Lovecraft Actually

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Faneditor Name:
Fanedit Type:
Original Release Date:
1995 / 1998 / 2007
Original Running Time:
327 minutes
Fanedit Release Date:
Fanedit Running Time:
110 minutes
Available in HD:
Synopsis:
An ensemble cast struggles with an ancient, creeping terror in overlapping narratives. Featuring material from In The Mouth of Madness, Deep Rising, The Mist, and the music of The Beach Boys. The perfect holiday movie to end 2020!
Intention:
To have a bit of fun making a Love Actually-style edit in the cosmic horror genre.
Other Sources:
The music of The Beach Boys
Release Information:
Digital
Trailer

Faneditor Name:
Fanedit Type:
Original Release Date:
1995 / 1998 / 2007
Original Running Time:
327 minutes
Fanedit Release Date:
Fanedit Running Time:
110 minutes
Available in HD:
Synopsis:
An ensemble cast struggles with an ancient, creeping terror in overlapping narratives. Featuring material from In The Mouth of Madness, Deep Rising, The Mist, and the music of The Beach Boys. The perfect holiday movie to end 2020!
Intention:
To have a bit of fun making a Love Actually-style edit in the cosmic horror genre.
Other Sources:
The music of The Beach Boys
Release Information:
Digital
Trailer

Trusted Reviewer reviews

2 reviews
Overall rating
 
9.0
Audio/Video Quality
 
9.0
Audio Editing
 
10.0
Visual Editing
 
10.0
Narrative
 
7.0
Enjoyment
 
8.0
Overview - Mr. Willins takes three apocalyptic films, “The Mist,” “In The Mouth Of Madness,” and “Deep Rising,” tosses them into the chopper, and makes a dark homage to “Love Actually.”

Video - 1920 X 1080 m4v. Note: My setup could not handle m4v, so I converted to mp4. Some of the edits here are audacious. The jump cuts, in particular, are inspired and jaw-dropping. This, for me, is one of the best aspects of this edit.

Audio - 192 kbps AC-3, 2 channel stereo. No subs. Depending on the source material, the audio ranges from good to murky. Much of “The Mist” is a pain to understand, and Sam Neill’s mumblings during “In The Mouth” were not worth replays.

Narrative - Three different films that do not link or mirror each other. Sorry. The tones vary, as do the “look” of each. One is a talkfest, one is an action ride, one is the dark plunge. The Beach Boy numbers do not serve to unify proceedings, either. Plus, for me, way too much time was spent on “The Mist,” the least compelling of the trio.

Enjoyment - Mixed. I appreciate what the editor was attempting. Full marks. This is a fail, though. There should have been other or different films used, where the same actors would be seen in other roles, hopefully engaging with other actors used in this mix. I have enjoyed works from this editor before, but this one does not work for me.

User Review

Do you recommend this edit?
Yes
Format Watched
Digital
Comments (0) | Was this review helpful? 2 1
(Updated: March 05, 2021)
Overall rating
 
9.2
Audio/Video Quality
 
10.0
Audio Editing
 
9.0
Visual Editing
 
10.0
Narrative
 
8.0
Enjoyment
 
9.0
A/V: Video & audio quality great for all three films, no problems here.

Editing: Mostly seamless, perhaps cut a little too quickly once or twice but nothing that stands out to make it obvious this is a fanedit. Great addition of a new soundtrack that works surprisingly well. I felt that the audio levels between The Mist & Deep Rising were occasionally slightly off. But I don't have the best TV so can't comment further.

Narrative/Enjoyment: Very well crafted story. In the Mouth of Madness serves as a precursor for the stories of The Mist & Deep Rising. The use of voiceovers from ITMOM was well done. Edit is well paced as well. My main criticism would be that a little too much time was spent on The Mist, I feel more could've been cut to streamline the edit. And that more scenes from ITMOM could've been included.

Overall, a really great job with this edit JobWillins, it's very impressive to stitch together 3 different films from 3 different directors, yet have a cohesive and enjoyable story.
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User reviews

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Overall rating
 
9.6
Audio/Video Quality
 
9.9(13)
Audio Editing
 
9.6(13)
Visual Editing
 
9.9(13)
Narrative
 
8.9(13)
Enjoyment
 
9.8(13)
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Overall rating
 
9.0
Audio/Video Quality
 
9.0
Audio Editing
 
9.0
Visual Editing
 
10.0
Narrative
 
8.0
Enjoyment
 
10.0
I keep forgetting to leave a review of this one, even though I've seen it quite a few times now. Overall I really enjoy it!

There are admittedly some places where the three segments don't really blend as well (the main one that comes to mind is how they're all filmed - it's a bit jarring to go from In the Mouth of Madness to the Mist's occasionally handheld camera work. However, you get used to it as the film goes on.

The use of the Beach Boys' music is honestly the most inspired aspect of this. It helps make the whole thing feel more cohesive, and the songs themselves are well-picked and well-placed, whether it's used for the sake of irony ("Don't Worry Baby"), dark comedy ("Sloop John B") or even in places where the song is in line with the tone ("'Til I Die" and "God Only Knows").

Overall, I highly recommend this. It's an odd concept executed exceptionally well.

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Yes
Format Watched
Digital
Report this review Comments (0) | Was this review helpful? 0 0
Overall rating
 
9.0
Audio/Video Quality
 
10.0
Audio Editing
 
9.0
Visual Editing
 
10.0
Narrative
 
7.0
Enjoyment
 
10.0
This was a fun one! I think it works at a core level, but I might have liked to see In The Mouth of Madness used more as a framing device since it is so structurally different - Sutter Cane unleashing the horrors that remain relatively off-screen in Carpenter's version with Deep Rising and The Mist then providing the "world descending into chaos" for the audience, which the edit approaches during the tremendous "God Only Knows" sequence. Such a restructuring, however, might have ended up repacing things a bit much and cut too much of the narratives of the latter two instead of letting them all play out together. I love The Beach Boys, and I think it was smart to use audio as a sort of narrative glue bridging the edits... while I enjoy the tonal dissonance, I do wonder if there was a greater reason for it (outside of... y'know, Lovecraft... water... tentacles... beaches). Great work!

User Review

Do you recommend this edit?
Yes
Format Watched
Digital
Report this review Comments (0) | Was this review helpful? 1 0
Overall rating
 
9.0
Audio/Video Quality
 
9.0
Audio Editing
 
10.0
Visual Editing
 
10.0
Narrative
 
7.0
Enjoyment
 
9.0
Its definitely experiemental. Really hard to rate this as achievement here is probably to the max of the possible. In the end though the contrasts are glaring at times with vastly different screenplays. And this does slant viewer experience towards the downside. Slightly.

One glitch was seen with a red blur when woman is holding glasses in office.... intentional effect?

Lets call this narrative score a LUCKY7!! All's well that ends well & this show wraps up quite enjoyably!!

User Review

Do you recommend this edit?
Yes
Format Watched
Digital
Report this review Comments (0) | Was this review helpful? 1 0
Overall rating
 
10.0
Audio/Video Quality
 
10.0
Audio Editing
 
10.0
Visual Editing
 
10.0
Narrative
 
10.0
Enjoyment
 
10.0
Simply fantastic. Great cocept and one of the best compilation edits I've seen. And I very much liked the use of the Beach Boys music. It gave lovecraft actually a weired tone of it's own and bound the 3 movies together somehow.

User Review

Do you recommend this edit?
Yes
Format Watched
Digital
Report this review Comments (0) | Was this review helpful? 1 0
Overall rating
 
9.3
Audio/Video Quality
 
10.0
Audio Editing
 
10.0
Visual Editing
 
9.0
Narrative
 
8.0
Enjoyment
 
10.0
What a fabulous concept and great new way to intertwine a common theme. The use of audio was superb, transitions were fluid, and the focus always maintained the direction the maker was going for. The only qualm I saw was In The Mouth of Madness needed more focus to even out the ordeal. There was a cut during the ITMOM segments that was abrupt and felt too rushed at one part. ITMOM needed more room to breathe and if another 5-10 minutes were added I'd think we'd see an even tighter film. Great job nonetheless, absolutely fun to watch. The use of the Beach Boys soundtrack made this all the more interesting and it benefited using it for transitions.

User Review

Do you recommend this edit?
Yes
Format Watched
Digital
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