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True, I did favor the sepia look, but the black n white was fine.
The only time I thought of sepia was during the cavalry / Indians chase.
Black n white offered better contrast for when the amulet ignited in the cave, however.
Sepia does not always carry off. An editor (whose name I am conveniently forgetting) offered a "serialized" 2-DVD set of a popular trilogy. Available in black n white, and sepia. In that instance, the sepia struck me as wrong, since classic serials were never sepia toned.
On the other hand, your over-saturated "wet" look was wonderful.
It was otherworldly, and also harked back to Technicolour.
The is no such thing as natural or realistic colour.
For example: I've been viewing The Invaders, a dimly remembered Quinn Martin series from the 60s.
Set mostly in desert towns, the skies are the deepest blue and everyone is tanned beyond belief.
The closest one gets to those skin tones nowadays are Rodriguez Machete romps.
So, yes, I'm glad you stuck with your instincts and juiced the saturation.
Killer look.
The only time I thought of sepia was during the cavalry / Indians chase.
Black n white offered better contrast for when the amulet ignited in the cave, however.
Sepia does not always carry off. An editor (whose name I am conveniently forgetting) offered a "serialized" 2-DVD set of a popular trilogy. Available in black n white, and sepia. In that instance, the sepia struck me as wrong, since classic serials were never sepia toned.
On the other hand, your over-saturated "wet" look was wonderful.
It was otherworldly, and also harked back to Technicolour.
The is no such thing as natural or realistic colour.
For example: I've been viewing The Invaders, a dimly remembered Quinn Martin series from the 60s.
Set mostly in desert towns, the skies are the deepest blue and everyone is tanned beyond belief.
The closest one gets to those skin tones nowadays are Rodriguez Machete romps.
So, yes, I'm glad you stuck with your instincts and juiced the saturation.
Killer look.