This edit aims to provide a more complete, satisfying and enjoyable telling of Elton John’s story, particularly for fans. Deleted scenes are restored, including Elton’s first suicide attempt and a subplot regarding the AIDS crisis. Two egregious factual inaccuracies are removed: Elton taking his last name from John Lennon (the real-life origin, from blues singer Long John Baldry, is well-known) and Elton playing his ‘80s hits in the ‘60s. The tone and pacing are also improved by cutting Elton’s last argument with his mother (a miserable scene that is too similar to the argument with Bernie Taupin directly following it). Finally, a couple musical Easter eggs are added to the film’s score.

Licence to Kill stands out in the Bond series for its sense of danger, brutal villains, and Timothy Dalton's driven 007 – but it's got problems, including off-tone comedy, perplexing love interests, and an obligation to franchise expectations. Licence to Kill: Recut aims to eliminate these problems.

The Living Daylights stands out in the Bond series for its mix of Cold War espionage and escapist adventure, its tender romance, and Timothy Dalton’s vulnerable 007 – but it’s got problems, including ineffective villains, unnecessary comedy, and an overcomplicated plot. The Living Daylights: Recut aims to eliminate these problems.

This edit removes all references to Bond being old. Instead, he is simply old-fashioned and off his game due to injury. Additionally, a new gun barrel sequence opens the movie, two scenes are rescored, and the Roger Moore-esque casino brawl is removed, among other changes.

What would a modern day Blade Runner score by Vangelis sound like? This edit rescores Blade Runner 2049 with new music from the composer’s 2016 album Rosetta and his Blade Runner tribute album from 2007. The music is supplemented by some earlier Vangelis tracks, as well as material by John Barry and others. No music from the original Blade Runner is used, except when sampled by Vangelis on the BR tribute album. In addition, the edit is approx. 15 minutes shorter, mainly from trimming Wallace’s scenes to a minimum and cutting Gaff and Rachael.

When Captain America awakens after 70 years of suspended animation, he must navigate a modern world where nothing is black and white and conspiracy lurks around every corner.

Steve Rogers is transformed into Captain America, the star-spangled super soldier who must save the world from the mad Red Skull, leader of the Nazi deep science division Hydra.

After a secret mission in Mexico City, James Bond has one more loose end to tie up.

The 1994 Spider-Man animated series three-parter “The Alien Costume” is recut to play as a single feature. Production errors, poor animation and weak writing are also removed. It’s a classic Spidey story, and it’s even better than you remember!

This edit emphasizes Bond’s character arc of learning to see the big picture. He is a new 00, but not a rookie agent or a young man. Action sequences are trimmed and the romance is streamlined in an attempt to focus the story.