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Star Trek 4 “Full Circle”
Updated
Faneditor Name:
Original Movie/Show Title:
Genre:
Franchise:
Fanedit Type:
Original Release Date:
1986
Original Running Time:
118 minutes
Fanedit Release Date:
Fanedit Running Time:
100 minutes
Time Cut:
20 minutes
Time Added:
5 minutes
Additional Links:
Synopsis:
Bionic Bob’s fourth Star Trek movie revision attempts to tighten up the storyline pacing, keep our heroes in character, and retain the light spirit of the adventure while removing some of the more over the top humor.
Intention:
This is the “Trouble With Tribbles” entry in the Original Movie series. A light humourous romp with a social message. But as someone pointed out, it is a movie that often walks the fine line between Funny and Goofy.
My intent is to retain the light humour aspect of the film, but cut away any humour that is out of character for our Heroes or too over the top. There is nothing I detest more than when smart characters are purposely written dumb just to get a laugh.
My intent is to retain the light humour aspect of the film, but cut away any humour that is out of character for our Heroes or too over the top. There is nothing I detest more than when smart characters are purposely written dumb just to get a laugh.
Additional Notes:
An Alien Probe threatens all Human Life on Planet Earth! To save the world of Tomorrow, Kirk and his valient crew must return to the world of Yesterday to find their salvation!
Release Information:
DVD
Editing Details:
I have trimmed or cut many scenes in order to keep the plot moving a bit faster and keep the story tighter. As with my other Trek edits, I have included a signature “legacy” scene, additional music from the various Trek series
and Fade to Black Breaks.
Remember, infinite diversity in infinite combinations.
and Fade to Black Breaks.
Remember, infinite diversity in infinite combinations.
Trailer
Faneditor Name:
Original Movie/Show Title:
Genre:
Franchise:
Fanedit Type:
Original Release Date:
1986
Original Running Time:
118 minutes
Fanedit Release Date:
Fanedit Running Time:
100 minutes
Time Cut:
20 minutes
Time Added:
5 minutes
Additional Links:
Synopsis:
Bionic Bob’s fourth Star Trek movie revision attempts to tighten up the storyline pacing, keep our heroes in character, and retain the light spirit of the adventure while removing some of the more over the top humor.
Intention:
This is the “Trouble With Tribbles” entry in the Original Movie series. A light humourous romp with a social message. But as someone pointed out, it is a movie that often walks the fine line between Funny and Goofy.
My intent is to retain the light humour aspect of the film, but cut away any humour that is out of character for our Heroes or too over the top. There is nothing I detest more than when smart characters are purposely written dumb just to get a laugh.
My intent is to retain the light humour aspect of the film, but cut away any humour that is out of character for our Heroes or too over the top. There is nothing I detest more than when smart characters are purposely written dumb just to get a laugh.
Additional Notes:
An Alien Probe threatens all Human Life on Planet Earth! To save the world of Tomorrow, Kirk and his valient crew must return to the world of Yesterday to find their salvation!
Release Information:
DVD
Editing Details:
I have trimmed or cut many scenes in order to keep the plot moving a bit faster and keep the story tighter. As with my other Trek edits, I have included a signature “legacy” scene, additional music from the various Trek series
and Fade to Black Breaks.
Remember, infinite diversity in infinite combinations.
and Fade to Black Breaks.
Remember, infinite diversity in infinite combinations.
Cover art by Rogue-theX (DOWNLOAD HERE)
Trailer
Trusted Reviewer reviews
4 reviews
Overall rating
8.8
Audio/Video Quality
8.0(3)
Audio Editing
8.5(2)
Visual Editing
9.0(2)
Narrative
9.7(3)
Enjoyment
8.0(4)
Overall rating
8.9
Audio/Video Quality
9.0
Audio Editing
9.0
Visual Editing
9.0
Narrative
9.0
Enjoyment
7.0
I have never trucked with the idea that all the even-numbered ST films are "the good ones", and a big reason for that was this film. Even as a kid, the last thing I wanted from a ST movie was a hammy contemporary comedy, so this edit falls firmly in the FanFIX territory for me. The question on my mind was: could BionicBob make me into a fan of STIV?
Well, not really. My thoughts on the film itself are here: https://letterboxd.com/nottheacademy/film/star-trek-iv-the-voyage-home/ so I will focus instead on the fanedit changes. Firstly and blessedly, Bob opts to cut 20 minutes out. The original cut was a nearly 2 hour long goofy "fish out of water" (almost literally) comedy, and those should never be that long. He then added in 5 minutes, which still places this at probably 10-15 minutes too long for me. His stated aim was to cut a lot of the over-the-top humor, but there's still a lot here in my opinion. And honestly, I think a lot of people who like this film like it BECAUSE of that. So I'm not sure if cutting that stuff actually improves it or not. It's just a story weakness...there's not much to replace it with, no big villain or big action piece. Without the humor, there's not much to focus on.
I agree very much with what Dwight-Fry said in his previous review. The execution of the "TV Series" concept carries on here, and you'll know by now if that works for you or not. I found that some of the fades were too slow by a second or two, though they were evenly placed throughout, and at suitably dramatic moments. The reworking of the audio is a bit hit and miss, and I really didn't care for the recurring off-kilter musical theme that was played for many of the comedic moments.
The actual editing of the story has pluses and minuses for me. On the one hand, I did really appreciate the flash-forwards put into the first time-travel trip, and I interpreted it as their perception of time simply becoming a flat plane...though perceiving past moments would've helped with that idea. On the other hand, there's no comparable sequence in the second time-travel trip, leaving that feeling flat and anti-climatic, especially since the story sets it up to be riskier than the first one. The flash forwards probably would've been better placed there, as if they were questing around for the exact right future moment. Perhaps a series of flashBACKS would then be a good bookend during the first trip.
Also, while I appreciated the trimming of many scenes, it ended up causing some small narrative problems, mostly for Gillian (the marine biologist/tour guide). As we get none of her talking to her boss earlier, it now kind of comes out of nowhere when she yells at him and angrily slaps him for moving the whales. You're just like, "Hey, who's that, her boss? Oh snap! Is she fired now?!" Also, there's no conversation where she weighs the option of going with the whales or not. In this edit, Kirk just decides for her (and the entire Federation, time travel rules be damned) that she is.
Basically, this is the kind of '80s movie where a guy from 300 years in the future can sit at a Mac, start tapping on the qwertys all willie-nillie, and suddenly complex graphs and charts are coming up one after another. Yeah, that kind of logic. Is there any way to make this into an enjoyable, straight movie? Probably not. BionicBob gives it a good shot, but it couldn't quite reel me in (my original Enjoyment would probably be a 1 or 2, so the score here is a big improvement.) I suspect fans of the original will miss a lot of the goofy bits, so it'll be kind of a fine line to find someone who enjoys this take the best.
Well, not really. My thoughts on the film itself are here: https://letterboxd.com/nottheacademy/film/star-trek-iv-the-voyage-home/ so I will focus instead on the fanedit changes. Firstly and blessedly, Bob opts to cut 20 minutes out. The original cut was a nearly 2 hour long goofy "fish out of water" (almost literally) comedy, and those should never be that long. He then added in 5 minutes, which still places this at probably 10-15 minutes too long for me. His stated aim was to cut a lot of the over-the-top humor, but there's still a lot here in my opinion. And honestly, I think a lot of people who like this film like it BECAUSE of that. So I'm not sure if cutting that stuff actually improves it or not. It's just a story weakness...there's not much to replace it with, no big villain or big action piece. Without the humor, there's not much to focus on.
I agree very much with what Dwight-Fry said in his previous review. The execution of the "TV Series" concept carries on here, and you'll know by now if that works for you or not. I found that some of the fades were too slow by a second or two, though they were evenly placed throughout, and at suitably dramatic moments. The reworking of the audio is a bit hit and miss, and I really didn't care for the recurring off-kilter musical theme that was played for many of the comedic moments.
The actual editing of the story has pluses and minuses for me. On the one hand, I did really appreciate the flash-forwards put into the first time-travel trip, and I interpreted it as their perception of time simply becoming a flat plane...though perceiving past moments would've helped with that idea. On the other hand, there's no comparable sequence in the second time-travel trip, leaving that feeling flat and anti-climatic, especially since the story sets it up to be riskier than the first one. The flash forwards probably would've been better placed there, as if they were questing around for the exact right future moment. Perhaps a series of flashBACKS would then be a good bookend during the first trip.
Also, while I appreciated the trimming of many scenes, it ended up causing some small narrative problems, mostly for Gillian (the marine biologist/tour guide). As we get none of her talking to her boss earlier, it now kind of comes out of nowhere when she yells at him and angrily slaps him for moving the whales. You're just like, "Hey, who's that, her boss? Oh snap! Is she fired now?!" Also, there's no conversation where she weighs the option of going with the whales or not. In this edit, Kirk just decides for her (and the entire Federation, time travel rules be damned) that she is.
Basically, this is the kind of '80s movie where a guy from 300 years in the future can sit at a Mac, start tapping on the qwertys all willie-nillie, and suddenly complex graphs and charts are coming up one after another. Yeah, that kind of logic. Is there any way to make this into an enjoyable, straight movie? Probably not. BionicBob gives it a good shot, but it couldn't quite reel me in (my original Enjoyment would probably be a 1 or 2, so the score here is a big improvement.) I suspect fans of the original will miss a lot of the goofy bits, so it'll be kind of a fine line to find someone who enjoys this take the best.
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
(Updated: August 04, 2016)
Overall rating
8.8
Audio/Video Quality
8.0
Audio Editing
8.0
Visual Editing
9.0
Narrative
10.0
Enjoyment
10.0
Review by Neglify — August 3, 2012 @ 8:51 am
This was an excellent edit. It’s not technically perfect, but it was a highly enjoyable story for me. I especially loved the added time warp. And oh yeah, “San Francisco. I was born there.”
This was an excellent edit. It’s not technically perfect, but it was a highly enjoyable story for me. I especially loved the added time warp. And oh yeah, “San Francisco. I was born there.”
(Updated: September 15, 2012)
Overall rating
7.0
Audio/Video Quality
N/A
Audio Editing
N/A
Visual Editing
N/A
Narrative
N/A
Enjoyment
7.0
Review by DwightFry78 — December 23, 2010 @ 12:23 am
A fun edit of a fun movie! The narrative flows great and is much improved by losing most of the cheese factor. I was particularly impressed by the way the Chekhov subplot was handled. The end of that is probably the best use of a TV style fadeout in the Bionic Trek series so far. It spares us a lot of useless filler.
However, there were some audio issues with this one. I found the added music frequently too loud, as to make parts of the dialogue inaudible. This was particularly true of the Huey Lewis song. Also, I’m afraid I did not appreciate the music during Spock’s conversation with his mother. I don’t know if it’s the music itself or the way it’s used, but now the sequence seems out of a bad soap opera and is unintentionally funny.
About the montage, I’m not sure what to think. While it’s very nice to see all those “events to come”, it’s quite odd story-wise that no characters refer to them after that, given the importance of them. Also, it was a bit too detailed, quick flashes would have been enough to identify those moments, and more believable as a time travel side effect.
Unfortunately, the usual video problems of the Bionic series remain. 4:3, interlaced segments, heavy pixellation in reds… It’s too bad, as the edits themselves are too good to be handicapped by technical stuff.
Did I prefer this one to the original? Not sure. There were parts I liked better here, and parts I liked better there. In any case, this is a very enjoyable edit, as usual in the Bionic saga. I only wish the audio levels were fixed…
A fun edit of a fun movie! The narrative flows great and is much improved by losing most of the cheese factor. I was particularly impressed by the way the Chekhov subplot was handled. The end of that is probably the best use of a TV style fadeout in the Bionic Trek series so far. It spares us a lot of useless filler.
However, there were some audio issues with this one. I found the added music frequently too loud, as to make parts of the dialogue inaudible. This was particularly true of the Huey Lewis song. Also, I’m afraid I did not appreciate the music during Spock’s conversation with his mother. I don’t know if it’s the music itself or the way it’s used, but now the sequence seems out of a bad soap opera and is unintentionally funny.
About the montage, I’m not sure what to think. While it’s very nice to see all those “events to come”, it’s quite odd story-wise that no characters refer to them after that, given the importance of them. Also, it was a bit too detailed, quick flashes would have been enough to identify those moments, and more believable as a time travel side effect.
Unfortunately, the usual video problems of the Bionic series remain. 4:3, interlaced segments, heavy pixellation in reds… It’s too bad, as the edits themselves are too good to be handicapped by technical stuff.
Did I prefer this one to the original? Not sure. There were parts I liked better here, and parts I liked better there. In any case, this is a very enjoyable edit, as usual in the Bionic saga. I only wish the audio levels were fixed…
(Updated: September 15, 2012)
Overall rating
8.5
Audio/Video Quality
7.0
Audio Editing
N/A
Visual Editing
N/A
Narrative
10.0
Enjoyment
8.0
Review by L8wrtr — January 13, 2011 @ 9:05 am
Bionic Bob has to date created my favorite series of edits. While I’m a Star Wars guy, I can’t deny that I have a love for Star Trek. My older brother remembers watching the shows when they were new, and he had me watch them with him before there was a Star Wars, they even had that cool cartoon . So I’ve taken to watching these with my bro as his reaction is something that helps me gauge Bob’s success. Normally I watch the edits myself before having my bro over, but this time I waited so that we could see it for the first time together, I’ll use him as a reference point for the review.
As with all of my reviews, they are intended as constructive evaluations of the edit and no offense is intended to the editor.
AUDIO
Normally one of Bob’s strengths is the audio. While never anything fancy from a surround standpoint, the levels are typically appropriate, rarely requiring you to keep your hand on the remote for sudden increases or decreases in audio. This time however I had to keep my trusty remote at the ready. At about half-way through the movie I turned off my surround system and let it play through my tv’s speakers (which aren’t half-bad). This was a big improvement, but still not what I’ve come to expect from Bob. Outside of the audio levels, Bob’s deft ear and keen sensibilities continue with his addition of classic Trek sounds and music. And as all have noted, fantastic work on the HLN playing on the radio. Overall 6/10
VIDEO
Theres not much to say here. As always, the cuts themselves are fantastic, no flash frames, good transitions etc.. but we of course have our Letterbox/codec issues. 8/10
STORY
So far, this has been a brutal review, which is hard because I’m a big fan of Bob’s work. Fortunately, this edit really delivers where it counts. Bob’s treatment of the story brings out the absolute best in the edit and cuts out all that hasn’t aged as you’d hope. Like the Bones side-story on Earth in Search For Spock/Resurrection, the reduction/redaction of the Checkov story is a much needed improvement. Like others, I’m perplexed by the time-travel sequence. Love the idea, but I agree, the individual sequences were long. If you’re a fan of Star Trek and watch it, you don’t need to see the full clips to know their significance, and if you’ve not seen them, well, they don’t mean a whole lot either. If there is a V2, I’d recommend trimming their length (but not number)
But the most important thing I can say about this edit is that quite simply, it feels like a Star Trek episode. My brother grinned and laughed throughout at all the right beats for all the right reasons. This was by far his favorite installment of the Bionic Bob edits. My only disappointment came from the loss of the little old lady that Bones gives pills to. For some reason, her hollering as they leave the hospital always cracks me up, but I can also see why he cut it out.
10/10
OVERALL
Despite the audio issues, this was far and away my brother’s favorite of Bionic Bob’s edits to date. While he’s enjoyed every single one so far, this edit, which has the benefit of a story that FINALLY focuses on the big three, feels completely like a Star Trek story. Our heroes must save the Earth for the umpteenth time are finally allowed be the characters we love. After 3 movies we finally see Kirk, Spock and Bones interact the way we want to see them; they finally reprise their characters, and not just their roles. Bob’s edit strips away the forced humor and dated story-telling, and the result is an edit which allows what we enjoy about Star Trek shine through, the characters.
Despite the audio issues, this edit, like The V’ger Incident and Resurrection before it, are now my go-to versions, but of all Bob’s edits, if he picks just one to come back and do a V2, I hope that is this one. It represents some of his best editing, but is handicapped by the audio and video issues. Overall 7.5 out of 10, but that has to round up to 8/10 when I factor in how much my brother truly enjoyed this film.
Keep’m coming Bob!
Bionic Bob has to date created my favorite series of edits. While I’m a Star Wars guy, I can’t deny that I have a love for Star Trek. My older brother remembers watching the shows when they were new, and he had me watch them with him before there was a Star Wars, they even had that cool cartoon . So I’ve taken to watching these with my bro as his reaction is something that helps me gauge Bob’s success. Normally I watch the edits myself before having my bro over, but this time I waited so that we could see it for the first time together, I’ll use him as a reference point for the review.
As with all of my reviews, they are intended as constructive evaluations of the edit and no offense is intended to the editor.
AUDIO
Normally one of Bob’s strengths is the audio. While never anything fancy from a surround standpoint, the levels are typically appropriate, rarely requiring you to keep your hand on the remote for sudden increases or decreases in audio. This time however I had to keep my trusty remote at the ready. At about half-way through the movie I turned off my surround system and let it play through my tv’s speakers (which aren’t half-bad). This was a big improvement, but still not what I’ve come to expect from Bob. Outside of the audio levels, Bob’s deft ear and keen sensibilities continue with his addition of classic Trek sounds and music. And as all have noted, fantastic work on the HLN playing on the radio. Overall 6/10
VIDEO
Theres not much to say here. As always, the cuts themselves are fantastic, no flash frames, good transitions etc.. but we of course have our Letterbox/codec issues. 8/10
STORY
So far, this has been a brutal review, which is hard because I’m a big fan of Bob’s work. Fortunately, this edit really delivers where it counts. Bob’s treatment of the story brings out the absolute best in the edit and cuts out all that hasn’t aged as you’d hope. Like the Bones side-story on Earth in Search For Spock/Resurrection, the reduction/redaction of the Checkov story is a much needed improvement. Like others, I’m perplexed by the time-travel sequence. Love the idea, but I agree, the individual sequences were long. If you’re a fan of Star Trek and watch it, you don’t need to see the full clips to know their significance, and if you’ve not seen them, well, they don’t mean a whole lot either. If there is a V2, I’d recommend trimming their length (but not number)
But the most important thing I can say about this edit is that quite simply, it feels like a Star Trek episode. My brother grinned and laughed throughout at all the right beats for all the right reasons. This was by far his favorite installment of the Bionic Bob edits. My only disappointment came from the loss of the little old lady that Bones gives pills to. For some reason, her hollering as they leave the hospital always cracks me up, but I can also see why he cut it out.
10/10
OVERALL
Despite the audio issues, this was far and away my brother’s favorite of Bionic Bob’s edits to date. While he’s enjoyed every single one so far, this edit, which has the benefit of a story that FINALLY focuses on the big three, feels completely like a Star Trek story. Our heroes must save the Earth for the umpteenth time are finally allowed be the characters we love. After 3 movies we finally see Kirk, Spock and Bones interact the way we want to see them; they finally reprise their characters, and not just their roles. Bob’s edit strips away the forced humor and dated story-telling, and the result is an edit which allows what we enjoy about Star Trek shine through, the characters.
Despite the audio issues, this edit, like The V’ger Incident and Resurrection before it, are now my go-to versions, but of all Bob’s edits, if he picks just one to come back and do a V2, I hope that is this one. It represents some of his best editing, but is handicapped by the audio and video issues. Overall 7.5 out of 10, but that has to round up to 8/10 when I factor in how much my brother truly enjoyed this film.
Keep’m coming Bob!
User reviews
8 reviews
Overall rating
9.3
Audio/Video Quality
9.3(3)
Audio Editing
8.7(3)
Visual Editing
9.7(3)
Narrative
9.3(3)
Enjoyment
9.1(8)
(Updated: March 29, 2022)
Overall rating
8.8
Audio/Video Quality
9.0
Audio Editing
8.0
Visual Editing
9.0
Narrative
9.0
Enjoyment
10.0
I finally got around to watching this at the weekend.
Reading other reviews, I agree about the flash forward images etc.
I also agree some of the music was perhaps out of place and/or repetitious, but back then BionicBob didn't have the luxury of the complete TOS soundtrack. Tribbles music works for the banter between Kirk and Spock, but I wouldn't extend it further than that.
Narrative-wise, I thoroughly enjoyed this, and felt nothing was truly missing. The hospital scenes in particular, benefited from this. A tightened trip to get the whales, and out we come the other side of the sun, back in the future.
Considering I am reviewing an edit made over a decade ago, it's a cute little take on the lighter of the TOS movies, that aside from some music choices, mostly holds up, viewing it today.
Reading other reviews, I agree about the flash forward images etc.
I also agree some of the music was perhaps out of place and/or repetitious, but back then BionicBob didn't have the luxury of the complete TOS soundtrack. Tribbles music works for the banter between Kirk and Spock, but I wouldn't extend it further than that.
Narrative-wise, I thoroughly enjoyed this, and felt nothing was truly missing. The hospital scenes in particular, benefited from this. A tightened trip to get the whales, and out we come the other side of the sun, back in the future.
Considering I am reviewing an edit made over a decade ago, it's a cute little take on the lighter of the TOS movies, that aside from some music choices, mostly holds up, viewing it today.
Overall rating
9.7
Audio/Video Quality
10.0
Audio Editing
10.0
Visual Editing
10.0
Narrative
9.0
Enjoyment
9.0
this was another enjoyable edit. one thing that lost me was seeing the future when they traveled to the past. i would love to know wherre the future scenes came from as i dont remember ever seeing them. i think the future scenes would have worked better in a forward time warp. overall its a fun movie and i didnt have to explain as much stuff to my middle son as i did the original movies with my oldest son, definite plus and on to the next movie
User Review
Do you recommend this edit?
Yes
Format Watched
Digital
Overall rating
9.3
Audio/Video Quality
9.0
Audio Editing
8.0
Visual Editing
10.0
Narrative
10.0
Enjoyment
10.0
Another great BionicBob Star trek edit!
In general, this may have been my favorite so far--though I have 2 more movies to watch in the series. This movie is just fun, and the chemistry between the characters comes through here the best since the tv show, and this edit keeps things moving at a perfect pace.
I had issues with the "flash-forward" montage. It didn't particularly make sense to me. They went back in time and all experienced images of their future selves? If you were going to do that at all, I think using shorter, quick wordless flashes, maybe with a slightly psychedelic filter, would have worked better, IMO. Though, considering they go back in time, I would think images from their past would pop up, and then on the return to their future (which is their present), maybe there use the future images? I'm torn about this part. I was glad not to see another montage when they went back to their present with the whales, but at the same time, I sort of wondered why there wouldn't be another one. This issue is pretty minor, but when you create something nearly perfect, the flaws stand out.
I had minor issues with background music as well, though not the Huey Lewis song (I thought the volume of the music there was fine, as past Earth probably seemed like a cacophony of sounds to the crew. But there were a few times the music was a little loud and in some scenes (Chekov awakening and stating his name/rank) the music just seemed out of place--undercutting the drama of the scene.
My overall enjoyment of this was off the chart though--higher than the 10-point scale allows.
To me, more than the 3 previous TOS movies, this one captures the fun of the original Star Trek. The fate of the world hangs in the balance, but that doesn't mean Kirk isn't still basically trying to get laid, Spock is dressed as some kinda samurai and attempting "colorful" language and Bones gets to play Dr in a real hospital! And even the whale plot made me think of Douglas Adams's So Long And Thanks For All The Fish---which has nothing to do with Star Trek, and yet I think this fun movie shares a little DNA with that brilliant writer's way of having fun with end-of-the-world scenarios.
In general, this may have been my favorite so far--though I have 2 more movies to watch in the series. This movie is just fun, and the chemistry between the characters comes through here the best since the tv show, and this edit keeps things moving at a perfect pace.
I had issues with the "flash-forward" montage. It didn't particularly make sense to me. They went back in time and all experienced images of their future selves? If you were going to do that at all, I think using shorter, quick wordless flashes, maybe with a slightly psychedelic filter, would have worked better, IMO. Though, considering they go back in time, I would think images from their past would pop up, and then on the return to their future (which is their present), maybe there use the future images? I'm torn about this part. I was glad not to see another montage when they went back to their present with the whales, but at the same time, I sort of wondered why there wouldn't be another one. This issue is pretty minor, but when you create something nearly perfect, the flaws stand out.
I had minor issues with background music as well, though not the Huey Lewis song (I thought the volume of the music there was fine, as past Earth probably seemed like a cacophony of sounds to the crew. But there were a few times the music was a little loud and in some scenes (Chekov awakening and stating his name/rank) the music just seemed out of place--undercutting the drama of the scene.
My overall enjoyment of this was off the chart though--higher than the 10-point scale allows.
To me, more than the 3 previous TOS movies, this one captures the fun of the original Star Trek. The fate of the world hangs in the balance, but that doesn't mean Kirk isn't still basically trying to get laid, Spock is dressed as some kinda samurai and attempting "colorful" language and Bones gets to play Dr in a real hospital! And even the whale plot made me think of Douglas Adams's So Long And Thanks For All The Fish---which has nothing to do with Star Trek, and yet I think this fun movie shares a little DNA with that brilliant writer's way of having fun with end-of-the-world scenarios.
User Review
Do you recommend this edit?
Yes
Format Watched
DVD
(Updated: September 15, 2012)
Overall rating
10.0
Audio/Video Quality
N/A
Audio Editing
N/A
Visual Editing
N/A
Narrative
N/A
Enjoyment
10.0
Review by steelio2006 — June 21, 2011 @ 3:29 pm
*This rating was given before reviews were required*
*This rating was given before reviews were required*
(Updated: September 15, 2012)
Overall rating
9.0
Audio/Video Quality
N/A
Audio Editing
N/A
Visual Editing
N/A
Narrative
N/A
Enjoyment
9.0
Review by Frantic Canadian — March 21, 2011 @ 1:23 am
*This rating was given before reviews were required*
*This rating was given before reviews were required*