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- Prometheus: Giftbearer
Prometheus: Giftbearer
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Updated
Faneditor Name:
Original Movie/Show Title:
Genre:
Franchise:
Fanedit Type:
Original Release Date:
2012
Original Running Time:
124 minutes
Fanedit Release Date:
Fanedit Running Time:
138 minutes
Time Cut:
10 minutes
Time Added:
24 minutes
Available in HD:
Additional Links:
Synopsis:
Incorporated deleted, alternate and supplementary footage and made numerous edits to original scenes to strengthen story, clarify character motivation, and address some often-mentioned issues viewers had with the original theatrical release.
Intention:
Watching the excellent deleted and alternate scenes in the Blu-Ray extras convinced me Prometheus could be a better movie with those scenes included, and then making my own changes followed naturally from there.
Special Thanks:
njvc, white43, and darth_xenu for invaluable advice on improving important edits/scenes, Neglify for sheperding me through the submission process, and njvc again for making an awesome motion menu that will be used for an upcoming DVD version.
Release Information:
Digital
Special Features:
720x300 MP4 &
1280x534 MP4
1280x534 MP4
Cuts and Additions:
- Instead of starting with the engineers, we begin with the two human drivers of the mission: Weyland (his TED talk) and Shaw (her call to Weyland). New title card. Shaw's call scaled and cropped to fit film's aspect ratio, new background (generated + line animation from 'Prometheus transmission') fills sides of frame
- David watching Shaw's dream now happens in the middle of the David-alone-on-the-ship sequence instead of at the beginning
- Included extra dialogue in Vickers and Janek's first conversation
- During the briefing, cut Weyland's "what happens when we die" line - nothing in what Shaw and Holloway have found on Earth has to do with the afterlife (Shaws says mentions afterlife in her call, but Weyland's stress should be different)
- In theatrical release, during the briefing, Shaw states that the engineers created humans as if it's a fact, and then when asked by a fellow scientist to back that up, then gives her "what I choose to believe" line, which renders this important aspect of her character ridiculous. Here, she makes it as a direct statement of belief straight up, which then gets mocked by Fifield.
- Cut a couple of Vickers lines that were redundantly underlining bitchiness
- A few small edits to Holloway dialogue to make him a bit less douche-y
- Trimmed a few bits of exploration scenes to increase pace (includes removing silly "it's minus 12 in here" line - they'd all be putting their helmets back on in that case)
- Included Millburn discovering (non-dangerous) alien lifeform scene
- Included Shaw's "not alone" speech to crew
- Shaw and Ford no longer pump the engineer head with electricity until it explodes
- Stitched together new line for Fifield to explain why the keeper of the "pups" gets lost: "I can't connect us to my pups' map"
- Tightened up "probe picking up life form" scene
- Millburn no longer treats the alien worm as if it's a cute animal at a petting zoo
- David now spikes Holloway's drink just before handing it to him, instead of *right* in front of his face
- After Holloway's death, while out on the table, Shaw remembers the dig in Scotland with him (archeological site scene) and has a vision of the engineers on earth (the engineer-sacrifice scene)
- Included Janek's talk with Vickers, which gives him a much better reason for sacrificing himself at the end. It intercuts the scene of David talking to Shaw about her pregnancy. Added music.
- Additional music to second half of David talking to Shaw about her pregnancy scene
- Included alternate Fifield return scene, which I think is far superior in the way he looks and moves (including a hint of xenomorphism with the head elongation)
- Included extended conversation between Vickers and Weyland, a good character moment for both of them, especially giving some nuance to Vickers, and also has acknowledgement that Weyland's circle is aware of Shaw's "child" on the ship, via Vicker's "thing squealing next door" line. Added music and sfx.
- Included the extended conversation between the humans and the engineer. Mix of theatrical and alternate footage. Added music.
- Removed Shaw's long leap across the widening plates. She's already been asked to do so much in her post-operation state
- The co-pilots no longer crack a joke right before making the ultimate sacrifice
- Shortened juggernaut-rolling sequence, to try to mitigate this issue: http://www.penny-arcade.com/comic/2012/06/13 (safe to say I liked the film more than they did, but they make a good point )
- Included Shaw's melee with the engineer
- Included alternate end conversation between Shaw and David, which is *so* much more fitting in tone given what Shaw has been through. Some theatrical footage mixed with alternate
- Added bit of 'space jockey' music from original Alien and callback to the xenomorph-mural to very last scene
- Small adjustments at various other places
- Made color-corrections in all added footage to try to match it with theatrical
- David watching Shaw's dream now happens in the middle of the David-alone-on-the-ship sequence instead of at the beginning
- Included extra dialogue in Vickers and Janek's first conversation
- During the briefing, cut Weyland's "what happens when we die" line - nothing in what Shaw and Holloway have found on Earth has to do with the afterlife (Shaws says mentions afterlife in her call, but Weyland's stress should be different)
- In theatrical release, during the briefing, Shaw states that the engineers created humans as if it's a fact, and then when asked by a fellow scientist to back that up, then gives her "what I choose to believe" line, which renders this important aspect of her character ridiculous. Here, she makes it as a direct statement of belief straight up, which then gets mocked by Fifield.
- Cut a couple of Vickers lines that were redundantly underlining bitchiness
- A few small edits to Holloway dialogue to make him a bit less douche-y
- Trimmed a few bits of exploration scenes to increase pace (includes removing silly "it's minus 12 in here" line - they'd all be putting their helmets back on in that case)
- Included Millburn discovering (non-dangerous) alien lifeform scene
- Included Shaw's "not alone" speech to crew
- Shaw and Ford no longer pump the engineer head with electricity until it explodes
- Stitched together new line for Fifield to explain why the keeper of the "pups" gets lost: "I can't connect us to my pups' map"
- Tightened up "probe picking up life form" scene
- Millburn no longer treats the alien worm as if it's a cute animal at a petting zoo
- David now spikes Holloway's drink just before handing it to him, instead of *right* in front of his face
- After Holloway's death, while out on the table, Shaw remembers the dig in Scotland with him (archeological site scene) and has a vision of the engineers on earth (the engineer-sacrifice scene)
- Included Janek's talk with Vickers, which gives him a much better reason for sacrificing himself at the end. It intercuts the scene of David talking to Shaw about her pregnancy. Added music.
- Additional music to second half of David talking to Shaw about her pregnancy scene
- Included alternate Fifield return scene, which I think is far superior in the way he looks and moves (including a hint of xenomorphism with the head elongation)
- Included extended conversation between Vickers and Weyland, a good character moment for both of them, especially giving some nuance to Vickers, and also has acknowledgement that Weyland's circle is aware of Shaw's "child" on the ship, via Vicker's "thing squealing next door" line. Added music and sfx.
- Included the extended conversation between the humans and the engineer. Mix of theatrical and alternate footage. Added music.
- Removed Shaw's long leap across the widening plates. She's already been asked to do so much in her post-operation state
- The co-pilots no longer crack a joke right before making the ultimate sacrifice
- Shortened juggernaut-rolling sequence, to try to mitigate this issue: http://www.penny-arcade.com/comic/2012/06/13 (safe to say I liked the film more than they did, but they make a good point )
- Included Shaw's melee with the engineer
- Included alternate end conversation between Shaw and David, which is *so* much more fitting in tone given what Shaw has been through. Some theatrical footage mixed with alternate
- Added bit of 'space jockey' music from original Alien and callback to the xenomorph-mural to very last scene
- Small adjustments at various other places
- Made color-corrections in all added footage to try to match it with theatrical
Faneditor Name:
Original Movie/Show Title:
Genre:
Franchise:
Fanedit Type:
Original Release Date:
2012
Original Running Time:
124 minutes
Fanedit Release Date:
Fanedit Running Time:
138 minutes
Time Cut:
10 minutes
Time Added:
24 minutes
Available in HD:
Additional Links:
Synopsis:
Incorporated deleted, alternate and supplementary footage and made numerous edits to original scenes to strengthen story, clarify character motivation, and address some often-mentioned issues viewers had with the original theatrical release.
Intention:
Watching the excellent deleted and alternate scenes in the Blu-Ray extras convinced me Prometheus could be a better movie with those scenes included, and then making my own changes followed naturally from there.
Special Thanks:
njvc, white43, and darth_xenu for invaluable advice on improving important edits/scenes, Neglify for sheperding me through the submission process, and njvc again for making an awesome motion menu that will be used for an upcoming DVD version.
Release Information:
Digital
Special Features:
720x300 MP4 &
1280x534 MP4
1280x534 MP4
Cuts and Additions:
- Instead of starting with the engineers, we begin with the two human drivers of the mission: Weyland (his TED talk) and Shaw (her call to Weyland). New title card. Shaw's call scaled and cropped to fit film's aspect ratio, new background (generated + line animation from 'Prometheus transmission') fills sides of frame
- David watching Shaw's dream now happens in the middle of the David-alone-on-the-ship sequence instead of at the beginning
- Included extra dialogue in Vickers and Janek's first conversation
- During the briefing, cut Weyland's "what happens when we die" line - nothing in what Shaw and Holloway have found on Earth has to do with the afterlife (Shaws says mentions afterlife in her call, but Weyland's stress should be different)
- In theatrical release, during the briefing, Shaw states that the engineers created humans as if it's a fact, and then when asked by a fellow scientist to back that up, then gives her "what I choose to believe" line, which renders this important aspect of her character ridiculous. Here, she makes it as a direct statement of belief straight up, which then gets mocked by Fifield.
- Cut a couple of Vickers lines that were redundantly underlining bitchiness
- A few small edits to Holloway dialogue to make him a bit less douche-y
- Trimmed a few bits of exploration scenes to increase pace (includes removing silly "it's minus 12 in here" line - they'd all be putting their helmets back on in that case)
- Included Millburn discovering (non-dangerous) alien lifeform scene
- Included Shaw's "not alone" speech to crew
- Shaw and Ford no longer pump the engineer head with electricity until it explodes
- Stitched together new line for Fifield to explain why the keeper of the "pups" gets lost: "I can't connect us to my pups' map"
- Tightened up "probe picking up life form" scene
- Millburn no longer treats the alien worm as if it's a cute animal at a petting zoo
- David now spikes Holloway's drink just before handing it to him, instead of *right* in front of his face
- After Holloway's death, while out on the table, Shaw remembers the dig in Scotland with him (archeological site scene) and has a vision of the engineers on earth (the engineer-sacrifice scene)
- Included Janek's talk with Vickers, which gives him a much better reason for sacrificing himself at the end. It intercuts the scene of David talking to Shaw about her pregnancy. Added music.
- Additional music to second half of David talking to Shaw about her pregnancy scene
- Included alternate Fifield return scene, which I think is far superior in the way he looks and moves (including a hint of xenomorphism with the head elongation)
- Included extended conversation between Vickers and Weyland, a good character moment for both of them, especially giving some nuance to Vickers, and also has acknowledgement that Weyland's circle is aware of Shaw's "child" on the ship, via Vicker's "thing squealing next door" line. Added music and sfx.
- Included the extended conversation between the humans and the engineer. Mix of theatrical and alternate footage. Added music.
- Removed Shaw's long leap across the widening plates. She's already been asked to do so much in her post-operation state
- The co-pilots no longer crack a joke right before making the ultimate sacrifice
- Shortened juggernaut-rolling sequence, to try to mitigate this issue: http://www.penny-arcade.com/comic/2012/06/13 (safe to say I liked the film more than they did, but they make a good point )
- Included Shaw's melee with the engineer
- Included alternate end conversation between Shaw and David, which is *so* much more fitting in tone given what Shaw has been through. Some theatrical footage mixed with alternate
- Added bit of 'space jockey' music from original Alien and callback to the xenomorph-mural to very last scene
- Small adjustments at various other places
- Made color-corrections in all added footage to try to match it with theatrical
- David watching Shaw's dream now happens in the middle of the David-alone-on-the-ship sequence instead of at the beginning
- Included extra dialogue in Vickers and Janek's first conversation
- During the briefing, cut Weyland's "what happens when we die" line - nothing in what Shaw and Holloway have found on Earth has to do with the afterlife (Shaws says mentions afterlife in her call, but Weyland's stress should be different)
- In theatrical release, during the briefing, Shaw states that the engineers created humans as if it's a fact, and then when asked by a fellow scientist to back that up, then gives her "what I choose to believe" line, which renders this important aspect of her character ridiculous. Here, she makes it as a direct statement of belief straight up, which then gets mocked by Fifield.
- Cut a couple of Vickers lines that were redundantly underlining bitchiness
- A few small edits to Holloway dialogue to make him a bit less douche-y
- Trimmed a few bits of exploration scenes to increase pace (includes removing silly "it's minus 12 in here" line - they'd all be putting their helmets back on in that case)
- Included Millburn discovering (non-dangerous) alien lifeform scene
- Included Shaw's "not alone" speech to crew
- Shaw and Ford no longer pump the engineer head with electricity until it explodes
- Stitched together new line for Fifield to explain why the keeper of the "pups" gets lost: "I can't connect us to my pups' map"
- Tightened up "probe picking up life form" scene
- Millburn no longer treats the alien worm as if it's a cute animal at a petting zoo
- David now spikes Holloway's drink just before handing it to him, instead of *right* in front of his face
- After Holloway's death, while out on the table, Shaw remembers the dig in Scotland with him (archeological site scene) and has a vision of the engineers on earth (the engineer-sacrifice scene)
- Included Janek's talk with Vickers, which gives him a much better reason for sacrificing himself at the end. It intercuts the scene of David talking to Shaw about her pregnancy. Added music.
- Additional music to second half of David talking to Shaw about her pregnancy scene
- Included alternate Fifield return scene, which I think is far superior in the way he looks and moves (including a hint of xenomorphism with the head elongation)
- Included extended conversation between Vickers and Weyland, a good character moment for both of them, especially giving some nuance to Vickers, and also has acknowledgement that Weyland's circle is aware of Shaw's "child" on the ship, via Vicker's "thing squealing next door" line. Added music and sfx.
- Included the extended conversation between the humans and the engineer. Mix of theatrical and alternate footage. Added music.
- Removed Shaw's long leap across the widening plates. She's already been asked to do so much in her post-operation state
- The co-pilots no longer crack a joke right before making the ultimate sacrifice
- Shortened juggernaut-rolling sequence, to try to mitigate this issue: http://www.penny-arcade.com/comic/2012/06/13 (safe to say I liked the film more than they did, but they make a good point )
- Included Shaw's melee with the engineer
- Included alternate end conversation between Shaw and David, which is *so* much more fitting in tone given what Shaw has been through. Some theatrical footage mixed with alternate
- Added bit of 'space jockey' music from original Alien and callback to the xenomorph-mural to very last scene
- Small adjustments at various other places
- Made color-corrections in all added footage to try to match it with theatrical
Cover art by Severian (DOWNLOAD HERE)
Trusted Reviewer reviews
Overall rating
9.2
Audio/Video Quality
9.0
Audio Editing
9.0
Visual Editing
10.0
Narrative
9.0
Enjoyment
8.0
Overview - One of the first released edits trying to “fix” narrative errors.
Video - 854 X 356 AVC. Higher resolution would have been preferred. Good editing nonetheless, shifting some scenes around. Dr. Shaw’s dream time after Holloway’s death is remarkable.
Audio - 128 kbps, AAC, 2 Channel stereo. No subs. Stereo, really? Dialogue is mostly clear, though garbled during excited moments. I listened through headphones.
Narrative - This new narrative works well enough, though I can’t see how it replaces the original. It holds together, and remains logical throughout, but the improvements seemed insufficient. Straight off, Holloway continues to be a dick, for reasons poorly explained. Fifield and Millburn persist in being stupid. As characterized, this pair would do better at a space station diner, asking, “Want fries with that?” Finally, the croissant abides.
Enjoyment - Hit and miss. Despite being a “favorite”, this does not surpass the A9 version that came out at nearly the same time. I enjoyed Severian’s effort, yet it is not the edit I will return to.
Subtitles: Yes, one of my bears. There actually are some subs available by Aorion. There are random timing problems, and they do not work for all dialogue. I repaired some issues, let others slide. Sorry.
Should you desire – https://subscene.com/subtitles/prometheus-giftbearer
Video - 854 X 356 AVC. Higher resolution would have been preferred. Good editing nonetheless, shifting some scenes around. Dr. Shaw’s dream time after Holloway’s death is remarkable.
Audio - 128 kbps, AAC, 2 Channel stereo. No subs. Stereo, really? Dialogue is mostly clear, though garbled during excited moments. I listened through headphones.
Narrative - This new narrative works well enough, though I can’t see how it replaces the original. It holds together, and remains logical throughout, but the improvements seemed insufficient. Straight off, Holloway continues to be a dick, for reasons poorly explained. Fifield and Millburn persist in being stupid. As characterized, this pair would do better at a space station diner, asking, “Want fries with that?” Finally, the croissant abides.
Enjoyment - Hit and miss. Despite being a “favorite”, this does not surpass the A9 version that came out at nearly the same time. I enjoyed Severian’s effort, yet it is not the edit I will return to.
Subtitles: Yes, one of my bears. There actually are some subs available by Aorion. There are random timing problems, and they do not work for all dialogue. I repaired some issues, let others slide. Sorry.
Should you desire – https://subscene.com/subtitles/prometheus-giftbearer
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
(Updated: July 17, 2020)
Overall rating
10.0
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
10.0
Enjoyment
10.0
This edit works very well as a film and was thoroughly enjoyable. There were some very clever edits, such as changing the moment David adds the black ink to the glass of water, and Severian's use of deleted scenes was superb. I highly recommend this edit.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
9.2
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
9.0
Narrative
8.0
Enjoyment
8.0
I was one of those people that absolutely despised Prometheus. This version, however, is much more palatable and mysterious, and overall I found I enjoyed it much more.
The new opening using the TED talk is absolutely genius and really ties everything together, along with Shaw's message to Weyland. Not seeing the Engineer until much later really helps in us caring about the characters and their mission. The alternate version of Fifield's attack on the ship was much more effective and ties it in better with the Alien series. The editing is seamless across the board and very well done.
There are still a few things that probably could've been cut. Though moving the Scotland scene and the Engineer on Earth scene works much better than the original cut, I really believe both of those scenes could've been cut entirely. The pacing could've been improved by removing them. There's also a shot of Shaw getting thrown against a wall where she clearly has a wire attached to her, as well as a shot with a few green screen monitors before the effects were added. I assume this is from the deleted scenes, so I can't blame you for not adding the effects, but I personally would've preferred not having these shots at all as they were quite noticeable.
This is probably the best version you'll get of this movie. It's still not perfect and at times rather infuriating, but it is a huge improvement. Kudos to the editor on a job well done!
The new opening using the TED talk is absolutely genius and really ties everything together, along with Shaw's message to Weyland. Not seeing the Engineer until much later really helps in us caring about the characters and their mission. The alternate version of Fifield's attack on the ship was much more effective and ties it in better with the Alien series. The editing is seamless across the board and very well done.
There are still a few things that probably could've been cut. Though moving the Scotland scene and the Engineer on Earth scene works much better than the original cut, I really believe both of those scenes could've been cut entirely. The pacing could've been improved by removing them. There's also a shot of Shaw getting thrown against a wall where she clearly has a wire attached to her, as well as a shot with a few green screen monitors before the effects were added. I assume this is from the deleted scenes, so I can't blame you for not adding the effects, but I personally would've preferred not having these shots at all as they were quite noticeable.
This is probably the best version you'll get of this movie. It's still not perfect and at times rather infuriating, but it is a huge improvement. Kudos to the editor on a job well done!
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
9.2
Audio/Video Quality
10.0
Audio Editing
9.0
Visual Editing
10.0
Narrative
8.0
Enjoyment
8.0
This turned a good movie into an almost great movie. It still has flaws but it's a much more smart sci-fi film and less generic.
The structure was vastly improved thanks to the deleted and extended scenes. The only part that felt out of place was the flashback sequence after Charlie's death. It was well done, but felt off.
The structure was vastly improved thanks to the deleted and extended scenes. The only part that felt out of place was the flashback sequence after Charlie's death. It was well done, but felt off.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
9.0
Audio/Video Quality
9.0
Audio Editing
9.0
Visual Editing
9.0
Narrative
9.0
Enjoyment
9.0
First, thanks Severian. I'm glad I have this version of Prometheus to watch now.
I'm one of those people who really liked the theatrical Prometheus. But I knew it wasn't perfect. And I knew that an edit, especially one that added deleted scenes, could be something great. This is that. Is it the best possible Prometheus? I don't know. My gut says it's not, but who knows.
I love the added scenes. I've had the movie for a number of months now, but I made a conscious decision to hold off on the scenes until I saw them in a fan edit. I think they all work here. Everything that people are saying these scenes add - they do. I especially love the final scene with Shaw and David. Great line in there.
Editing's good, nothing too noticeable. Some minor annoying stuff was taken out, and I think that's good. Putting the TED Talk at the start was, I think, a good idea, but it definitely gave the movie a different vibe. This is a more straightforward science fiction film I think. And that's okay. But the movie, as a whole, is a lot less mysterious. This is a byproduct of practically every single change. And that's okay. This is a different beast. This fact has actually made me appreciate the original more. The mystery of the original is one of the things I loved about it, and now I'm finally understanding why the film was cut the way it was. Putting the engineer scene at the start of the original was one biggest ways that it solidified it's mysterious tone. Interestingly, the engineer scene here seems to almost answer questions, instead of raise them. Due to its placement, we know what the engineer is, what Shaw thinks it did, and now the scene is almost an endorsement of Shaw's belief that the engineers created the humans. By actually seeing what she's, possibly, imagining, we have no choice but to assume that we're seeing the truth. Thinking on it more this placement is rather brilliant. Whilst imagining this engineer conceiving the human race, Shaw is pregnant, with what could be the beginning of a new race.
Anyway, yeah, I love this edit. I love this new version of Prometheus. And I love the old version of Prometheus. I love the additions (I just wish you could have included "David 8"). I like the cuts. Great work, great edit.
I'm one of those people who really liked the theatrical Prometheus. But I knew it wasn't perfect. And I knew that an edit, especially one that added deleted scenes, could be something great. This is that. Is it the best possible Prometheus? I don't know. My gut says it's not, but who knows.
I love the added scenes. I've had the movie for a number of months now, but I made a conscious decision to hold off on the scenes until I saw them in a fan edit. I think they all work here. Everything that people are saying these scenes add - they do. I especially love the final scene with Shaw and David. Great line in there.
Editing's good, nothing too noticeable. Some minor annoying stuff was taken out, and I think that's good. Putting the TED Talk at the start was, I think, a good idea, but it definitely gave the movie a different vibe. This is a more straightforward science fiction film I think. And that's okay. But the movie, as a whole, is a lot less mysterious. This is a byproduct of practically every single change. And that's okay. This is a different beast. This fact has actually made me appreciate the original more. The mystery of the original is one of the things I loved about it, and now I'm finally understanding why the film was cut the way it was. Putting the engineer scene at the start of the original was one biggest ways that it solidified it's mysterious tone. Interestingly, the engineer scene here seems to almost answer questions, instead of raise them. Due to its placement, we know what the engineer is, what Shaw thinks it did, and now the scene is almost an endorsement of Shaw's belief that the engineers created the humans. By actually seeing what she's, possibly, imagining, we have no choice but to assume that we're seeing the truth. Thinking on it more this placement is rather brilliant. Whilst imagining this engineer conceiving the human race, Shaw is pregnant, with what could be the beginning of a new race.
Anyway, yeah, I love this edit. I love this new version of Prometheus. And I love the old version of Prometheus. I love the additions (I just wish you could have included "David 8"). I like the cuts. Great work, great edit.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
User reviews
30 reviews
Overall rating
9.1
Audio/Video Quality
9.1(30)
Audio Editing
8.9(30)
Visual Editing
9.2(30)
Narrative
9.0(30)
Enjoyment
9.0(30)
Overall rating
10.0
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
10.0
Enjoyment
10.0
My biggest issue with the original “Prometheus” was the writing / confused plot. This edit is the definitive version for me now because it tackles that issue head on and fixes it (to the utmost possible). Check this out! Great version you’ll enjoy much better.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
10.0
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
10.0
Enjoyment
10.0
First off, I have to admit I never saw the theatrical cut of Prometheus (even though I grew up with the Alien films). From all the negative talk I heard about it, I guess I figured it wasn't really worth the time. In the end, I'm thankful I waited.
This edit was enjoyable throughout, and never once, did I spot a strange cut or transition.
It would be odd for me to call it my go-to version, because to me it's the only true version. Very, very well done!
This edit was enjoyable throughout, and never once, did I spot a strange cut or transition.
It would be odd for me to call it my go-to version, because to me it's the only true version. Very, very well done!
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
9.5
Audio/Video Quality
9.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
9.0
Enjoyment
9.0
The original Prometheus is an overall decent film but is very flawed, thus it's not hard to see why it's so heavily divisive among critics, audiences, and fans of the Alien franchise. Prometheus: Giftbearer reincorporates much of the deleted material to create a much richer, smart, and more satisfying and thought-provoking experience that works beautifully not only as an Alien prequel/spin-off but also as a standalone sci-fi/horror film. The footage added in makes the story, themes, and characters more compelling and much better-realized than in the theatrical version of the film. The editing is absolutely flawless. The additions of Peter Weyland's TED Talk and Elizabeth Shaw's video message to the Weyland Corporation really give the film much-welcome depth and make the events play out feel personal. Fantastic stuff.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
9.8
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
9.0
Narrative
10.0
Enjoyment
10.0
As for many, Prometheus was a massive disappointment for me. Since then it has grown on me and now I can appreciate many things about it - still, it's full of flaws.
This edit not only improves upon many of the original film's flaws, but I believe "Giftbearer" is finally a good, standalone movie and I would gladly recommend it to anyone who hasn't seen the original or any of the Alien films.
This edit not only improves upon many of the original film's flaws, but I believe "Giftbearer" is finally a good, standalone movie and I would gladly recommend it to anyone who hasn't seen the original or any of the Alien films.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
9.2
Audio/Video Quality
10.0
Audio Editing
8.0
Visual Editing
10.0
Narrative
9.0
Enjoyment
8.0
The original Prometheus movie is an awful mess, besides being a huge disappointment for fans of the franchise expecting a real prequel to the Xenomorphs, in my opinion. Severian has taken what is a complete mess and made a really respectable vision of the movie, I really enjoyed this edit. The beginnig of it with the Ted Talk scene brings a whole different perspective. The narrative has been greatly developed to show you humans seeking for something and clashing with a huge mistake. Thanks for this edit, most definitely replaced the original for me.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital