Legion: An Exorcist III Fanedit

Hot
Updated
 
10.0 (3)
 
9.6 (13)
8862 3 7
Legion poster - post-release
Faneditor Name:
Original Movie/Show Title:
Genre:
Fanedit Type:
Original Release Date:
1990
Original Running Time:
105 minutes
Fanedit Release Date:
Fanedit Running Time:
93 minutes
Time Cut:
15 minutes
Time Added:
3 minutes
Synopsis:
A reworking of EXORCIST III in line with LEGION, the low key and more character-driven film that William Peter Blatty originally shot before studio-enforced reshoots and renaming. This edit restores the original cut's story arc, sans exorcist and exorcism, and includes a recreation of the original ending as described by Blatty.
Intention:

PLOT

15 years after the events of the first story, Georgetown policeman Bill Kinderman (GEORGE C SCOTT) is baffled by a series of murders that bare the marks of the Gemini Killer.

Yet the Gemini was executed 15 years previously – on the very same night Kinderman saw priest Damien Karras (JASON MILLER) die after falling from a bedroom window during an exorcism on teenager Regan McNeil.

Kinderman’s trail leads to the local hospital and a high-security isolation ward where a formally catatonic patient claims to be the Gemini Killer (BRAD DOURIF)…yet who looks exactly like Damien Karras.

THE EDIT

In 1990 writer/director William Peter Blatty shot a loose adaptation of his novel LEGION, misleadingly retitled and released as EXORCIST III. The film is an unusual, dialogue- driven blend of humour, police procedural and religious horror, a semi-sequel to his novel and screenplay of THE EXORCIST (1973).

Spicediver’s reworking of the film is more in line with the low-key film that William Peter Blatty originally shot before studio-enforced changes.

Although his shooting script was substantially different from both his novel and an early adapted screenplay, the studio infamously ordered its own changes after viewing his director’s cut. These included adding an awkward ‘exorcism’ subplot and ‘exorcist’ character – including an overblown finale – where none previously existed. The name was changed to EXORCIST III and all promotion and advertising of the film leaned heavily on the name and added theatrics.

This fanedit removes the ill-fitting exorcism subplot and recreates the lower-key ending Blatty intended. No exorcism, no exorcist, no bug-eyed Fr. Karras or special effects mayhem.

It also softens or fixes some inconsistencies, tightens some scenes, and ties the film more closely with the character of Fr Damien Karras from THE EXORCIST.

While aiming to be faithful in spirit to the shooting script as it stood at the start of filming, that version of the script remains unpublished and all cut footage is now believed lost. The story therefore has been re-imagined with available materials.

WHAT TO EXPECT

LEGION is about a different kind of demonic possession.

Blatty never intended a repeat of THE EXORCIST and the story that he intended to tell in his director’s cut is not a movie for everyone. It’s character-driven, quirky, relatively low-key and it shuns theatrics in favour of dialogue, punctuated by occasional well-executed shocks.

It is not a traditional horror film by any means and neither is it a traditional sequel. Its style and tone is very different from THE EXORCIST and viewers hoping for more of the same will be dissapointed. The studio tried to mimic some of that tone with its added exorcism and exorcist which Blatty later said was “… utterly unnecessary and changes the character of the piece”.

TO GIVE THE DEVIL HIS DUE…

Although most of the changes ordered by the studio hurt the film, one late decision actually improved it: the casting of Exorcist star Jason Miller.

At first, all scenes in the isolation cell had been shot with Brad Dourif playing the possessed Father Karras and Blatty loved his performance. Forced to accept the recasting of Miller and faced with the unpleasant decision of replacing Dourif completely, Blatty hit upon the brilliant idea of using *both* actors to portray the two personalities inhabiting Karras’s body: who Kinderman actually sees (Karras) versus who kinderman is mostly talking to (The Gemini Killer).

While all of Dourif’s scenes in the isolation cell were re-shot on a new set, the dual actor idea meant that most of Dourif’s mesmerising performance is preserved.

NEWSFLASH! "Legion" fanedit debut public screening - presented by Brad Dourif!

Star of Exorcist III Brad Dourif graciously agreed to attend a public screening of this fanedit at the Mad Monster Party horror convention that was held in Charlotte, North Carolina on March 25th 2012.

Brad introduced the film and did a Q & A with the audience afterwards.

Thank you to the crew at Mad Monster for approaching me with the idea and making this screening happen. I was honoured to be asked and how I wish I could have been there in person!

Additional Notes:
FURTHER READING ON THE FILM AND ITS PRODUCTION CONTROVERSIES http://legion.theninthconfiguration.com/film/fangoria_may1993
http://legion.theninthconfiguration.com/film/filmreview_nov2004
http://en.wikipedia.org/wiki/The_Exorcist_III
Also check out Blatty’s book “Classic Screenplays – The Exorcist & Legion” (Faber & Faber, 1998) with an introduction by film critic Mark Kermode about the movie’s troubled production.
This book contains an early Legion screenplay with an entirely different ending – where the Gemini Killer simply drops dead in his cell – and a related subplot about his abusive father in the form of childhood flashbacks. This published version never found studio financing and is *not* the Legion shooting script.

Release Information:
DVD
Special Features:
The DVD also contains the LEGION fanedit trailer.
Cuts and Additions:
Cut list:

- Approx. 15 minutes cut, 3 minutes added
- A recreation of the shooting script’s ending, closer to Blatty’s intentions
- A coda, shorter and different from the original
- No exorcist Father Morning and no exorcism
- New B&W prologue of Fr Karras’ final moments, using footage from THE EXORCIST
- Several new lines of dialogue and several altered lines
- Quite a few other little changes and remixes

WHAT WOULD A DIRECTOR’S CUT LOOK LIKE?

William Peter Blatty has long expressed a desire to assemble and release his original cut should Morgan Creek Productions ever find the lost footage.

Conspiracy theorists will delight in the possibility that the cut footage is not really lost at all and that the studio is being less than truthful in the matter. Morgan Creek’s creative interference during production of both EXORCIST III and the fourth Exorcist film DOMINION/THE BEGINNING has seen the studio embarrass itself not just once but twice with the franchise. Pride and politics may be the problem here, not missing cans of celluloid.

The LEGION shooting script is unpublished, so its exact contents remain unknown to all but a relative few people. However based on published articles, interviews and the published early Legion screenplay, it’s reasonable to assume that that Blatty’s original cut would differ from Spicediver’s LEGION fanedit in the following ways:

1) No Jason Miller as Father Damien Karras.

As hard as it may be to imagine now, in the original cut Karras is actually played by Brad Dourif – there is no switching back and forth between actors to symbolise the dual personalities inhabiting Karras body. Jason Miller was reportedly on a writing assignment at the time of casting, so Dourif got the part. To better connect LEGION with the first film, Blatty shot a prologue featuring Dourif as Karras’ in the final minutes of THE EXORCIST. Also shot for this same prologue was a scene where Kinderman (George C Scott, presumably without grey hair) views Karras’ body in the morgue. After he leaves we see a heart monitor, at first apparently silent, showing ominous signs of life.

2) The exhumation of Father Damien Karras’ body.

This deleted scene in the local Jesuit cemetery belongs about halfway through the film.

It was shot but for reasons unknown was left out of the final cut. The body is later discovered to be Brother Fain, an old Jesuit who was tending Karras’ body before burial and who disappeared from the priesthood 15 years ago. A follow-up scene where this plot point is uncovered by Kinderman and the Jesuit President may or may not have been filmed, too. The scene certainly exists in Blatty’s first screenplay adaption and one presumes it was in the shooting script, in order to give the exhumation scene some context.

Snippets of the exhumation scene survive in the form of a “faked” funeral which closes EXORCIST III. The LEGION fanedit uses some of these shots too, but in a different way.

3) A different isolation cell.

Publicity stills shot before late changes to the film show Dourif sitting in a sparse cell against a brick wall, obviously a different set.When Jason Miller was cast late in production all the isolation cell scenes were re-shot on a new set with both Miller and Dourif featured. Blatty was reportedly happy to reshoot anyway as he disliked the original cell. Dourif thought otherwise, saying he felt his best performances happened during the original shoot. Seeing Dourif’s fine performance in EXORCIST III, you might find it hard to imagine a better turn.

4) A different setting for the final scene.

Given that the brick-walled cell seen in publicity stills was the setting in Blatty’s original cut, the final scene where Kinderman returns to the cell and executes Karras/The Gemini would also take place against this backdrop.
Trailer

Legion dvd label
Legion dvd cover
Faneditor Name:
Original Movie/Show Title:
Genre:
Fanedit Type:
Original Release Date:
1990
Original Running Time:
105 minutes
Fanedit Release Date:
Fanedit Running Time:
93 minutes
Time Cut:
15 minutes
Time Added:
3 minutes
Synopsis:
A reworking of EXORCIST III in line with LEGION, the low key and more character-driven film that William Peter Blatty originally shot before studio-enforced reshoots and renaming. This edit restores the original cut's story arc, sans exorcist and exorcism, and includes a recreation of the original ending as described by Blatty.
Intention:

PLOT

15 years after the events of the first story, Georgetown policeman Bill Kinderman (GEORGE C SCOTT) is baffled by a series of murders that bare the marks of the Gemini Killer.

Yet the Gemini was executed 15 years previously – on the very same night Kinderman saw priest Damien Karras (JASON MILLER) die after falling from a bedroom window during an exorcism on teenager Regan McNeil.

Kinderman’s trail leads to the local hospital and a high-security isolation ward where a formally catatonic patient claims to be the Gemini Killer (BRAD DOURIF)…yet who looks exactly like Damien Karras.

THE EDIT

In 1990 writer/director William Peter Blatty shot a loose adaptation of his novel LEGION, misleadingly retitled and released as EXORCIST III. The film is an unusual, dialogue- driven blend of humour, police procedural and religious horror, a semi-sequel to his novel and screenplay of THE EXORCIST (1973).

Spicediver’s reworking of the film is more in line with the low-key film that William Peter Blatty originally shot before studio-enforced changes.

Although his shooting script was substantially different from both his novel and an early adapted screenplay, the studio infamously ordered its own changes after viewing his director’s cut. These included adding an awkward ‘exorcism’ subplot and ‘exorcist’ character – including an overblown finale – where none previously existed. The name was changed to EXORCIST III and all promotion and advertising of the film leaned heavily on the name and added theatrics.

This fanedit removes the ill-fitting exorcism subplot and recreates the lower-key ending Blatty intended. No exorcism, no exorcist, no bug-eyed Fr. Karras or special effects mayhem.

It also softens or fixes some inconsistencies, tightens some scenes, and ties the film more closely with the character of Fr Damien Karras from THE EXORCIST.

While aiming to be faithful in spirit to the shooting script as it stood at the start of filming, that version of the script remains unpublished and all cut footage is now believed lost. The story therefore has been re-imagined with available materials.

WHAT TO EXPECT

LEGION is about a different kind of demonic possession.

Blatty never intended a repeat of THE EXORCIST and the story that he intended to tell in his director’s cut is not a movie for everyone. It’s character-driven, quirky, relatively low-key and it shuns theatrics in favour of dialogue, punctuated by occasional well-executed shocks.

It is not a traditional horror film by any means and neither is it a traditional sequel. Its style and tone is very different from THE EXORCIST and viewers hoping for more of the same will be dissapointed. The studio tried to mimic some of that tone with its added exorcism and exorcist which Blatty later said was “… utterly unnecessary and changes the character of the piece”.

TO GIVE THE DEVIL HIS DUE…

Although most of the changes ordered by the studio hurt the film, one late decision actually improved it: the casting of Exorcist star Jason Miller.

At first, all scenes in the isolation cell had been shot with Brad Dourif playing the possessed Father Karras and Blatty loved his performance. Forced to accept the recasting of Miller and faced with the unpleasant decision of replacing Dourif completely, Blatty hit upon the brilliant idea of using *both* actors to portray the two personalities inhabiting Karras’s body: who Kinderman actually sees (Karras) versus who kinderman is mostly talking to (The Gemini Killer).

While all of Dourif’s scenes in the isolation cell were re-shot on a new set, the dual actor idea meant that most of Dourif’s mesmerising performance is preserved.

NEWSFLASH! "Legion" fanedit debut public screening - presented by Brad Dourif!

Star of Exorcist III Brad Dourif graciously agreed to attend a public screening of this fanedit at the Mad Monster Party horror convention that was held in Charlotte, North Carolina on March 25th 2012.

Brad introduced the film and did a Q & A with the audience afterwards.

Thank you to the crew at Mad Monster for approaching me with the idea and making this screening happen. I was honoured to be asked and how I wish I could have been there in person!

Additional Notes:
FURTHER READING ON THE FILM AND ITS PRODUCTION CONTROVERSIES http://legion.theninthconfiguration.com/film/fangoria_may1993
http://legion.theninthconfiguration.com/film/filmreview_nov2004
http://en.wikipedia.org/wiki/The_Exorcist_III
Also check out Blatty’s book “Classic Screenplays – The Exorcist & Legion” (Faber & Faber, 1998) with an introduction by film critic Mark Kermode about the movie’s troubled production.
This book contains an early Legion screenplay with an entirely different ending – where the Gemini Killer simply drops dead in his cell – and a related subplot about his abusive father in the form of childhood flashbacks. This published version never found studio financing and is *not* the Legion shooting script.

Release Information:
DVD
Special Features:
The DVD also contains the LEGION fanedit trailer.
Cuts and Additions:
Cut list:

- Approx. 15 minutes cut, 3 minutes added
- A recreation of the shooting script’s ending, closer to Blatty’s intentions
- A coda, shorter and different from the original
- No exorcist Father Morning and no exorcism
- New B&W prologue of Fr Karras’ final moments, using footage from THE EXORCIST
- Several new lines of dialogue and several altered lines
- Quite a few other little changes and remixes

WHAT WOULD A DIRECTOR’S CUT LOOK LIKE?

William Peter Blatty has long expressed a desire to assemble and release his original cut should Morgan Creek Productions ever find the lost footage.

Conspiracy theorists will delight in the possibility that the cut footage is not really lost at all and that the studio is being less than truthful in the matter. Morgan Creek’s creative interference during production of both EXORCIST III and the fourth Exorcist film DOMINION/THE BEGINNING has seen the studio embarrass itself not just once but twice with the franchise. Pride and politics may be the problem here, not missing cans of celluloid.

The LEGION shooting script is unpublished, so its exact contents remain unknown to all but a relative few people. However based on published articles, interviews and the published early Legion screenplay, it’s reasonable to assume that that Blatty’s original cut would differ from Spicediver’s LEGION fanedit in the following ways:

1) No Jason Miller as Father Damien Karras.

As hard as it may be to imagine now, in the original cut Karras is actually played by Brad Dourif – there is no switching back and forth between actors to symbolise the dual personalities inhabiting Karras body. Jason Miller was reportedly on a writing assignment at the time of casting, so Dourif got the part. To better connect LEGION with the first film, Blatty shot a prologue featuring Dourif as Karras’ in the final minutes of THE EXORCIST. Also shot for this same prologue was a scene where Kinderman (George C Scott, presumably without grey hair) views Karras’ body in the morgue. After he leaves we see a heart monitor, at first apparently silent, showing ominous signs of life.

2) The exhumation of Father Damien Karras’ body.

This deleted scene in the local Jesuit cemetery belongs about halfway through the film.

It was shot but for reasons unknown was left out of the final cut. The body is later discovered to be Brother Fain, an old Jesuit who was tending Karras’ body before burial and who disappeared from the priesthood 15 years ago. A follow-up scene where this plot point is uncovered by Kinderman and the Jesuit President may or may not have been filmed, too. The scene certainly exists in Blatty’s first screenplay adaption and one presumes it was in the shooting script, in order to give the exhumation scene some context.

Snippets of the exhumation scene survive in the form of a “faked” funeral which closes EXORCIST III. The LEGION fanedit uses some of these shots too, but in a different way.

3) A different isolation cell.

Publicity stills shot before late changes to the film show Dourif sitting in a sparse cell against a brick wall, obviously a different set.When Jason Miller was cast late in production all the isolation cell scenes were re-shot on a new set with both Miller and Dourif featured. Blatty was reportedly happy to reshoot anyway as he disliked the original cell. Dourif thought otherwise, saying he felt his best performances happened during the original shoot. Seeing Dourif’s fine performance in EXORCIST III, you might find it hard to imagine a better turn.

4) A different setting for the final scene.

Given that the brick-walled cell seen in publicity stills was the setting in Blatty’s original cut, the final scene where Kinderman returns to the cell and executes Karras/The Gemini would also take place against this backdrop.
Cover art by Spicediver (DOWNLOAD HERE)
image

Trailer

Trusted Reviewer reviews

3 reviews
Overall rating
 
10.0
Audio/Video Quality
 
10.0(1)
Audio Editing
 
10.0(1)
Visual Editing
 
10.0(1)
Narrative
 
10.0(1)
Enjoyment
 
10.0(3)
Overall rating
 
10.0
Audio/Video Quality
 
10.0
Audio Editing
 
10.0
Visual Editing
 
10.0
Narrative
 
10.0
Enjoyment
 
10.0
This was a fantastic fanedit! I hadn't seen Exorcist III until last week and I rather enjoyed it but this version is infinitely better. Without a doubt this is replaces Exorcist III for me.

The A/V quality is excellent. All the editing is perfect. As one reviewer pointed out, this feels like an official cut of a movie, which not every fanedit (unfortunately) acheives.

I loved the new beginning and simple ending.

Well done spicediver!

User Review

Do you recommend this edit?
Yes
Comments (0) | Was this review helpful? 0 0
(Updated: September 16, 2012)
Overall rating
 
10.0
Audio/Video Quality
 
N/A
Audio Editing
 
N/A
Visual Editing
 
N/A
Narrative
 
N/A
Enjoyment
 
10.0
Review by LastSurvivor — May 2, 2011 @ 2:09 pm

*This rating was given before reviews were required*
Comments (0) | Was this review helpful? 0 0
(Updated: September 16, 2012)
Overall rating
 
10.0
Audio/Video Quality
 
N/A
Audio Editing
 
N/A
Visual Editing
 
N/A
Narrative
 
N/A
Enjoyment
 
10.0
Review by DwightFry78 — April 20, 2011 @ 12:04 am

This is, pure and simple, one of the most amazing fanedits I’ve seen, if only because absolutely NOTHING in it indicates that this is fanedited. I could have sworn this played in theaters, and I could have sworn this played in theaters back in 1990, as even the new opening credits have that optically printed feel, while most fanedit credits feel like homemade, albeit many of them very good, digital addendums. Speaking of credits, the ENTIRE closing credits crawl appears to have been retyped, every single word, just to cut out Nicol Williamson’s name and add some acknowledgements (any time, BTW!). Some meticulous work. Spicediver is not only an excellent editor, but even more of a perfectionist than I am.

As for the movie itself: I think the theatrical cut is a mess, and I think that even this version is flawed as cinema. It has some very interesting elements, but too much misplaced humor (“HIS GODDAMN NOSE IS BROKEN!!!” You’ve gotta be kidding) and Blatty’s limited directorial skills, much inferior to his talent as a writer and thus producing a mix of good moments and embarrassing ones (the scares could have been filmed by Ed Wood, and that dream sequence has to be a prank. It HAS to be a prank) keep it from exploring its many possibilities. The worst offenders could have been easily excised, but that’s not what this edit is about. It’s not how Spicediver wants the movie, it’s how he thinks Blatty would want it. And in that respect, this is a huge triumph, not to mention that, warts and all, it’s far superior to the theatrical. I particulsarly liked the simple but very effective way the ending was resolved. In this case, less is truly more.

Technically, this was flawless. Perfect video, perfect audio, indistinguishable from a store-bought official release. The menu is just a still of the cover, I think at least some music and a chapters menu would have been nice, but those are minor quibbles anyway. Extras are a nice trailer and some text links.

This said, I see no reason to not give this one a full 10/10. Great, very professional stuff.
Comments (0) | Was this review helpful? 0 0

User reviews

13 reviews
 
92%
 
8%
5-7 stars
 
0%
3-5 stars
 
0%
1-3 stars
 
0%
Overall rating
 
9.6
Audio/Video Quality
 
9.7(7)
Audio Editing
 
9.9(7)
Visual Editing
 
9.7(7)
Narrative
 
9.3(7)
Enjoyment
 
9.1(13)
View all user reviews View most helpful
Overall rating
 
9.7
Audio/Video Quality
 
10.0
Audio Editing
 
10.0
Visual Editing
 
9.0
Narrative
 
10.0
Enjoyment
 
9.0
This was a really well done edit to recreate William Peter Blatty's original intended version. It feels that there are a few moments within the first act where a couple seconds of silence in between lines felt cut out which felt less natural, but I don't remember if that was apparent in the theatrical version. Other than those moments, the editing felt seamless, and tightened the film overall.

User Review

Do you recommend this edit?
Yes
Format Watched
Digital
Report this review Comments (0) | Was this review helpful? 0 0
Overall rating
 
10.0
Audio/Video Quality
 
10.0
Audio Editing
 
10.0
Visual Editing
 
10.0
Narrative
 
10.0
Enjoyment
 
10.0
I’ve always liked The Exorcist III, despite the unnecessary studio interference that plagued the theatrical cut. I recently watched the Director’s Cut, but with all of the added footage being presented in a drastically lower quality than that of the rest of the film, it failed to create the immersive experience required for me to really get into a horror film.

When I heard that Spicediver was able to remove the studio-mandated exorcism plot line and recreate the intention of the director’s cut, but without the use of any extra footage, I had to see it for myself. And it did not disappoint.

Spicediver’s cut of Legion is the definitive version for me. 10 out of 10.

User Review

Do you recommend this edit?
Yes
Format Watched
Digital
Report this review Comments (0) | Was this review helpful? 0 0
Overall rating
 
9.5
Audio/Video Quality
 
9.0
Audio Editing
 
10.0
Visual Editing
 
10.0
Narrative
 
9.0
Enjoyment
 
10.0
As a horror film, Exorcist 3 has good bones - stellar acting, suspense over gore, intricate plotting and genuine bone-chilling scares. However, the studio's need to mold it into an Exorcist sequel caused one character to be played by two different actors and included a tacked on exorcism in the third act that feels forced and unearned. Spicediver's fanedit, Legion, is his effort to restore as much as possible what the movie would have been without the studio's influence.

This is one of those fan edits in which the editor has a keen eye not to cut out material just because he can. There are subtle trims to the dialog throughout the movie, but this edit is careful not to step on the scenes that actually work in the original. While he is unable to fix the problem of two actors playing the same character, his version more accurately conveys Blatty's intent - that one actor is playing how the character looks, and the other is playing the entity that is controlling him. In the original, this distinction is harder to grasp.

However, where this edit shines is in the execution of its third act. Seemingly impossible at the outset, Spicediver has managed to exorcise the exorcism (cute, right?) altogether without the slightest hint that something is missing. The edit changes the entire tone of the ending substituting spectacle for remorseless finality. In doing so, it creates an entirely new dimension of horror altogether - the tragic fate of Father Karras.

This is an excellent edit, not only in being a taut horror film, but also as an example in demonstrating that sometimes insurmountable problems can be fixed in the right editor's hands.

Audio / Video Quality: Great. There's no pixilation or noticeable blocking in the blacks, which is a prominent color in the film. Though, I do wish the edit was available in HD.

Video: Seamless editing here. Nothing feels oddly inserted or missing.

Audio: Excellent. There are no pops, dialog chopping or noticeable transitions in the soundtrack.

Narrative: An improvement upon the original by bringing elements of the original to the front that were present but not prominent.

Enjoyment: When it comes to horror films, if you enjoy tension more than bloodshed, and pondering over spectacle, this edit is for you.
Report this review Comments (1) | Was this review helpful? 0 0
(Updated: September 10, 2014)
Overall rating
 
9.4
Audio/Video Quality
 
10.0
Audio Editing
 
10.0
Visual Editing
 
10.0
Narrative
 
8.0
Enjoyment
 
7.0
Exorcist 3 was a mildly interesting failure--the book Legion and the film adaptation shared the same weakness--mainly that they are way too talky. Anything in Exorcist 3 that a horror fan would actually want to see happens off-screen. If you want to see a movie in which a series of murders is described to you through dialogue then Exorcist 3 is definitely for you.

William Peter Blatty actually came up with a pretty cool story--basically there are a series of grisly (or so we are told) murders and the trail eventually leads to the psych ward of a hospital which has a patient in solitary who is the splitting image of deceased Father Karras from The Exorcist. He also was admitted to the hospital around the same time that Karras. died. The mental patient knows details about the murders that only the killer could know but he's kept under strict lock-down, so how can he be the murderer?

While the hospital patient is supposed to be the spitting image of Father Karras (Jason Miller) anytime there's dialogue he's played instead by Brad Dourif, which might seem odd but it turns out to be the best choice William Peter Blatty made. In Dourif's mouth the talky dialogue actually comes alive and the scenes become electrifying. The rest of the time the movie is generally a bit dull and way too restrained. It's a shame William Friedkin didn't direct this--restraint was never part of his cinematic vocabulary--it's likely he would have hit this one out of the park.

I haven't seen the theatrical version since it played in theaters so I can't really compare it to the fan edit. I can say that Legion was much more entertaining than I remembered Exorcist 3 being but the new ending is pretty abrupt and unsatisfying--it's very possible that this ending is an improvement but I don't even remember the original ending so I definitely couldn't say.

I would recommend this fan edit of Exorcist 3 but viewers shouldn't expect a lost classic because the original movie really wasn't very good.

User Review

Do you recommend this edit?
Yes
Format Watched
Digital
Report this review Comments (0) | Was this review helpful? 0 0
Overall rating
 
9.7
Audio/Video Quality
 
10.0
Audio Editing
 
10.0
Visual Editing
 
10.0
Narrative
 
9.0
Enjoyment
 
9.0
My favorite fan edits usually take a pretty good movie and make it even more enjoyable and I think spicediver has done just that with this edit. I was already a pretty big fan of The Exorcist III. I think it's a very good looking movie with some terrific performances. The film only has a couple of really big scares, but I think the atmosphere and buildup to those moments makes them all the more effective. The original Alien does a similar slow buildup to create tension. Spicediver has made a few simple, but effective changes to the film, that I think work very well. The ending does feel a little rushed, but I know that he only had so much source material to work with. I highly recommended this edit to any fan of The Exorcist III.

User Review

Do you recommend this edit?
Yes
Format Watched
Digital
Report this review Comments (0) | Was this review helpful? 0 0
View all user reviews