Review Detail
9.6 39 10
(Updated: July 05, 2024)
Overall rating
9.5
Audio/Video Quality
10.0
Audio Editing
8.0
Visual Editing
10.0
Narrative
10.0
Enjoyment
10.0
Wow… SO much to unpack here. First of all, I just want to say that this edit is sort of a dream come true. Like half the world, I was a loyal HBO GoT fan from the very first episode, and would be absolutely giddy for each subsequent season to release. Yes, I read all of the great GRRM books, but the series was different because we knew that each year it was going to continue our journey with this very large cast of amazing characters. The first six seasons rarely failed to impress. Sure, there were some uninspiring subplots and a few characters that didn’t lend much, but for the most part, those first six seasons really did their job well of bringing this ridiculously epic saga to life. Then came the final two seasons. S7, upon first watch, was certainly serviceable. Like its predecessors, it had some huge moments and, despite all the timeless jumping around and rushed plot devices, served to setup the highly anticipated final season. And that, my friends, is where the Titanic hit the iceberg. S8 was a disaster on just about every front. The showrunners, I believe, truly thought they had it all figured out, and some amazing footage was shot and some big set pieces were realized. But in this case, the sum ended up being far worse that the parts. Suddenly, the Night King and his army of the dead--the “Winter is Coming” doomsday promise that the entire series had been slowly building up to--took backseat and second fiddle to Iron Throne politics and the Cersei problem. What was supposed to be the culminating epic battle of the entire series ended up being a one-episode descent into very literal darkness that didn’t change the course of anything. Because, obviously, Queen Cersei and her glowering sneers of lustful revenge from the Red Keep’s balcony window was what everything for seven seasons really came down to, right? I mean, obviously, Daenerys Targaryen would drop everything that made her the freedom fighting, benevolent conqueror that she was and turn (on a dime) into Attila the Hun, right? And, obviously, Tyrion would turn into a clownish idiot, Jaime would throw away six years of hard-earned wisdom about what it means to have real honor, a much wiser Jon Snow would shrivel into a love-struck man puppet, etc., etc. Right? Wrong. So with S8 what we received was a broken narrative, shattered character arcs and a series payoff that was anything but.
Enter Game of Thrones: Redeemed. Almightycutie decided to meticulously “re-craft” the narrative that S8 so decisively destroyed, first and foremost by reordering the timeline of events. The biggest no-brainer of S8 that made it so terrible was that it placed the Battle of Winterfell, which would decide the fate of the entire GoT world and everyone in it, BEFORE the conflict with Cersei and the taking of King’s Landing. Redeemed immediately sets out to correct that by having Jon and Dany come to an early understanding that the Night King’s menace is the ultimate battle, but whereby Jon will focus his efforts on preemptive preparation for that coming nightmare while Dany quickly moves to take care of the Cersei problem. And that’s exactly how things progress. After forming a pact with Dany, Jon goes back North to rally his forces and to prepare an unassuming expedition north of the wall to scout ahead and potentially preemptively take out the Night King before his army can even get to the wall. Dany, meanwhile, focuses on her speedy strategy to take Casterly Rock before marching on King’s Landing without needing to use the devastation of her dragons. That, of course, fails (Cersei and Jaime for once outwit their smarter little brother) and Dany is then forced to expedite her incursion with the full force of her dragons (all three of them, mind you, as Euron never gets his lucky shot). With the “Wagon Train Battle” and all of the footage of the attack on King’s Landing, this reordering works beautifully, and Cersei Lannister even gets the justice she deserved to begin with (I won’t spoil it here… but it totally works). All of this happens within the first seven episodes of almightycutie’s Redeemed cut, which condenses the entirety of seasons 7 and 8 to a total of 11 episodes. The final four episodes are then dedicated to the final preparations leading up to the TRUE battle for Westeros, the Battle of Winterfell, which plays wonderfully over two episodes instead of just one. Amazingly, it all works, with a few minor exceptions, especially as we get to the final four episodes (I’ve bulleted some of those below).
Almightycutie even goes as far as to incorporate some of their own effects and voiceover. A couple of these were nearly seamless, while a few others not so much. Either way, they’re only used when absolutely needed (personally, I didn’t think Bran’s warging voiceover was necessary during Jon’s expedition north of the wall, but it didn’t detract, either). These “additional effects” moments are few and far between. However, I would say that if almightycutie ever decides to revisit their Redeemed cut, they could always improve some of these effects as the edit is almost six years old as I write this review. Newer AI post production software could really enhance and/or fix a few less-than-optimal effects shots.
With all of that said, the technical quality of Redeemed is a very strong 1080p presentation with a solid audio track for the most part. The only time I had difficulty with dialogue being mixed too low was during the expedition north of the wall (for some reason the dialogue between the Hound, Tormund, Dondarrion, et al, was mixed super low… probably to accentuate the added voiceover work for Bran’s character, which was also sort of mixed low and even garbled). Otherwise, top-notch Blu-ray quality presentation to go right along with HBO’s official S1-6 Blu-rays (I owned seasons 1-7 on Blu-ray… never bothered to purchase S8… and S7 went right to the Goodwill now that I have Redeemed). So re-watching the series with Redeemed serving as the final “season” is a seamless watch.
Many more good things can be said about this massive undertaking of an edit, but not everything is completely perfect. Nor would it be, considering what is available to work with. Some nitpicks, minor for the most part, include the following:
- For some reason, almightycutie decided to not include the demise of Littlefinger. I can sort of see the justification for this omission by questioning whether or not he actually deserved it (certainly, it felt like he did at the time). Either way, I’m fine with the decision to allow the Court Conniver to keep his throat intact. However, it does create a continuity error going forward as suddenly Peter Balish isn’t present for anything taking place at Winterfell after the fourth or fifth episode, prior to which he’s practically shadowing Sansa at every turn. Simply keeping to his original fate would have solved that problem.
- Cersei’s early destruction, though definitely the right choice and thoroughly satisfying, does leave a bit of a vacuum for Jaime’s continuing character arc from a dramatic perspective only if for the fact he now has no coda or reaction in regards to her death. This isn’t a huge deal (especially in light of Armageddon approaching), but it is something noticeably lacking. Of course, blame it on the GoT showrunners who should have had this option explored to begin with and should have given us a proper continued arc for Jaime Lannister, who should have never in a million years returned to his sister after she openly admitted to not caring about anything or anybody and letting the Seven Kingdoms fall to the forces of darkness if that’s what it would come down to (she’s just a more attractive version of the Mad King). At one point, Cersei even considers briefly having the Mountain take care of her brother for his disloyalty. Hers was as wretched, festering evil to the bitter end, and Redeemed goes a long way to correct how such a miserable state of affairs would have ultimately played out between the sibling lovers with at least one of them wanting to be a better person.
- With the entire subplot of the “kidnapped zombie” being omitted (in this version, the expedition north of the wall is NOT to find a zombie to bring it back to show Queen Cersei in order to garner her non-existent support), it now doesn’t give Jon Snow a concrete reason to actually go on the expedition. Now, with that said, it did sort of make sense that perhaps Jon was hoping to pull off a “Frodo and Sam unassumingly sneaking the one ring to Mordor” approach to a preemptive strike on the Night King, and so that’s how my own mind justified it. But it does leave a little to be desired as far as true character motivation. To their credit, almightycutie does attempt to pad the narrative further through a series of voiceovers by Bran as the Three-Eyed Raven. But even that sort of fell flat for me.
- And, of course, there are some visual continuity errors peppered throughout, especially in regards to Dany riding her dragon(s) during the siege on King’s Landing (mainly costume continuity and/or dragon continuity). There are a couple with Cersei, too. But, again, not a big deal in the grand scheme of the massive narrative correction.
- As an aside, some unintended reactions from characters due to certain recuts actually work better. For example, what was originally Dany’s insane, psychotic, tears-of-rage breakdown after razing all of King’s Landing along with its inhabitants, now works even better as her reaction for being forced to use her dragons on King’s Landing and to finally roast the Red Keep for good. They always say that editors can be directors after the fact, and this proves it.
I could go on an on about how momentous and important is this fan edit. Correcting the narrative of the final season of Game of Thrones was something I thought would be next to impossible, but almightycutie pulled it off. Having this edit on Blu-ray basically "fixes" the entire series for me, and allows me to revisit one of the greatest productions ever to grace the small screen. That's no small feat. Absolutely stellar work.
Enter Game of Thrones: Redeemed. Almightycutie decided to meticulously “re-craft” the narrative that S8 so decisively destroyed, first and foremost by reordering the timeline of events. The biggest no-brainer of S8 that made it so terrible was that it placed the Battle of Winterfell, which would decide the fate of the entire GoT world and everyone in it, BEFORE the conflict with Cersei and the taking of King’s Landing. Redeemed immediately sets out to correct that by having Jon and Dany come to an early understanding that the Night King’s menace is the ultimate battle, but whereby Jon will focus his efforts on preemptive preparation for that coming nightmare while Dany quickly moves to take care of the Cersei problem. And that’s exactly how things progress. After forming a pact with Dany, Jon goes back North to rally his forces and to prepare an unassuming expedition north of the wall to scout ahead and potentially preemptively take out the Night King before his army can even get to the wall. Dany, meanwhile, focuses on her speedy strategy to take Casterly Rock before marching on King’s Landing without needing to use the devastation of her dragons. That, of course, fails (Cersei and Jaime for once outwit their smarter little brother) and Dany is then forced to expedite her incursion with the full force of her dragons (all three of them, mind you, as Euron never gets his lucky shot). With the “Wagon Train Battle” and all of the footage of the attack on King’s Landing, this reordering works beautifully, and Cersei Lannister even gets the justice she deserved to begin with (I won’t spoil it here… but it totally works). All of this happens within the first seven episodes of almightycutie’s Redeemed cut, which condenses the entirety of seasons 7 and 8 to a total of 11 episodes. The final four episodes are then dedicated to the final preparations leading up to the TRUE battle for Westeros, the Battle of Winterfell, which plays wonderfully over two episodes instead of just one. Amazingly, it all works, with a few minor exceptions, especially as we get to the final four episodes (I’ve bulleted some of those below).
Almightycutie even goes as far as to incorporate some of their own effects and voiceover. A couple of these were nearly seamless, while a few others not so much. Either way, they’re only used when absolutely needed (personally, I didn’t think Bran’s warging voiceover was necessary during Jon’s expedition north of the wall, but it didn’t detract, either). These “additional effects” moments are few and far between. However, I would say that if almightycutie ever decides to revisit their Redeemed cut, they could always improve some of these effects as the edit is almost six years old as I write this review. Newer AI post production software could really enhance and/or fix a few less-than-optimal effects shots.
With all of that said, the technical quality of Redeemed is a very strong 1080p presentation with a solid audio track for the most part. The only time I had difficulty with dialogue being mixed too low was during the expedition north of the wall (for some reason the dialogue between the Hound, Tormund, Dondarrion, et al, was mixed super low… probably to accentuate the added voiceover work for Bran’s character, which was also sort of mixed low and even garbled). Otherwise, top-notch Blu-ray quality presentation to go right along with HBO’s official S1-6 Blu-rays (I owned seasons 1-7 on Blu-ray… never bothered to purchase S8… and S7 went right to the Goodwill now that I have Redeemed). So re-watching the series with Redeemed serving as the final “season” is a seamless watch.
Many more good things can be said about this massive undertaking of an edit, but not everything is completely perfect. Nor would it be, considering what is available to work with. Some nitpicks, minor for the most part, include the following:
- For some reason, almightycutie decided to not include the demise of Littlefinger. I can sort of see the justification for this omission by questioning whether or not he actually deserved it (certainly, it felt like he did at the time). Either way, I’m fine with the decision to allow the Court Conniver to keep his throat intact. However, it does create a continuity error going forward as suddenly Peter Balish isn’t present for anything taking place at Winterfell after the fourth or fifth episode, prior to which he’s practically shadowing Sansa at every turn. Simply keeping to his original fate would have solved that problem.
- Cersei’s early destruction, though definitely the right choice and thoroughly satisfying, does leave a bit of a vacuum for Jaime’s continuing character arc from a dramatic perspective only if for the fact he now has no coda or reaction in regards to her death. This isn’t a huge deal (especially in light of Armageddon approaching), but it is something noticeably lacking. Of course, blame it on the GoT showrunners who should have had this option explored to begin with and should have given us a proper continued arc for Jaime Lannister, who should have never in a million years returned to his sister after she openly admitted to not caring about anything or anybody and letting the Seven Kingdoms fall to the forces of darkness if that’s what it would come down to (she’s just a more attractive version of the Mad King). At one point, Cersei even considers briefly having the Mountain take care of her brother for his disloyalty. Hers was as wretched, festering evil to the bitter end, and Redeemed goes a long way to correct how such a miserable state of affairs would have ultimately played out between the sibling lovers with at least one of them wanting to be a better person.
- With the entire subplot of the “kidnapped zombie” being omitted (in this version, the expedition north of the wall is NOT to find a zombie to bring it back to show Queen Cersei in order to garner her non-existent support), it now doesn’t give Jon Snow a concrete reason to actually go on the expedition. Now, with that said, it did sort of make sense that perhaps Jon was hoping to pull off a “Frodo and Sam unassumingly sneaking the one ring to Mordor” approach to a preemptive strike on the Night King, and so that’s how my own mind justified it. But it does leave a little to be desired as far as true character motivation. To their credit, almightycutie does attempt to pad the narrative further through a series of voiceovers by Bran as the Three-Eyed Raven. But even that sort of fell flat for me.
- And, of course, there are some visual continuity errors peppered throughout, especially in regards to Dany riding her dragon(s) during the siege on King’s Landing (mainly costume continuity and/or dragon continuity). There are a couple with Cersei, too. But, again, not a big deal in the grand scheme of the massive narrative correction.
- As an aside, some unintended reactions from characters due to certain recuts actually work better. For example, what was originally Dany’s insane, psychotic, tears-of-rage breakdown after razing all of King’s Landing along with its inhabitants, now works even better as her reaction for being forced to use her dragons on King’s Landing and to finally roast the Red Keep for good. They always say that editors can be directors after the fact, and this proves it.
I could go on an on about how momentous and important is this fan edit. Correcting the narrative of the final season of Game of Thrones was something I thought would be next to impossible, but almightycutie pulled it off. Having this edit on Blu-ray basically "fixes" the entire series for me, and allows me to revisit one of the greatest productions ever to grace the small screen. That's no small feat. Absolutely stellar work.
User Review
Do you recommend this edit?
Yes
Format Watched
Blu-ray