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- Morricone's Basterds: A WRAITH Re-Scoring Experiment Part 2
Morricone's Basterds: A WRAITH Re-Scoring Experiment Part 2
Updated
Faneditor Name:
Original Movie/Show Title:
Fanedit Type:
Original Release Date:
2009
Original Running Time:
153 minutes
Fanedit Release Date:
Fanedit Running Time:
102 minutes
Time Cut:
55 minutes
Time Added:
6 minutes
Subtitles Available:
Available In:
HD
Additional Links:
Contact:
Synopsis:
To create a version of Inglourious Basterds, which is less self-indulgent, at 102 mins, without any music and then add back in a single score from another movie to change the entire tone.
Intention:
In this edit, Part 2 of an ongoing series, the score from VIOLENT CITY by Enio Morricone was used. Other versions may follow, each using music from just one cinematic score.
Additional Notes:
This edit is visually identical to Bernsein's Basterds. ONLY THE MUSIC scoring has been changed.
Other Sources:
FOLEY USED for sound rebuilding. SOURCE FREESOUND.ORG
List only includes additional audio used and NOT any isolated audio from the original.
No list for AI isolated dialogue is provided.
List only includes additional audio used and NOT any isolated audio from the original.
No list for AI isolated dialogue is provided.
Special Thanks:
Futon88, ParanoidAndroid, BionicBob and Inightmares plus The Red Apple Crew.
Release Information:
Digital
Special Features:
none
Editing Details:
The bloat has been removed, and extensive audio rebuilding was also required.
Music was added in a disciplined manner adhering to the themes, motifs and more to apply the music with purpose.
MUSIC CUES.
All original music was removed barring 10 secs (can you find those pesky 10 seconds?).
Many scenes use more than one cue to achieve the desired effect.
DUCKING
397 level adjustments to the cues used.
Mixing and editing of clips excluded.
Music was added in a disciplined manner adhering to the themes, motifs and more to apply the music with purpose.
MUSIC CUES.
All original music was removed barring 10 secs (can you find those pesky 10 seconds?).
Many scenes use more than one cue to achieve the desired effect.
DUCKING
397 level adjustments to the cues used.
Mixing and editing of clips excluded.
Cuts and Additions:
VISUALS
Changes count noted, but not details of every edit
001 ADDED FE LOGO
002 ADDED WRAITH LOGO
003 ADDED RED APPLE CREW MEMBER LOGO
009 ADDED CUSTOM pre-opening credits
010 REMOVED opening credits
049 REMOVED 12 mins from farm opening
051 FARM opening is in Black and White
081 ADDED 32 audio elements for sound rebuild
096 RESTRUCTURED interview and underfloor board shots, including cropping out Landa’s notebook for new pan down, which is repurposed
097 REMOVED Hitler’s rant
123 26 excisions from the forest scene to tighten up and accommodate new scoring
140 ADDED 17 audio elements for sound rebuild
142 two minor trims to mission briefing
143 ADDED insert shot of Paris cinema to Mission Briefing
165 ADDED 22 audio elements to Paris street sound rebuild
170 Entry to restaurant restructured to remove Zoeller
171 REMOVED ZOELLER and SHOSHANA meeting outside cinema.
172 REMOVED entire restaurant scene with Zoeller and Shoshana
174 REMOVED NITRATE FILM lecture by Samuel L Jackson. I mean, seriously. WTF! She tells us its explosive in the very next scene.
199 15 trims to excise Zoeller and pacing for re-scoring pre-Landa
232 ADDED 12 shots for new flashback in Black and White
247 15 trims and tweaks during Land’s arrival
250 3 minor trims during Land interview
251 Removed sex scene shot
278 ADDED 27 audio elements to sound rebuild in cinema foyer
283 5 trims to foyer scene for re- scoring purposes
305 ADDED 22 audio elements to SAFE HOUSE scene in village for re-scoring audio rebuild
336 36 trims to second part of TAVERN SCENE to remove the game. These changes were all made prior to The Tarantino Tales Episode 7, but used for that edit as well.
352 18 audio elements added during new restructured Shoshana “GETTING READY” scene, and re-timed for scoring.
366 14 minor trims for timings for re-scoring to same scene
374 REMOVED all Foyer Zoeller romantic inferences
375 REMOVED Landa’s laugh
376 REMOVED first exit from screening to explore
426 restructured and re-timed climax up to STAIRS for re-scoring; Zoellers intrusion is removed as well
438 23 audio elements added to pre explosion to rebuild audio for rescoring
439 REMOVED big slo-mo shot and no plays normally
463 ADDED new TOPAZ pass shots of explosion which were re timed and altered for speed.
474 21 shot alterations to climax
526 ADDED 52 new captions for custom end credits replacing bernsteins Basterds with Morricone's Basterds
527 ADDED RED APPLE CREW MEMBER logo
528 ADDED FE Logo
529 ADDED WRAITH logo
Changes count noted, but not details of every edit
001 ADDED FE LOGO
002 ADDED WRAITH LOGO
003 ADDED RED APPLE CREW MEMBER LOGO
009 ADDED CUSTOM pre-opening credits
010 REMOVED opening credits
049 REMOVED 12 mins from farm opening
051 FARM opening is in Black and White
081 ADDED 32 audio elements for sound rebuild
096 RESTRUCTURED interview and underfloor board shots, including cropping out Landa’s notebook for new pan down, which is repurposed
097 REMOVED Hitler’s rant
123 26 excisions from the forest scene to tighten up and accommodate new scoring
140 ADDED 17 audio elements for sound rebuild
142 two minor trims to mission briefing
143 ADDED insert shot of Paris cinema to Mission Briefing
165 ADDED 22 audio elements to Paris street sound rebuild
170 Entry to restaurant restructured to remove Zoeller
171 REMOVED ZOELLER and SHOSHANA meeting outside cinema.
172 REMOVED entire restaurant scene with Zoeller and Shoshana
174 REMOVED NITRATE FILM lecture by Samuel L Jackson. I mean, seriously. WTF! She tells us its explosive in the very next scene.
199 15 trims to excise Zoeller and pacing for re-scoring pre-Landa
232 ADDED 12 shots for new flashback in Black and White
247 15 trims and tweaks during Land’s arrival
250 3 minor trims during Land interview
251 Removed sex scene shot
278 ADDED 27 audio elements to sound rebuild in cinema foyer
283 5 trims to foyer scene for re- scoring purposes
305 ADDED 22 audio elements to SAFE HOUSE scene in village for re-scoring audio rebuild
336 36 trims to second part of TAVERN SCENE to remove the game. These changes were all made prior to The Tarantino Tales Episode 7, but used for that edit as well.
352 18 audio elements added during new restructured Shoshana “GETTING READY” scene, and re-timed for scoring.
366 14 minor trims for timings for re-scoring to same scene
374 REMOVED all Foyer Zoeller romantic inferences
375 REMOVED Landa’s laugh
376 REMOVED first exit from screening to explore
426 restructured and re-timed climax up to STAIRS for re-scoring; Zoellers intrusion is removed as well
438 23 audio elements added to pre explosion to rebuild audio for rescoring
439 REMOVED big slo-mo shot and no plays normally
463 ADDED new TOPAZ pass shots of explosion which were re timed and altered for speed.
474 21 shot alterations to climax
526 ADDED 52 new captions for custom end credits replacing bernsteins Basterds with Morricone's Basterds
527 ADDED RED APPLE CREW MEMBER logo
528 ADDED FE Logo
529 ADDED WRAITH logo
Faneditor Name:
Original Movie/Show Title:
Fanedit Type:
Original Release Date:
2009
Original Running Time:
153 minutes
Fanedit Release Date:
Fanedit Running Time:
102 minutes
Time Cut:
55 minutes
Time Added:
6 minutes
Subtitles Available:
Available In:
HD
Additional Links:
Contact:
Synopsis:
To create a version of Inglourious Basterds, which is less self-indulgent, at 102 mins, without any music and then add back in a single score from another movie to change the entire tone.
Intention:
In this edit, Part 2 of an ongoing series, the score from VIOLENT CITY by Enio Morricone was used. Other versions may follow, each using music from just one cinematic score.
Additional Notes:
This edit is visually identical to Bernsein's Basterds. ONLY THE MUSIC scoring has been changed.
Other Sources:
FOLEY USED for sound rebuilding. SOURCE FREESOUND.ORG
List only includes additional audio used and NOT any isolated audio from the original.
No list for AI isolated dialogue is provided.
List only includes additional audio used and NOT any isolated audio from the original.
No list for AI isolated dialogue is provided.
Special Thanks:
Futon88, ParanoidAndroid, BionicBob and Inightmares plus The Red Apple Crew.
Release Information:
Digital
Special Features:
none
Editing Details:
The bloat has been removed, and extensive audio rebuilding was also required.
Music was added in a disciplined manner adhering to the themes, motifs and more to apply the music with purpose.
MUSIC CUES.
All original music was removed barring 10 secs (can you find those pesky 10 seconds?).
Many scenes use more than one cue to achieve the desired effect.
DUCKING
397 level adjustments to the cues used.
Mixing and editing of clips excluded.
Music was added in a disciplined manner adhering to the themes, motifs and more to apply the music with purpose.
MUSIC CUES.
All original music was removed barring 10 secs (can you find those pesky 10 seconds?).
Many scenes use more than one cue to achieve the desired effect.
DUCKING
397 level adjustments to the cues used.
Mixing and editing of clips excluded.
Cuts and Additions:
VISUALS
Changes count noted, but not details of every edit
001 ADDED FE LOGO
002 ADDED WRAITH LOGO
003 ADDED RED APPLE CREW MEMBER LOGO
009 ADDED CUSTOM pre-opening credits
010 REMOVED opening credits
049 REMOVED 12 mins from farm opening
051 FARM opening is in Black and White
081 ADDED 32 audio elements for sound rebuild
096 RESTRUCTURED interview and underfloor board shots, including cropping out Landa’s notebook for new pan down, which is repurposed
097 REMOVED Hitler’s rant
123 26 excisions from the forest scene to tighten up and accommodate new scoring
140 ADDED 17 audio elements for sound rebuild
142 two minor trims to mission briefing
143 ADDED insert shot of Paris cinema to Mission Briefing
165 ADDED 22 audio elements to Paris street sound rebuild
170 Entry to restaurant restructured to remove Zoeller
171 REMOVED ZOELLER and SHOSHANA meeting outside cinema.
172 REMOVED entire restaurant scene with Zoeller and Shoshana
174 REMOVED NITRATE FILM lecture by Samuel L Jackson. I mean, seriously. WTF! She tells us its explosive in the very next scene.
199 15 trims to excise Zoeller and pacing for re-scoring pre-Landa
232 ADDED 12 shots for new flashback in Black and White
247 15 trims and tweaks during Land’s arrival
250 3 minor trims during Land interview
251 Removed sex scene shot
278 ADDED 27 audio elements to sound rebuild in cinema foyer
283 5 trims to foyer scene for re- scoring purposes
305 ADDED 22 audio elements to SAFE HOUSE scene in village for re-scoring audio rebuild
336 36 trims to second part of TAVERN SCENE to remove the game. These changes were all made prior to The Tarantino Tales Episode 7, but used for that edit as well.
352 18 audio elements added during new restructured Shoshana “GETTING READY” scene, and re-timed for scoring.
366 14 minor trims for timings for re-scoring to same scene
374 REMOVED all Foyer Zoeller romantic inferences
375 REMOVED Landa’s laugh
376 REMOVED first exit from screening to explore
426 restructured and re-timed climax up to STAIRS for re-scoring; Zoellers intrusion is removed as well
438 23 audio elements added to pre explosion to rebuild audio for rescoring
439 REMOVED big slo-mo shot and no plays normally
463 ADDED new TOPAZ pass shots of explosion which were re timed and altered for speed.
474 21 shot alterations to climax
526 ADDED 52 new captions for custom end credits replacing bernsteins Basterds with Morricone's Basterds
527 ADDED RED APPLE CREW MEMBER logo
528 ADDED FE Logo
529 ADDED WRAITH logo
Changes count noted, but not details of every edit
001 ADDED FE LOGO
002 ADDED WRAITH LOGO
003 ADDED RED APPLE CREW MEMBER LOGO
009 ADDED CUSTOM pre-opening credits
010 REMOVED opening credits
049 REMOVED 12 mins from farm opening
051 FARM opening is in Black and White
081 ADDED 32 audio elements for sound rebuild
096 RESTRUCTURED interview and underfloor board shots, including cropping out Landa’s notebook for new pan down, which is repurposed
097 REMOVED Hitler’s rant
123 26 excisions from the forest scene to tighten up and accommodate new scoring
140 ADDED 17 audio elements for sound rebuild
142 two minor trims to mission briefing
143 ADDED insert shot of Paris cinema to Mission Briefing
165 ADDED 22 audio elements to Paris street sound rebuild
170 Entry to restaurant restructured to remove Zoeller
171 REMOVED ZOELLER and SHOSHANA meeting outside cinema.
172 REMOVED entire restaurant scene with Zoeller and Shoshana
174 REMOVED NITRATE FILM lecture by Samuel L Jackson. I mean, seriously. WTF! She tells us its explosive in the very next scene.
199 15 trims to excise Zoeller and pacing for re-scoring pre-Landa
232 ADDED 12 shots for new flashback in Black and White
247 15 trims and tweaks during Land’s arrival
250 3 minor trims during Land interview
251 Removed sex scene shot
278 ADDED 27 audio elements to sound rebuild in cinema foyer
283 5 trims to foyer scene for re- scoring purposes
305 ADDED 22 audio elements to SAFE HOUSE scene in village for re-scoring audio rebuild
336 36 trims to second part of TAVERN SCENE to remove the game. These changes were all made prior to The Tarantino Tales Episode 7, but used for that edit as well.
352 18 audio elements added during new restructured Shoshana “GETTING READY” scene, and re-timed for scoring.
366 14 minor trims for timings for re-scoring to same scene
374 REMOVED all Foyer Zoeller romantic inferences
375 REMOVED Landa’s laugh
376 REMOVED first exit from screening to explore
426 restructured and re-timed climax up to STAIRS for re-scoring; Zoellers intrusion is removed as well
438 23 audio elements added to pre explosion to rebuild audio for rescoring
439 REMOVED big slo-mo shot and no plays normally
463 ADDED new TOPAZ pass shots of explosion which were re timed and altered for speed.
474 21 shot alterations to climax
526 ADDED 52 new captions for custom end credits replacing bernsteins Basterds with Morricone's Basterds
527 ADDED RED APPLE CREW MEMBER logo
528 ADDED FE Logo
529 ADDED WRAITH logo
Trusted Reviewer reviews
2 reviews
Overall rating
9.4
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
8.0
Enjoyment
7.0
Agree with bionicbob, merely changing the music from Bernstein's for "The Great Escape" to Morricone's for "Violent City" used here makes it feel like a grimy 1970s crime thriller film as opposed to a glossy 1960s war adventure. I must say that I also prefer the former, this one's soundtrack making it feel more emotionally distant.
As with BB I think the narrative feels a little abbreviated, though this seems to be a result of Tarantino's decisions rather than Wraith's. The cutting is seamless, there was nothing I could note that gave away the edit's unofficial nature, and am certainly looking forward to seeing what effect new music in any future versions might have.
As with BB I think the narrative feels a little abbreviated, though this seems to be a result of Tarantino's decisions rather than Wraith's. The cutting is seamless, there was nothing I could note that gave away the edit's unofficial nature, and am certainly looking forward to seeing what effect new music in any future versions might have.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
9.7
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
9.0
Enjoyment
8.0
Again....WOW!
Very impressive. This has turned into truly a fascinating experiment.
Same cut but a completely different feel on every single level. And in many instances, completely altering the interpretation and intention of a scene. It truly showcases the power and influence a score has over the viewer and narrative.
I found the Morricone score made the movie tone much darker compared to the Bernstein version, or even Morricone's original Tarantino release. There are many moments where the score feels very bleak and hopeless, even nihilistic at times. The new Morricone score is also very eclectic; to the point where it sometimes feels at odds with itself. An example of this is the climax in the theatre, where everyone is screaming and running, the soundtrack takes on a very modern urban sound to my ear, that seemed in conflict with the period setting.
Technically, a masterclass in audio editing and a stunning achievement.
But on a personal enjoyment level, this Morricone score was less effective for me. It was less comfortable and fun. Which is of course the point of the exercise. If I had to choose, I prefer the Bernstein version, just because it checks my nostalgia box for those type of mission movies of that bygone era.
Thumbs Up for me!
Very impressive. This has turned into truly a fascinating experiment.
Same cut but a completely different feel on every single level. And in many instances, completely altering the interpretation and intention of a scene. It truly showcases the power and influence a score has over the viewer and narrative.
I found the Morricone score made the movie tone much darker compared to the Bernstein version, or even Morricone's original Tarantino release. There are many moments where the score feels very bleak and hopeless, even nihilistic at times. The new Morricone score is also very eclectic; to the point where it sometimes feels at odds with itself. An example of this is the climax in the theatre, where everyone is screaming and running, the soundtrack takes on a very modern urban sound to my ear, that seemed in conflict with the period setting.
Technically, a masterclass in audio editing and a stunning achievement.
But on a personal enjoyment level, this Morricone score was less effective for me. It was less comfortable and fun. Which is of course the point of the exercise. If I had to choose, I prefer the Bernstein version, just because it checks my nostalgia box for those type of mission movies of that bygone era.
Thumbs Up for me!
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
User reviews
1 review
Overall rating
10.0
Audio/Video Quality
10.0(1)
Audio Editing
10.0(1)
Visual Editing
10.0(1)
Narrative
10.0(1)
Enjoyment
10.0(1)
(Updated: October 11, 2024)
Overall rating
10.0
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
10.0
Enjoyment
10.0
Having just watched Bernstein's and Moriccone's Basterds, I have to say there is such a different tone to this one! The soundtrack is very understated, very soft throughout, and really makes the movie feel a bit more dreamlike and less bombastic. I won't list everything, just some moments that really stuck out to me:
- The baseball bat scene was very brutal without the exciting score over it, and it really became much more upsetting to watch.
- I could feel the quiet subterfuge and tension during the stakeout near and inside the bar.
- The score when Landa is talking to Aldo and Utovich really made Landa's turncoating feel more evil and gross
- Driving away in the woods felt trimphahant and also, in a weird way, playful
- Reusing the same score theme from Aldo's speech in the beginning later on during Shoshanna's red dress scene was genius. They're both getting their war faces on for Nazi killing and the music connects their minds.
Overall great great work! Genuinely felt different than your Bernstein selections, and changed the tone even further into a more serious and sad movie. Others have said they preferred Bernstein's Basterds but I have to say I think this one is slightly better. The material deserves this kind of a serious approach as well as a fun one.
- The baseball bat scene was very brutal without the exciting score over it, and it really became much more upsetting to watch.
- I could feel the quiet subterfuge and tension during the stakeout near and inside the bar.
- The score when Landa is talking to Aldo and Utovich really made Landa's turncoating feel more evil and gross
- Driving away in the woods felt trimphahant and also, in a weird way, playful
- Reusing the same score theme from Aldo's speech in the beginning later on during Shoshanna's red dress scene was genius. They're both getting their war faces on for Nazi killing and the music connects their minds.
Overall great great work! Genuinely felt different than your Bernstein selections, and changed the tone even further into a more serious and sad movie. Others have said they preferred Bernstein's Basterds but I have to say I think this one is slightly better. The material deserves this kind of a serious approach as well as a fun one.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital