "Mommy!"
-swapped shots of Inga trying to open the door & the Monster growling.
-longer transition into the next scene.
POST-PERFORMANCE BLUES-
-cut Frederick blaming the "bad brain" for the Monster's tantrum.
-the sound of the table lowering begins sooner.
-cut a shot of Frau Blucher watching the table descend.
ELIZABETH & THE MONSTER-
-cut some of Elizabeth combing her hair & singing.
-added an iris wipe while the Monster carries Elizabeth through the woods.
-cut a shot of the searching villagers.
-cut Elizabeth protesting the Monster's advances.
-lowered the volume of Elizabeth's singing.
-cut the 2nd line of the "Mystery of Life" song.
-cut a shot of the searching villagers.
BRINGING THE MONSTER HOME-
-cut Frederick's "Yes" after Igor says "You realize your risking both your lives?"
-re-created the vertical wipe into the next scene.
THE OPERATION-
-re-timed the sound when Igor smacks the machine to match.
THE VILLAGERS BREAK IN-
-cut Inspector Kemp saying "Yeah, I can see that you are the Monster."
-cut the Monster saying "he gave me a calmer brain."
--re-edited the dialog to say "He gave me a calmer way of expressing myself."
-added music to the end of the Monster's speech.
WEDDING NIGHT-
-added a wipe from Frederick rubbing his head to the Monster reading in bed.
-cut before Fredrick looks away as we zoom in on his eyes.
-re-timed the shot of Igor playing the horn so his movements match the music.
-longer cross-fade from Igor to the final shot of the castle.
END CREDITS-
-added the title card before the credits.
-cut the THE END card.
POST-CREDITS-
-added a cue from the Main Theme.
-added two shots of the painting of Frederick, normal & smiling.
-re-framed the shots so they line-up.
-cross-fade between the shots so the smile appears in the lightning.
-added the THE END card, cut earlier.
-added my production logo to the end.
ORIGINAL RUNTIME-
-105 mins.
TIME CUT-
-11 mins.
TIME ADDED-
-1 min.
FINAL RUNTIME-
-95 mins.
_______________________________
EXTRAS:
DOCUMENTARIES-
This is a collection docs edited together from various sources.
These make the perfect companion to the Frankenstein [raymix] Series.
Anatomy of a Monster- Making Frankenstein
Sources Used-
-The Frankenstein Files- How Hollywood Made a Monster (Universal bluray, 2017)
-Frankenstein (Universal bluray, 2017)
CHANGES:
This list only covers a small fraction of the changes made.
Most of the changes are unlisted.
I get very lazy with lists for my doc edits.
Sorry...
OVERALL CHANGES-
-upscaled the source from 720p to 1080p.
--slight de-blocking & de-interlacing.
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
-added the "It's alive!" scene from the film.
-new "Universal Home Video Presents" card.
TITLE CARD-
-added footage of the creation.
-new lightning overlay.
-new title & title card. (Anatomy of a Monster- Making Frankenstein)
-new "Hosted by David J. Skal" card.
INTRODUCTION-
-replaced the old "A Word of Warning" footage with new bluray footage.
THE NOVEL-
-cut the depictions of Mary Shelly & Co from BRIDE OF FRANKENSTEIN.
THE STAGE PLAY-
-added a credit for Donald F. Glut, as his 1st shot has been cut.
THE FILM-
-replaced the old "Good scene, isn't it?" footage with new bluray footage.
-replaced the old "Have you never wondered" footage with new bluray footage.
-cut Paul M. Jensen discussing a non-existent plot hole with the Monster & the house.
-cut the rundown of other Frankenstein films.
END-
-added my production logo.
ORIGINAL RUNTIME-
-44 mins.
TIME CUT-
-8 mins.
TIME ADDED-
-0 min.
FINAL RUNTIME-
-36 mins.
-The Frankenstein Files- How Hollywood Made a Monster (Universal bluray, 2017)
-Frankenstein (Universal bluray, 2017)
CHANGES:
This list only covers a small fraction of the changes made.
Most of the changes are unlisted.
I get very lazy with lists for my doc edits.
Sorry...
OVERALL CHANGES-
-upscaled the source from 720p to 1080p.
--slight de-blocking & de-interlacing.
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
-added the "It's alive!" scene from the film.
-new "Universal Home Video Presents" card.
TITLE CARD-
-added footage of the creation.
-new lightning overlay.
-new title & title card. (Anatomy of a Monster- Making Frankenstein)
-new "Hosted by David J. Skal" card.
INTRODUCTION-
-replaced the old "A Word of Warning" footage with new bluray footage.
THE NOVEL-
-cut the depictions of Mary Shelly & Co from BRIDE OF FRANKENSTEIN.
THE STAGE PLAY-
-added a credit for Donald F. Glut, as his 1st shot has been cut.
THE FILM-
-replaced the old "Good scene, isn't it?" footage with new bluray footage.
-replaced the old "Have you never wondered" footage with new bluray footage.
-cut Paul M. Jensen discussing a non-existent plot hole with the Monster & the house.
-cut the rundown of other Frankenstein films.
END-
-added my production logo.
ORIGINAL RUNTIME-
-44 mins.
TIME CUT-
-8 mins.
TIME ADDED-
-0 min.
FINAL RUNTIME-
-36 mins.
Back in the Lab- Making the Bride of Frankenstein
Sources Used-
-She's Alive! Making the Bride of Frankenstein (Universal bluray, 2017)
-Bride of Frankenstein (Universal bluray, 2017)
CHANGES:
This list only covers a small fraction of the changes made.
Most of the changes are unlisted.
I get very lazy with lists for my doc edits.
Sorry...
OVERALL CHANGES-
-upscaled the source from 720p to 1080p.
--slight de-blocking & de-interlacing.
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
-added footage of the Bride coming to life.
-new "Universal Home Video Presents" card.
TITLE CARD-
-new title & title card. (Back in the Lab- Making The Bride of Frankenstein)
-added footage of the creation.
-new lightning overlay.
-new "Hosted by Joe Dante" card.
INTRODUCTION-
-replaced the old footage of Pretorious in the tomb with the bluray master.
-cut the scene of Minnie running scared.
PRE-PREODUCTION-
-cut the bit about the opening parlor scene.
MUSIC-
-cut the bit about the opening parlor scene.
CENSORSHIP-
-cut the bit about the opening parlor scene.
END-
-added my production logo.
ORIGINAL RUNTIME-
-38 mins.
TIME CUT-
-2 mins.
TIME ADDED-
-0 min.
FINAL RUNTIME-
-36 mins.
-She's Alive! Making the Bride of Frankenstein (Universal bluray, 2017)
-Bride of Frankenstein (Universal bluray, 2017)
CHANGES:
This list only covers a small fraction of the changes made.
Most of the changes are unlisted.
I get very lazy with lists for my doc edits.
Sorry...
OVERALL CHANGES-
-upscaled the source from 720p to 1080p.
--slight de-blocking & de-interlacing.
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
-added footage of the Bride coming to life.
-new "Universal Home Video Presents" card.
TITLE CARD-
-new title & title card. (Back in the Lab- Making The Bride of Frankenstein)
-added footage of the creation.
-new lightning overlay.
-new "Hosted by Joe Dante" card.
INTRODUCTION-
-replaced the old footage of Pretorious in the tomb with the bluray master.
-cut the scene of Minnie running scared.
PRE-PREODUCTION-
-cut the bit about the opening parlor scene.
MUSIC-
-cut the bit about the opening parlor scene.
CENSORSHIP-
-cut the bit about the opening parlor scene.
END-
-added my production logo.
ORIGINAL RUNTIME-
-38 mins.
TIME CUT-
-2 mins.
TIME ADDED-
-0 min.
FINAL RUNTIME-
-36 mins.
(Unfortunately, there just isn't enough available material to piece together a
documentary for Son of Frankenstein. It is, as always, an overlooked jem)
Stitching it Together- Making Young Frankenstein
Sources Used-
-Making Frankensense of Young Frankenstein (20th Century Fox bluray, 2008)
-Young Frankenstein (20th Century Fox bluray, 2008)
CHANGES:
This list only covers a small fraction of the changes made.
Most of the changes are unlisted.
I get very lazy with lists for my doc edits.
Sorry...
OVERALL CHANGES-
-upscaled the source from 720p to 1080p.
--slight de-blocking & de-interlacing.
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
-added footage of the creation.
-new "20th Century Fox Home Video Presents" card.
TITLE CARD-
-new title & title card. (Stitching it Together- Making Young Frankenstein)
-new lightning overlay.
-scored the title card with Theme From Young Frankenstein.
PRE-PRODUCTION-
-added Mel Brooks talking with Conan O'Brien about shooting in black & white.
PRODUCTION-
-added Mel Brooks talking with Conan O'Brien about Marty Feldman.
END-
-added my production logo.
ORIGINAL RUNTIME-
-42 mins.
TIME CUT-
-4 mins.
TIME ADDED-
-3 min.
FINAL RUNTIME-
-41 mins.
-Making Frankensense of Young Frankenstein (20th Century Fox bluray, 2008)
-Young Frankenstein (20th Century Fox bluray, 2008)
CHANGES:
This list only covers a small fraction of the changes made.
Most of the changes are unlisted.
I get very lazy with lists for my doc edits.
Sorry...
OVERALL CHANGES-
-upscaled the source from 720p to 1080p.
--slight de-blocking & de-interlacing.
PRODUCTION CREDITS-
-added the fanedit.org logo.
-added my fanedit production logo.
-added footage of the creation.
-new "20th Century Fox Home Video Presents" card.
TITLE CARD-
-new title & title card. (Stitching it Together- Making Young Frankenstein)
-new lightning overlay.
-scored the title card with Theme From Young Frankenstein.
PRE-PRODUCTION-
-added Mel Brooks talking with Conan O'Brien about shooting in black & white.
PRODUCTION-
-added Mel Brooks talking with Conan O'Brien about Marty Feldman.
END-
-added my production logo.
ORIGINAL RUNTIME-
-42 mins.
TIME CUT-
-4 mins.
TIME ADDED-
-3 min.
FINAL RUNTIME-
-41 mins.
SOUNDTRACK
This is a little collection of various pieces of score used the Frankenstein [raymix] Series, as well as a few of my favorite Frankenstein-related songs.
A few tracks are stitched together from bits of the film & a few others are exclusive remixes & edits, making this the only place to get them!
I've used the best available mix/master of each track & adjusted the gain to make this sound like a cohesive album.
Tracklist-
01. Theme From Frankenstein [raymix] - Brenhard Kaun
02. A Word of Warning - spoken by Edward Van Sloan
03. Theme From Bride of Frankenstein [raymix] - Franz Waxman
04. The Monster's Entrance [raymix] - Franz Waxman
05. Theme From Son of Frankenstein [raymix] - Frank Skinner
06. Igor's Horn - Frank Skinner
07. Theme From Young Frankenstein - John Morris
08. The Monster's Lullaby - John Morris
09. Frankenstein's Monster Wants a Wife - Blaster the Rocket Man
10. Weird Science (single version) - Oingo Boingo
11. New Life - Depeche Mode
MUSIC VIDEO
This is a fun MV I put together that takes you through all 4 films.
A tale of terror & tragedy set to a beat you can dance to.
_______________________________
Peroration:
I've loved the Universal Monsters since I was very young. The films, the characters & the pop culture paraphernalia- It was all a big part of my childhood & formation. I've always been drawn to the classic spooky imagery & atmosphere. From inspiring my Halloween costumes to being the first "old films" I really studied, I have a long history with these films & characters.
The story of Frankenstein is a favorite of mine. From Mary Shelly's novel to various screen interpretations, it's a theme that really resonates with me.
The 4 films presented here are some of my absolute favorites. I considered them the Core Four Frankenstein Flicks, going from spooky to absurd.
They make for an excellent series full of iconic moments, characters, dialog & music.
I think these versions will thrill you. They may even shock you. They might even horrify you.
So, if any of you do not care to subject your nerves to such a strain, well...
I've warned you.
_________________________________
Available Now!
PM me for the link!
IT'S ALIVE!
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