Mathilda
3150 3 5
Updated
Faneditor Name:
Original Movie/Show Title:
Fanedit Type:
Original Release Date:
1994
Original Running Time:
133 minutes
Fanedit Release Date:
Fanedit Running Time:
107 minutes
Time Cut:
26 minutes
Subtitles Available:
Available in HD:
Available In:
- HD
- Surround Sound
Additional Links:
Contact:
Synopsis:
This is Luc Besson's "Leon" re-framed to be more Mathilda-centric, with Leon's story revealed in a more ambiguous way, and some uncomfortable bits (for both us and the actors) removed. A few different period-correct songs have been added (replacing Bjork and Sting).
Intention:
I enjoyed Leon immensely in my 20's, and I still have the black overcoat to prove it, but the overtly romantic moments between this man and this 12 year old girl always left me with discomfort. After learning more about the original intentions of the story, the way Jean Reno and Natalie Portman's parents pushed Besson to avoid the romance angle, and the way the actors were largely tricked into filming the scene where Leon and Mathilda discuss having sex, I wanted to create a cut of the film that removed as much of that as possible. In this edit, 12 year old Mathilda recognizes she's falling for Leon, but it goes no further than that. When they profess their love for each other in the closing moments, it's a genuine love born of shared experience and kinship.
Other Sources:
La Femme Nikita (Blu-ray)
Special Thanks:
This edit is perfect expression of what I wanted to create back in February, but I lost my way a bit along the way. @ArtisDead brought me back from the edge and worked very hard (and with great patience) to help me fill out the musical soundscape and hit all the right notes. He provided insight along the way, motivated me, and pointed me towards the perfect music for the trailer and some key moments in the film. As a result, I feel @ArtisDead deserves editor credit for this release.
Additional thanks go to @FrameSniffer who previewed an early copy and provided the objective ear the work needed. He deserves an award for sitting through an early cut of this movie that featured no less than 30 minutes of Bjork.
Additional thanks go to @FrameSniffer who previewed an early copy and provided the objective ear the work needed. He deserves an award for sitting through an early cut of this movie that featured no less than 30 minutes of Bjork.
Release Information:
Digital
Cuts and Additions:
* Custom fanedit warning and logo.
* Removed opening scene at Supreme Macaroni (moved further down the timeline).
* Removed the entire "Fat Bastard" scene.
* Shortened title sequence.
* Removed music from Mathilda's introduction.
* Added dream/flashback using material from La Femme Nikita
* Leon's apartment montage removed. We primarily stay with Mathilda for this opening section, but one shot of Leon exercising is added to the "next day" scene as we transition to Leon.
* Shortened antics with the "pig".
* Added dream/flashback using material from La Femme Nikita
* When Leon leaves the apartment, he goes to see Tony instead of seeing Singing in the Rain.
* Different music when Leon leaves the apartment.
* Leon's meeting with Tony adjusted to be vague about talking "business", and whether Leon is "free on Tuesday", nothing more.
* Different music during training montage (Tori Amos, "Cornflake Girl").
* Removed over-sized bras from training montage.
* Removed "the game".
* Removed all discussion around Mathilda's age. Nobody pretends she's 18.
* During discussion with hotel manager, removed "He's my lover". He draws that (false) conclusion without being told.
* Different music when Mathilda follows Stansfield in the taxi (Edie Brickell)
* When Leon returns with a present, we don't see what it is. (The dress is completely removed from the movie. He's interrupted by the hotel manager)
* Tony no longer warns Leon about being "careful with women"
* During "Russian Roulette":
* Removed "I want love or death".
* Removed "...for life" (instead she just says, "You keep me with you.")
* During meeting with Tony, fixed the actor jumping his cue ("Minolo")
* Removed "fine dining" scene.
* Removed discussion around growing up and getting older, as it's only relevant in the context of a romantic relationship.
* Removed "...my love" from Mathilda's letter.
* Mathilda no longer says, 'I love you' in the letter. Just ends on, "I'll know I'll feel better after I do this".
* Removed scene where Mathilda and Leon discuss having sex.
* Added dream/flashback using material from La Femme Nikita
* Waking up in the same bed is removed. We see Leon wake up, but Mathilda is not there (she's gone for groceries).
* Moved reminder of "the code" to an earlier scene.
* Different music when Leon is shot from behind.
* Different music on the way back to the Spencer school (Sarah McLachlan)
* Removed meeting with School principle at the end.
* Closing shot changed; we now end on tableaux of Mathilda / Pot / Plant (in the ground) instead of the skyline shot.
* Added movie title after closing shot, w/special thanks.
* Removed blue tint from end credits.
* Removed opening scene at Supreme Macaroni (moved further down the timeline).
* Removed the entire "Fat Bastard" scene.
* Shortened title sequence.
* Removed music from Mathilda's introduction.
* Added dream/flashback using material from La Femme Nikita
* Leon's apartment montage removed. We primarily stay with Mathilda for this opening section, but one shot of Leon exercising is added to the "next day" scene as we transition to Leon.
* Shortened antics with the "pig".
* Added dream/flashback using material from La Femme Nikita
* When Leon leaves the apartment, he goes to see Tony instead of seeing Singing in the Rain.
* Different music when Leon leaves the apartment.
* Leon's meeting with Tony adjusted to be vague about talking "business", and whether Leon is "free on Tuesday", nothing more.
* Different music during training montage (Tori Amos, "Cornflake Girl").
* Removed over-sized bras from training montage.
* Removed "the game".
* Removed all discussion around Mathilda's age. Nobody pretends she's 18.
* During discussion with hotel manager, removed "He's my lover". He draws that (false) conclusion without being told.
* Different music when Mathilda follows Stansfield in the taxi (Edie Brickell)
* When Leon returns with a present, we don't see what it is. (The dress is completely removed from the movie. He's interrupted by the hotel manager)
* Tony no longer warns Leon about being "careful with women"
* During "Russian Roulette":
* Removed "I want love or death".
* Removed "...for life" (instead she just says, "You keep me with you.")
* During meeting with Tony, fixed the actor jumping his cue ("Minolo")
* Removed "fine dining" scene.
* Removed discussion around growing up and getting older, as it's only relevant in the context of a romantic relationship.
* Removed "...my love" from Mathilda's letter.
* Mathilda no longer says, 'I love you' in the letter. Just ends on, "I'll know I'll feel better after I do this".
* Removed scene where Mathilda and Leon discuss having sex.
* Added dream/flashback using material from La Femme Nikita
* Waking up in the same bed is removed. We see Leon wake up, but Mathilda is not there (she's gone for groceries).
* Moved reminder of "the code" to an earlier scene.
* Different music when Leon is shot from behind.
* Different music on the way back to the Spencer school (Sarah McLachlan)
* Removed meeting with School principle at the end.
* Closing shot changed; we now end on tableaux of Mathilda / Pot / Plant (in the ground) instead of the skyline shot.
* Added movie title after closing shot, w/special thanks.
* Removed blue tint from end credits.
Trailer
Faneditor Name:
Original Movie/Show Title:
Fanedit Type:
Original Release Date:
1994
Original Running Time:
133 minutes
Fanedit Release Date:
Fanedit Running Time:
107 minutes
Time Cut:
26 minutes
Subtitles Available:
Available in HD:
Available In:
- HD
- Surround Sound
Additional Links:
Contact:
Synopsis:
This is Luc Besson's "Leon" re-framed to be more Mathilda-centric, with Leon's story revealed in a more ambiguous way, and some uncomfortable bits (for both us and the actors) removed. A few different period-correct songs have been added (replacing Bjork and Sting).
Intention:
I enjoyed Leon immensely in my 20's, and I still have the black overcoat to prove it, but the overtly romantic moments between this man and this 12 year old girl always left me with discomfort. After learning more about the original intentions of the story, the way Jean Reno and Natalie Portman's parents pushed Besson to avoid the romance angle, and the way the actors were largely tricked into filming the scene where Leon and Mathilda discuss having sex, I wanted to create a cut of the film that removed as much of that as possible. In this edit, 12 year old Mathilda recognizes she's falling for Leon, but it goes no further than that. When they profess their love for each other in the closing moments, it's a genuine love born of shared experience and kinship.
Other Sources:
La Femme Nikita (Blu-ray)
Special Thanks:
This edit is perfect expression of what I wanted to create back in February, but I lost my way a bit along the way. @ArtisDead brought me back from the edge and worked very hard (and with great patience) to help me fill out the musical soundscape and hit all the right notes. He provided insight along the way, motivated me, and pointed me towards the perfect music for the trailer and some key moments in the film. As a result, I feel @ArtisDead deserves editor credit for this release.
Additional thanks go to @FrameSniffer who previewed an early copy and provided the objective ear the work needed. He deserves an award for sitting through an early cut of this movie that featured no less than 30 minutes of Bjork.
Additional thanks go to @FrameSniffer who previewed an early copy and provided the objective ear the work needed. He deserves an award for sitting through an early cut of this movie that featured no less than 30 minutes of Bjork.
Release Information:
Digital
Cuts and Additions:
* Custom fanedit warning and logo.
* Removed opening scene at Supreme Macaroni (moved further down the timeline).
* Removed the entire "Fat Bastard" scene.
* Shortened title sequence.
* Removed music from Mathilda's introduction.
* Added dream/flashback using material from La Femme Nikita
* Leon's apartment montage removed. We primarily stay with Mathilda for this opening section, but one shot of Leon exercising is added to the "next day" scene as we transition to Leon.
* Shortened antics with the "pig".
* Added dream/flashback using material from La Femme Nikita
* When Leon leaves the apartment, he goes to see Tony instead of seeing Singing in the Rain.
* Different music when Leon leaves the apartment.
* Leon's meeting with Tony adjusted to be vague about talking "business", and whether Leon is "free on Tuesday", nothing more.
* Different music during training montage (Tori Amos, "Cornflake Girl").
* Removed over-sized bras from training montage.
* Removed "the game".
* Removed all discussion around Mathilda's age. Nobody pretends she's 18.
* During discussion with hotel manager, removed "He's my lover". He draws that (false) conclusion without being told.
* Different music when Mathilda follows Stansfield in the taxi (Edie Brickell)
* When Leon returns with a present, we don't see what it is. (The dress is completely removed from the movie. He's interrupted by the hotel manager)
* Tony no longer warns Leon about being "careful with women"
* During "Russian Roulette":
* Removed "I want love or death".
* Removed "...for life" (instead she just says, "You keep me with you.")
* During meeting with Tony, fixed the actor jumping his cue ("Minolo")
* Removed "fine dining" scene.
* Removed discussion around growing up and getting older, as it's only relevant in the context of a romantic relationship.
* Removed "...my love" from Mathilda's letter.
* Mathilda no longer says, 'I love you' in the letter. Just ends on, "I'll know I'll feel better after I do this".
* Removed scene where Mathilda and Leon discuss having sex.
* Added dream/flashback using material from La Femme Nikita
* Waking up in the same bed is removed. We see Leon wake up, but Mathilda is not there (she's gone for groceries).
* Moved reminder of "the code" to an earlier scene.
* Different music when Leon is shot from behind.
* Different music on the way back to the Spencer school (Sarah McLachlan)
* Removed meeting with School principle at the end.
* Closing shot changed; we now end on tableaux of Mathilda / Pot / Plant (in the ground) instead of the skyline shot.
* Added movie title after closing shot, w/special thanks.
* Removed blue tint from end credits.
* Removed opening scene at Supreme Macaroni (moved further down the timeline).
* Removed the entire "Fat Bastard" scene.
* Shortened title sequence.
* Removed music from Mathilda's introduction.
* Added dream/flashback using material from La Femme Nikita
* Leon's apartment montage removed. We primarily stay with Mathilda for this opening section, but one shot of Leon exercising is added to the "next day" scene as we transition to Leon.
* Shortened antics with the "pig".
* Added dream/flashback using material from La Femme Nikita
* When Leon leaves the apartment, he goes to see Tony instead of seeing Singing in the Rain.
* Different music when Leon leaves the apartment.
* Leon's meeting with Tony adjusted to be vague about talking "business", and whether Leon is "free on Tuesday", nothing more.
* Different music during training montage (Tori Amos, "Cornflake Girl").
* Removed over-sized bras from training montage.
* Removed "the game".
* Removed all discussion around Mathilda's age. Nobody pretends she's 18.
* During discussion with hotel manager, removed "He's my lover". He draws that (false) conclusion without being told.
* Different music when Mathilda follows Stansfield in the taxi (Edie Brickell)
* When Leon returns with a present, we don't see what it is. (The dress is completely removed from the movie. He's interrupted by the hotel manager)
* Tony no longer warns Leon about being "careful with women"
* During "Russian Roulette":
* Removed "I want love or death".
* Removed "...for life" (instead she just says, "You keep me with you.")
* During meeting with Tony, fixed the actor jumping his cue ("Minolo")
* Removed "fine dining" scene.
* Removed discussion around growing up and getting older, as it's only relevant in the context of a romantic relationship.
* Removed "...my love" from Mathilda's letter.
* Mathilda no longer says, 'I love you' in the letter. Just ends on, "I'll know I'll feel better after I do this".
* Removed scene where Mathilda and Leon discuss having sex.
* Added dream/flashback using material from La Femme Nikita
* Waking up in the same bed is removed. We see Leon wake up, but Mathilda is not there (she's gone for groceries).
* Moved reminder of "the code" to an earlier scene.
* Different music when Leon is shot from behind.
* Different music on the way back to the Spencer school (Sarah McLachlan)
* Removed meeting with School principle at the end.
* Closing shot changed; we now end on tableaux of Mathilda / Pot / Plant (in the ground) instead of the skyline shot.
* Added movie title after closing shot, w/special thanks.
* Removed blue tint from end credits.
Trailer
Trusted Reviewer reviews
5 reviews
Overall rating
9.6
Audio/Video Quality
9.8(5)
Audio Editing
9.2(5)
Visual Editing
10.0(5)
Narrative
9.6(5)
Enjoyment
9.4(5)
Overall rating
9.7
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
9.0
Enjoyment
9.0
I remember being a big fan of this film in my youth but hadn't seen it in over 10 years. Started watching it the other day and now realized how cringey certain parts of it are. Ended up turning it off.
I remembered that futon had done an edit so decided to switch over to that and wow, what a difference. Not only does this edit remove a lot of the icky love story stuff, but focusing on Mathilda over Leon makes the narrative really sing. It also really shows just how remarkable Portman's performance was.
I very much enjoyed this alternate take on The Professional, and the only thing I was sad to see cut was Leon's opening sequence, but it totally makes sense to remove it. It's just a cool scene!
No technical issues that I noticed. All cuts, audio, and music replacement are seamless.
Highly recommended!
I remembered that futon had done an edit so decided to switch over to that and wow, what a difference. Not only does this edit remove a lot of the icky love story stuff, but focusing on Mathilda over Leon makes the narrative really sing. It also really shows just how remarkable Portman's performance was.
I very much enjoyed this alternate take on The Professional, and the only thing I was sad to see cut was Leon's opening sequence, but it totally makes sense to remove it. It's just a cool scene!
No technical issues that I noticed. All cuts, audio, and music replacement are seamless.
Highly recommended!
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
10.0
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
10.0
Enjoyment
10.0
Saw the 2024 version (13 Gb file size), wow! It's been a while since I last saw either of the official releases (once each), this adds back the interesting material from the International Cut while removing the less pleasant aspects of both. Focusing on Mathilda really does show how it always was her story despite either of the original titles, even though this does mean missing a few good scenes with Leon.
No complaints with the audio or video, no need to break out the Blu-ray either since this will definitely be my go-to version from now on, thanks futon88!
No complaints with the audio or video, no need to break out the Blu-ray either since this will definitely be my go-to version from now on, thanks futon88!
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
9.5
Audio/Video Quality
10.0
Audio Editing
8.0
Visual Editing
10.0
Narrative
10.0
Enjoyment
10.0
The idea of refocusing the story on Mathilda works wonders. The changes at the start also improve the character arc of Leon, he’s more mysterious and unknowable now.
The intent of removing the many moments that were just way too creepy and cringe has been fulfilled; these changes in no way worsen the main story beats, and the film becomes a lot easier to watch.
The training montage was the highlight of the edit, perfectly edited and scored.
The score changes all worked well. I’ve noticed a few dialogue lines that became a bit too quiet because of the new songs, but nothing major.
The intent of removing the many moments that were just way too creepy and cringe has been fulfilled; these changes in no way worsen the main story beats, and the film becomes a lot easier to watch.
The training montage was the highlight of the edit, perfectly edited and scored.
The score changes all worked well. I’ve noticed a few dialogue lines that became a bit too quiet because of the new songs, but nothing major.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
9.2
Audio/Video Quality
10.0
Audio Editing
8.0
Visual Editing
10.0
Narrative
9.0
Enjoyment
8.0
QUALITY
Quality is excellent considering the file size.
VISUAL EDITING
Visual cuts are seamless. Newly added dream segments are nicely put together. One very slight nitpick:
- At 7:00 the footstep foley seemed slightly out of sync with the visual
AUDIO EDITING
In terms of transitioning from scene to scene and trims to dialogue, cuts are seamless. The rescoring was largely good but a bit of a mixed bag for me for a combination of technical and narrative reasons (more on that later).
- 37:50 - not actually sure if this is futon or not, as I couldn't see it on the cutlist, but music starts to fade in here and it clashes with the strings playing in the background of the scene.
- 41:30 - this montage has incomplete sound design which unfortunately betrays the music swap. Eg. There's a sound when Matilda puts the bag on the counter, but not when she takes something out the bag and puts it down. There's an isolated clink as she puts the glass on the drainer at 41:32 but otherwise there doesn't seem to be any foley here. The tap is running water and there's no sound from that or as it runs over the bowl. This would work fine without any sound design as a montage IMO, but having limited sound design betrays the foley.
- At 41:54 the dialogue is obscured by the music.
- 55:08 - a bit jarring that the music volume increases as the hotel clerk speaks. Feels unnatural and not an ideal place to shift the volume.
- The door chain sfx that have been chosen for the sweet dreams segment doesn't sound right to me. It may be because we hear the chain, but we don't hear it rattle against the door, or it may be the sound itself is just to bright and weightless. The foley just seems a bit empty here.
I should say that there is a lot of rescore work on the edit and a lot of it works very well. Keeping the film in surround is also commendable (I watched it mixed down on a 3.1 setup, so can't fully judge, but it seemed to work well). Sometimes the issue is Leon, who is quite softly spoken and has a thick accent, and so it's easy for the music to get in the way of his lines. Without subtitles, I wasn't able to comprehend what he was saying at points.
NARRATIVE
It's been a while since I've seen the original and an even longer while since I've seen Nikita. I presumed the black and white sections were created for the edit, but they fit well on a technical level. Narratively, I didn't really get what their significance was or what they added in the context of Leon's narrative. I presumed it was probably footage from Nikita, but I can't remember the context for those clips.
- 15:00 - this an observation, not a criticism: The context of this scene seems to demand Beethoven, so I assumed futon88 had swapped it for different music. But nope, that's the original score! Bizarre. I think there was a missed opportunity here, as it would have made more sense for Beethoven to score the scene if that's what Oldman is "dancing" to.
- Given the concept of the edit, I was surprised to see Mathilda still confess she's in love with Leon. I don't have an issue with it, but it's interesting that it's kept in. Generally, the awkwardness of that plot element is toned down significantly, as was the aim of the edit.
Subjectively, I didn't mind the music itself, but I thought there were sometimes odd choices for the scenes and they could be distracting. During montages? Not so much. But Sweet Dreams during the "training" segment and the Kate Bush scene didn't seem to fit for me. Part of it is it just being marginally (marginally) louder than needed, and part of it is being vocal-driven music during scenes of dialogue. I like both songs, but in the context of those scenes I just felt like they hindered the film conveying information. The instrumental pieces used, on the other hand, worked very well.
ENJOYMENT
A well-done edit and an enjoyable alt experience. 20 minutes cut and it doesn't seem to create any problems for the narrative; keeping things mostly from Matilda's perspective works well. Dream segments seemed superfluous and some music choices were a hindrance. The original film is fine from my memory and, apart from the awkwardness of Mathilda's feelings for Leon, I didn't think it really needed an edit. I think if Futon's edit had solely focused on toning that element down but without the other changes, it may have worked better for me.
On a subjective level (and unrelated to the main edit), not really a fan of having trailers at the start of fanedits as part of the same file. There's only one here, but I hope it doesn't become a trend. I have to deal with skipping past trailers on my home media discs and I don't want that to be a thing with fanedits (and it also contributes to the file size). I think it's different with a concept edit like a Grindhouse, where throwing trailers in an interval is part of the experience.
Anywho, well done, futon and thanks for sharing!
Quality is excellent considering the file size.
VISUAL EDITING
Visual cuts are seamless. Newly added dream segments are nicely put together. One very slight nitpick:
- At 7:00 the footstep foley seemed slightly out of sync with the visual
AUDIO EDITING
In terms of transitioning from scene to scene and trims to dialogue, cuts are seamless. The rescoring was largely good but a bit of a mixed bag for me for a combination of technical and narrative reasons (more on that later).
- 37:50 - not actually sure if this is futon or not, as I couldn't see it on the cutlist, but music starts to fade in here and it clashes with the strings playing in the background of the scene.
- 41:30 - this montage has incomplete sound design which unfortunately betrays the music swap. Eg. There's a sound when Matilda puts the bag on the counter, but not when she takes something out the bag and puts it down. There's an isolated clink as she puts the glass on the drainer at 41:32 but otherwise there doesn't seem to be any foley here. The tap is running water and there's no sound from that or as it runs over the bowl. This would work fine without any sound design as a montage IMO, but having limited sound design betrays the foley.
- At 41:54 the dialogue is obscured by the music.
- 55:08 - a bit jarring that the music volume increases as the hotel clerk speaks. Feels unnatural and not an ideal place to shift the volume.
- The door chain sfx that have been chosen for the sweet dreams segment doesn't sound right to me. It may be because we hear the chain, but we don't hear it rattle against the door, or it may be the sound itself is just to bright and weightless. The foley just seems a bit empty here.
I should say that there is a lot of rescore work on the edit and a lot of it works very well. Keeping the film in surround is also commendable (I watched it mixed down on a 3.1 setup, so can't fully judge, but it seemed to work well). Sometimes the issue is Leon, who is quite softly spoken and has a thick accent, and so it's easy for the music to get in the way of his lines. Without subtitles, I wasn't able to comprehend what he was saying at points.
NARRATIVE
It's been a while since I've seen the original and an even longer while since I've seen Nikita. I presumed the black and white sections were created for the edit, but they fit well on a technical level. Narratively, I didn't really get what their significance was or what they added in the context of Leon's narrative. I presumed it was probably footage from Nikita, but I can't remember the context for those clips.
- 15:00 - this an observation, not a criticism: The context of this scene seems to demand Beethoven, so I assumed futon88 had swapped it for different music. But nope, that's the original score! Bizarre. I think there was a missed opportunity here, as it would have made more sense for Beethoven to score the scene if that's what Oldman is "dancing" to.
- Given the concept of the edit, I was surprised to see Mathilda still confess she's in love with Leon. I don't have an issue with it, but it's interesting that it's kept in. Generally, the awkwardness of that plot element is toned down significantly, as was the aim of the edit.
Subjectively, I didn't mind the music itself, but I thought there were sometimes odd choices for the scenes and they could be distracting. During montages? Not so much. But Sweet Dreams during the "training" segment and the Kate Bush scene didn't seem to fit for me. Part of it is it just being marginally (marginally) louder than needed, and part of it is being vocal-driven music during scenes of dialogue. I like both songs, but in the context of those scenes I just felt like they hindered the film conveying information. The instrumental pieces used, on the other hand, worked very well.
ENJOYMENT
A well-done edit and an enjoyable alt experience. 20 minutes cut and it doesn't seem to create any problems for the narrative; keeping things mostly from Matilda's perspective works well. Dream segments seemed superfluous and some music choices were a hindrance. The original film is fine from my memory and, apart from the awkwardness of Mathilda's feelings for Leon, I didn't think it really needed an edit. I think if Futon's edit had solely focused on toning that element down but without the other changes, it may have worked better for me.
On a subjective level (and unrelated to the main edit), not really a fan of having trailers at the start of fanedits as part of the same file. There's only one here, but I hope it doesn't become a trend. I have to deal with skipping past trailers on my home media discs and I don't want that to be a thing with fanedits (and it also contributes to the file size). I think it's different with a concept edit like a Grindhouse, where throwing trailers in an interval is part of the experience.
Anywho, well done, futon and thanks for sharing!
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
9.8
Audio/Video Quality
9.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
10.0
Enjoyment
10.0
Best in class work here from futon88. Audio quality is perfect. Video is excellent with only very minor color banding a few times. At first I thought removing any of the international cut scenes would be blasphemy. This is actually a stronger story by keeping exactly what the editor retained from the international cut and removing what he did. The hitman, Leon, is now a more mysterious individual and the newly created dreams he has are so beautifully done. The added music for Mathilda is of professional quality with the hand audio ducking and EQ work; the changes work well, improving the scenes, especially the Mathilda hitgirl in training montage. The subtle cuts to the ending make it just right without the odd narratives Luc Besson gets stuck inside. Now that there is an improved, more subtle version of Leon: The Professional I've come to realize how cartoonish and unrealistic the original was. I do highly recommend this edit.
User Review
Format Watched
Digital
User reviews
23 reviews
Overall rating
9.8
Audio/Video Quality
9.9(23)
Audio Editing
9.6(23)
Visual Editing
10.0(23)
Narrative
9.6(23)
Enjoyment
9.7(23)
Overall rating
10.0
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
10.0
Enjoyment
10.0
"Mathilda" offers a fresh perspective on this iconic film. By removing awkward scenes involving Jean Reno and the 12-year-old Mathilda, the edit creates a more comfortable viewing experience. The addition of new soundtrack elements enhances the atmosphere, and the focus on Léon's mysterious nature adds a layer of intrigue, The overall pacing and narrative flow remain intact. While the original film is enjoyable, Futon88's edit provides a welcome alternative, thank you.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
10.0
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
10.0
Enjoyment
10.0
I recently watched "Mathilda," the fan edit of "Leon: The Professional," and very much enjoyed it. I have been a fan of this film since it came out and like many fans, I have longed for a sequel with the obvious title "Mathilda: The Professional" that would show her as an adult. The storyline with Danny Aiello was never resolved, and seeing Natalie Portman take on her first role again would have been a treat. We now know that it was never made because the rights are tied up and will probably never get back into director Luc Besson’s hands again. Danny Aiello is dead now, and Natalie Portman is getting up there in age, so I think that the time has passed. So it was cool to see a fan edit that uses the title. Telling the story from Mathilda’s point of view was an original take. I can understand why someone would want to tone down the sexualization of the 13-year-old Portman. Although it’s an impossible task to remove it completely because of her wardrobe. There is a scene where Leon and Mathilda are staying in a hotel, and she insinuates to the manager that the two are not father and daughter but lovers. The line “He's my lover” was removed, so now she just says “He's not my father.” The rest is implied. I can see why the editor did not remove this entire scene because there has to be a reason for them getting kicked out of the hotel, but he did his best to make it less creepy.
The most significant change for me was the addition of new music. This was the part I really enjoyed. The new songs are flawlessly put in, so much so that they seem like they always belonged there. The new songs are also from that era, making it even cooler and harder to remember if they were new or old. Sting’s “The Shape of My Heart” is a good song, but I never felt that it was a great track for this movie as it didn’t really describe Leon very well. The sad Sarah McLachlan track the editor used for the end works better for me, especially because this is Mathilda’s story.
Overall, this is an edit that breathes new life into an old film and lets me enjoy it in a new way. Kudos for the nice cover art as well. Recommended.
The most significant change for me was the addition of new music. This was the part I really enjoyed. The new songs are flawlessly put in, so much so that they seem like they always belonged there. The new songs are also from that era, making it even cooler and harder to remember if they were new or old. Sting’s “The Shape of My Heart” is a good song, but I never felt that it was a great track for this movie as it didn’t really describe Leon very well. The sad Sarah McLachlan track the editor used for the end works better for me, especially because this is Mathilda’s story.
Overall, this is an edit that breathes new life into an old film and lets me enjoy it in a new way. Kudos for the nice cover art as well. Recommended.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
9.7
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
9.0
Enjoyment
9.0
Finally, I can watch LEON without feeling awkward
If you want to introduce your friends to this movie this is the version for you, cutting all the sexual moments between an older man and 12 years old girl is a welcomed thing but this fan edit goes beyond that and adds great OST and makes the character of Leon more mystery although I don't get why to cut the moment leon talks on his first killing mission, sure he tells it in a scene with a sexual tone but I still think you can cut the sexual tone out of this scene.
Overall this is the best version of the film, I usually don't like fan edits for films that are high-rated (corrently number 35 on IMDb)
because you might find yourself messing with something that was already perfect or close to that, but this is an exception
If you want to introduce your friends to this movie this is the version for you, cutting all the sexual moments between an older man and 12 years old girl is a welcomed thing but this fan edit goes beyond that and adds great OST and makes the character of Leon more mystery although I don't get why to cut the moment leon talks on his first killing mission, sure he tells it in a scene with a sexual tone but I still think you can cut the sexual tone out of this scene.
Overall this is the best version of the film, I usually don't like fan edits for films that are high-rated (corrently number 35 on IMDb)
because you might find yourself messing with something that was already perfect or close to that, but this is an exception
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
10.0
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
10.0
Enjoyment
10.0
Leon: The Professional has been one of my absolute favorite movies since I was a young teen. My first real screen name was "the professional###" with my bday plugged in. So hopefully you will take my review for what it's worth when I say you have actually managed to improve one of my favorite movies!
99% of the time when someone changes the soundtrack I appreciate the effort that went in but I hate the changes because my brain can't wrap itself around how different the scene is. Here every single song was so perfect that I honestly couldn't even remember if it was in the original scene or not, except for Shape of my Heart at the end! Very impressive.
Excising as much of the creepy horny 12yo stuff was a great move, and knowing that Luc Besson wrote a sex scene where Leon simply can't resist her advances, and knowing that Besson dated his wife when she was 15 and knocked her up at 16 while he was 32 makes it even creepier. Thank you for fixing that stuff so I can enjoy the movie as guilt-free as possible.
Also I'm very impressed with the length of the movie given how much was removed. Excellent scene choices, and I really felt like this was Mathilde's movie in the end.
Hands down one of my favorite edits on this entire site.
99% of the time when someone changes the soundtrack I appreciate the effort that went in but I hate the changes because my brain can't wrap itself around how different the scene is. Here every single song was so perfect that I honestly couldn't even remember if it was in the original scene or not, except for Shape of my Heart at the end! Very impressive.
Excising as much of the creepy horny 12yo stuff was a great move, and knowing that Luc Besson wrote a sex scene where Leon simply can't resist her advances, and knowing that Besson dated his wife when she was 15 and knocked her up at 16 while he was 32 makes it even creepier. Thank you for fixing that stuff so I can enjoy the movie as guilt-free as possible.
Also I'm very impressed with the length of the movie given how much was removed. Excellent scene choices, and I really felt like this was Mathilde's movie in the end.
Hands down one of my favorite edits on this entire site.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
8.8
Audio/Video Quality
9.0
Audio Editing
8.0
Visual Editing
9.0
Narrative
9.0
Enjoyment
9.0
Léon is a movie I haven't seen in a very long time. It's a fine piece of filmmaking, to be sure. It made a bona-fide star of Jean Reno in America, introduced the world to Natalie Portman, and solidified Gary Oldman as one of Hollywood's most reliable villainous powerhouses. But it wasn't without its issues, not least the pseudo-romantic thread running through it, which is even creepier when one considers writer-director Luc Besson's inspiration for the movie.
This edit does a wonderful job of excising the remaining vestiges of the romance while creating an aura around Léon that wasn't there in the original. Less isn't necessarily always more, but in the case of Léon, it is most certainly the case.
The editing is mostly seamless, with some of the trickier edits done with aplomb, and the replacement music is well-chosen and works brilliantly to enhance the viewing experience. Some of the foley work could do with boosting in spots where replacement music has been used, but otherwise it's a damn fine edit of an already damn fine movie.
This edit does a wonderful job of excising the remaining vestiges of the romance while creating an aura around Léon that wasn't there in the original. Less isn't necessarily always more, but in the case of Léon, it is most certainly the case.
The editing is mostly seamless, with some of the trickier edits done with aplomb, and the replacement music is well-chosen and works brilliantly to enhance the viewing experience. Some of the foley work could do with boosting in spots where replacement music has been used, but otherwise it's a damn fine edit of an already damn fine movie.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital